Coast Quotes - page 4
This Spring of 1911 Marianne von Werefkin [his former study-mate in Russia and in fact his life-comapnion for many years, but never married] Andrei, Helene and I went to Prerow on the Baltic [coast]. For me that summer meant a great step forward in my art. I painted my finest landscapes there as well as large figure paintings in powerful, glowing colours and not at all naturalistic or objective. I used a great deal of red, blue, orange, cadmium yellow and chromium-oxide green. My forms were very strongly contoured in Prussian blue, and came with tremendous power from an inner ecstasy. 'Der Buckel', 'Violetter Turban', 'Selbstporträt'.. ..were created in this way. It was a turning-point in my art. It was in these years, up to 1914, just before the war [World War 1.], that I painted my most powerful works, referred to as the pré-war works.
Alexej von Jawlensky
[written when news was received that a vast French invasion fleet had appeared off the south coast of England ] MA CHERE AMIE, ... I awake to fears of invasion, to noise, faction, drums, soldiers, and care the whole town has now but two employments - the learning of French, and the exercise of arms - which is highly political, in my poor opinion, for should the military fail of success, which is not impossible- why, the ladies must take the field, and scold them to their ships again.
Ignatius Sancho