Photograph Quotes - page 5
Preflight planners wanted us to stay in TV range so that they could learn from our results how they could best plan for future missions. I candidly admit that I knowingly and deliberately left the planned working area out of TV coverage to examine and photograph the interior crater walls for possible bedrock exposure or other useful information.
Neil Armstrong
The abstracts are the opposite to work on. That process is more like walking, step by step, without an intention, until you discover where you are going. When I paint a landscape from a photograph or an image like this one, I can see the end point before I start, although in fact it always turns out slightly different than I imagined. What I have is not facility, because this really doesn't take skill. I have an eye. I couldn't make a drawing of you sitting here right now. I would love to have that ability, in the same way that I would love to play the piano. Virtuosity is a precondition for pianists, but in addition you have to be good. These are not the same thing.
Gerhard Richter
It was no accident that I found my way to Götz at the time [c. 1960-62]. This 'Informal' element runs through every picture I've painted, whether it's a landscape, or a family painted from a photograph, or the Colour Charts or a Grey picture. And so now it is a pursuit of the same objectives by other means.. .As I now see it, all my paintings are 'Informal'.. ..except for the landscapes, perhaps.. .The 'Informal' is the opposite of the constructional quality of classicism – the age of kings, of clearly formed hierarchies.
Gerhard Richter
The photograph reproduces objects in a different way from the painted picture, because the camera does not apprehend objects: it sees them. In 'free-hand drawing' the object is apprehended in all it parts... By tracing the outlines with the aid of a projector you can bypass and elaborate this process of apprehension. You no longer apprehend but see and make (without design) what you have not apprehended. And when you don't know what you are making, you don't know, either, what to alter or distort.
Gerhard Richter
I am primarily painting from photographs these days (from illustrated magazines but also from family photos), in a sense this is a stylistic problem, the form is naturalistic, even though the photograph is not nature at all but a prefabricated product (the "second-hand world” in which we live), I do not have to intervene artistically with style, since the stylization (deformation in form and color) contributes only under very particular circumstances toward clarifying and intensifying an object or a subject (generally stylization becomes the central problem which obscures everything else (object, subject), it leads to an unmotivated artificiality, an untouchable formalist taboo.
Gerhard Richter
When we describe a process, or make out an invoice, or photograph a tree, we create models; without them we would know nothing of reality and would be animals. Abstract pictures are fictive models, because they make visible a reality that we can neither see nor describe, but whose existence we can postulate.
Gerhard Richter
My first photo Picture? I was doing large pictures in gloss enamel... One day a photograph of Brigit Bardot fell into my hands, and I painted it into one of these pictures in shades of grey. I had had enough of bloody painting, and painting from a photograph seemed to me the most moronic.... thing that everyone could do.
Gerhard Richter
One gets as much information as a witness of activity from a fleeting glance [in the photo], like a quick look, sometimes in motion, as one does staring at the subject. Because even if you remain stationary your mind wanders, and it's that kind of activity that I would like to get into the photograph – a confirmation of the fact that everything is moving.
Robert Rauschenberg
He could jazz up the map-reading class by having a full-size color photograph of Betty Grable in a bathing suit, with a co-ordinate grid system laid over it. The instructor could point to different parts of her and say, "Give me the co-ordinates."... The Major could see every unit in the Army using his idea.... Hot dog!
Norman Mailer
For years Pershing Square has been one of the three or four places in America famous to homosexuals, famous not for its posh, the chic is round-heeled here, but because it is one of the avatars of good old masturbatory sex, dirty with the crusted sugars of smut, dirty rooming houses around the corner where the score is made, dirty book and photograph stores down the street.
Norman Mailer
Once a photograph of the Earth, taken from outside, is available, we shall, in an emotional sense, acquire an additional dimension... Once let the sheer isolation of the Earth become plain to every man, whatever his nationality or creed, and a new idea as powerful as any in history will be let loose.
Fred Hoyle
He thought a photograph was nothing; that he should blend into the surroundings and become invisible, the better to work and capture –as he said natural light. One shouldn't even hear the click of Rolleiflex. He would have liked to conceal his camera. The death of his friend Robert Capa could in fact be explained, as he saw it, by this desire, the giddiness of blending into the surrounding once and for all.
Patrick Modiano
