Representation Quotes - page 8
[According to Habermas, the genesis of the bourgeois public sphere resulted from a combination of early capitalist commercial development and the organization of territorial ... Representative publicness involved a re-presenting or staging for the purposes of display and acclamation, hence] this publicness (or publicity) of representation was not constituted as a social realm, that is, as a public sphere; rather, it was something like a status attribute, if this term may be permitted.
Jürgen Habermas
At the present we have no adequate scientific method for representing the psychological life span. In accord with the general methods of psychology, the study of environmental influences began with classification and statistics... they gave us excellent descriptions of the home environment. The method of representation is partly akin to that of the novelist i. e., one trying to make as lifelike picture of the situation as possible by choosing expressive words and bringing out significant traits with examples. In general, the descriptions that have been made valuable to science have not been those made by scientific methods. Where theoretical concepts have been introduced with the concrete description, they often stand out as something alien. In stead of scientific descriptions they are nothing more than speculative interpretation.
Kurt Lewin
I read with great interest all that you have written me about what is called Colonialism, namely: bringing forward backward races and opening up the jungles. I was brought up to feel proud of much that we had done. Certainly in India, with all its history, religion and ancient forms of despotic rule, Britain has a story to tell which will look quite well against the background of the coming hundred years. ... I am sceptical about universal suffrage for the Hottentots even if refined by proportional representation. The British and American Democracies were slowly and painfully forged and even they are not perfect yet.
Winston Churchill
This is not an objective, historical or psychological evaluation of Danish experimental art and its historical roots, but an ideological and artistic, collective representation of our own work, thoughts, and ideas. It shows how we ourselves view our work and our way of working, and considers which of the many traditions that make up our foundation we feel connected to.
Asger Jorn
Vladimir Voevodsky and his collaborators have provided us with a very interesting candidate-category of motives: a category (of sheaves relative to an extraordinarily fine Grothendieck-style topology on the category of schemes) which in some intuitive sense "softens algebraic geometry” so as to allow for a good notion of homotopy in an algebro-geometric setup and is sufficiently directly connected to concrete algebraic geometry to have already yielded some extraordinary applications. The quest for a full theory of motives is a potent driving force in complex analysis, algebraic geometry, automorphic representation theory, the study of L functions, and arithmetic. It will continue to be so throughout the current century.
Barry Mazur
Among the Romans in Christian times Mithras-worship as very widely spread, and so late as the Middle Ages we meet with a secret Mithras-worship ostensibly connected with the order of the Knights-Templars. Mithras thrusting the knife into the neck of the ox is a figurative representation belonging essentially to the cult of Mithras, of which examples have been frequently found in Europe.
Georg Wilhelm Friedrich Hegel
LISP is now the second oldest programming language in present widespread use (after FORTRAN)... Its core occupies some kind of local optimum in the space of programming languages given that static friction discourages purely notational changes. Recursive use of conditional expressions, representation of symbolic information externally by lists and internally by list structure, and representation of program in the same way will probably have a very long life.
John McCarthy (computer scientist)
A representation is a formal system for making explicit certain entities or types of information, together with a specification of how the system does this. And I shall call the result of using a representation to describe a given entity a description of the entity in that representation.
David Marr
Intelligence has two parts, which we shall call the epistemological and the heuristic. The epistemological part is the representation of the world in such a form that the solution of problems follows from the facts expressed in the representation. The heuristic part is the mechanism that on the basis of the information solves the problem and decides what to do.
[...]
The right way to think about the general problems of metaphysics and epistemology is not to attempt to clear one's own mind of all knowledge and start with 'Cogito ergo sum' and build up from there. Instead, we propose to use all of our knowledge to construct a computer program that knows. The correctness of our philosophical system will be tested by numerous comparisons between the beliefs of the program and our own observations and knowledge.
John McCarthy (computer scientist)
In magical thought the human body is the 'microcosm' (small representation) of the Earth, which is the 'macrocosm'. The Earth is also the microcosm of the Universe. In other words, we are pictures of the essence of the planet and thusly of the universe. As such, when we change ourselves, we change the Earth and the universe.
Scott Cunningham
Dragon is the category of primate predator. Predator is a weird category, right? Because there's crocodiles in it, and then there's lions. And they don't have much in common except that they eat you. So it's a functional category. So the dragon is the imagistic representation of the functional category of predator. It's like this: If you're a monkey, then a bird will pick you off, like an eagle. That's the wings. If it wasn't an eagle, then it was a cat (dragon claws), because they climb trees and give you a good chomping. And if it wasn't a cat, then you go down to the ground and a snake would get you, or maybe the snake would climb up the tree. So a dragon is a cat-snake-bird. And that's the thing that you really want to avoid. An the other thing is that it breathes fire, which is interesting because fire was both greatest friend and greatest enemy of humanity.
Jordan Peterson
St. George is the hero who goes out to confront the dragon, and he frees the virgin from its grasp. I would say that's a pretty straight forward story about the sexual attractiveness of the masculine spirit that's willing to forthrightly encounter the unknown. It is a straight biological representation to me, and it's a really, really old story. It's the oldest written story we have, and it's basically the ancient Mesopotamian creation myth, the Enuma Elish, which basically plays out that story. You've basically seen this story played out a hundred different ways, and you never get tired of it, because it's the central story of mankind.
Jordan Peterson
What happens in the story of Adam and Eve is that when people become self-conscious, they get thrown out of Paradise and then they're in history. And history is a place where there's pain in child birth, and where you're dominated by your mate, and where you have to toil like mad like no other animal because you're aware of your future. You have to work, and sacrifice the joys of the present for the future, constantly, and you know that you're going to die. And you have all that weight on you. How could anything be more true than that? Unless you're naive beyond comprehension. There's something that's echoed about your life in that representation. We're such strange creatures, because we don't really fit into being in some sense, and that's what's expressed in the notion of The Fall.
Jordan Peterson
It seems to me a worthy goal: try to create a representation of consciousness that's durable and truthful, i.e., that accounts, somewhat, for all the strange, tiny, hard-to-articulate, instantaneous, unwilled things that actually go on in our minds in the course of a given day, or even a given moment.
George Saunders
I know exactly what I have photographed [in his series 'Equivalents', 1925 - 1934]. I know I have done something that has never been done... I also know that there is more of the really abstract in some 'representation' than in most of the dead representations of the so-called abstract so fashionable now.
Alfred Stieglitz
Everything is contemplated in the mind without meditation. We make a very complicated response. Just to look at a floating branch evokes very complicated objective and nonobjective responses. The artist must slow all this down, mentally. It is this mental experience that makes the representation of beauty possible.
Agnes Martin
