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Van Quotes - page 3
When I was in Van Halen I was hitting notes that were out of my range. I never went for those registers before until Eddie pulled it out of me.
Gary Cherone
If I had had a chance to tour with Van Halen before the record, I think it would have been a different record.
Gary Cherone
It was fun while it lasted, but it never seemed real to me. I could not believe I was in Van Halen.
Gary Cherone
Dave thought he was bigger than Van Halen the band. So there was this catfight going on for 10 years.
Gary Cherone
You have to find hope. Hope is such a shape shifter. You tend to look in the rearview mirror for hope, but when it's gone, you have to look forward. You have to get in the van and keep driving on.
Jonathan Evison
If I could have any artist's work on my sitting room wall it would probably be by Van Gogh or Picasso.
Juliet Stevenson
I just completed a tour in Europe. I played every night. This requires traveling some days for six hours in a van or a train or a car. After six weeks of that, I checked into the hotel and just fell apart.
Lee Konitz
The summer of 2002 at the Wilson birthday party I met Van Dyke again and I made plans to have dinner with him.
Matthew Sweet
We'd go out in Larry's hippie van and drive out all around Dallas. He loved Chinese food, he'd go in and say. Remember me Major Nelson, me and my friends here are making this show called Dallas, have you got a table for us? It would work every time.
Steve Kanaly
I like to find the beauty in the ugly. When I'm in a thrift store, I gravitate toward pieces I know I'll wear a ton, and insane pieces that I'm sure most people would consider gross. But I find them inspiring. Our van is currently stocked with some of my random findings from this tour. Maybe I'll call my aesthetic 'van fashion.
Victoria Legrand
I always liked the Van Gogh story because I was terribly involved in that.
Vincente Minnelli
I was going to buy a van and move to LA so I could secretly pursue acting without any of my friends knowing.
Steve Buscemi
I do not pretend to be a man who knows no fear, but when I heard about van Gogh's murder I can honestly say I felt anger, not fear. I defiantly proclaimed to the journalists that I would not allow anyone to intimidate me into silence. I was angry at the assassin and his accomplices, I was angry at Islam-this doctrine that has people murdered for their opinions-and I was angry at the naive politicians, journalists, and so-called intellectuals in the West who refuse to admit how dangerous Islam is and how fundamentally incompatible it is with our Western values and ideals.
Geert Wilders
Why do I need this protection? I am not a president or a king; I am a mere member of the Dutch Parliament, one of 150 elected parliamentarians in the Tweede Kamer, the House of Representatives of the Netherlands, a small country of 16.5 million in Western Europe. However, I have joined Westergaard in a rapidly growing group of individuals throughout the world who have been marked for death for criticizing Islam. For asserting our rights to say what we really think about this political ideology that disguises itself as a religion, we have been hounded by Muslims seeking to make an example of us. Offend us, they are saying to the world, and you will end up in hiding like Wilders, attacked like Westergaard, or dead like van Gogh.
Geert Wilders
I have a panic room in my house, where I am supposed to take refuge if one of the adherents of the "religion of peace" makes it past my permanent security detail and into my home. In fact, it's not really my home at all-I live in a government safe house, heavily protected and bulletproof. Since November 2004, when a Muslim murdered Dutch filmmaker Theo van Gogh for the crime of offending Islam, I have been surrounded by police guards and stripped of nearly all personal privacy. I am driven every day from the safe house to my office in the Dutch Parliament building in armored police cars with sirens and flashing blue lights. I wear a bulletproof jacket when I speak in public. Always surrounded by plainclothes police officers, I have not walked the streets on my own in more than seven years.
Geert Wilders
The potato seems like a Romantic (organic) object.... you can watch it growing if you don't eat it. It is going to change – grow, rot, disappear. A pebble is like a Classical thing – it changes little if any... If it was big you could keep the dead down with it.... The Classical idea is not around much anymore. [Der Koning is comparing the Potatoes of Vincent Van Gogh to the Pebbles of Jean Arp.
Willem de Kooning
What fascinates me about Van Gogh is that his sun dries up everything. Maybe he was melodramatic but my point really is.... if you are a painter you have to face that self-consciousness. You get dirty and pathetic; very miserable. It makes me self-conscious to talk about it. There is something corrupt on art. Nothing do with any 'ism' but a thing in nature loses its innocence and becomes a grotesque thing.... maybe this difficulty is personal with me, and maybe it is something that other painters have in common. Perhaps it is also something of today.
Willem de Kooning
I hope that with the help of van Van Gogh and Durand we will be able to emerge from this situation [selling nothing]. It seems to me that I deserve no less, since I have worked conscientiously. I do not believe that anyone could devote - if not more talent - more care and good will to the service of his art; it takes me hours of reflection to decide on the slightest detail. Is this impatience?... I think not! For I do not wish to make a brush stroke when I do not feel complete mastery of my subject, there's the rub - that is the great difficulty; without sensation, nothing, absolutely nothing valid... I believe I have hit my stride. I have begun a series of things which will really be in my style.
Camille Pissarro
With regard to the diagonal, too, I am in complete agreement with you [with Theo van Doesburg ]. As soon as it appears together with straight [horizontal and vertical] lines, I believe it should be condemned... A while back I started a thing entirely in diamonds [diamond-shape] like this [his sketch in the letter of several diamond-forms]. I have to find out if it's possible: intellectually I'm inclined to say it is. There's something to be said for the idea, because perpendicular and flat lines can be seen everywhere in nature; by using a diagonal line I would be canceling that out. But I'm inclined to say that this cannot be combined with perpendicular and flat lines or with different kinds of slanting lines.
Piet Mondrian
And then about whether or not to work from a given in nature. In my view, you [ Van Doesburg ] define this in a rather narrow sense. In the main, I do agree with you that the destruction of the natural, and it reconstruction, must be accomplished according to a spiritual image, but I believe that we should take a broad view here. What is natural does not have to be a representation of something. I'm now working on a thing that is a reconstruction of a starry sky ['Composition, Checkerboard Dark Colours', 1919] and yet I'm making it without a given from nature. Someone who says he uses a theme from nature can be right, but also someone who says he uses nothing at all.
Piet Mondrian
And now about architects in general – I have to say it, Does [= Theo van Doesburg ], when 'De Stijl' was founded I left it up to you, but I never did agree with you when you ranked the architects alongside us, alongside our 'N. B.' ( / Neo-Plasticism) I knew then that it would lead to conflict... I cannot write about architecture, because I'm not an architect. I mean, I cannot write about the way I write about painting. Later on, though, I will put forward a few ideas.
Piet Mondrian
The free placement of the means of expression is a privilege enjoyed exclusively by painting [different opinion with Theo van Doesburg]] ]. The sister arts, sculpture and architecture, are more restricted in this respect. The other arts enjoy even less scope in their employment of the means of expression.
Piet Mondrian
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