Composition Quotes - page 15
![[A] prolonged and acrimonious controversy... was for many years carried on and is... hardly... settled regarding the respective claims of different philosophers to be the true discoverer of the nature and composition of water. (Henry Cavendish)](https://cdn.quotesdtb.com/img/quotes_images_webp/22/henry-cavendish-carry-composition-1003522.webp)
..he [= Corot] knows how to be a colorist with a tone-range of little variety – and that he always achieves harmony even when using fairly crude and bright tones. His composition is always perfect. Thus in his 'Homère et les Bergers' no detail is unnecessary, nothing could be cut out; not even the two little figures walking away along the path..
Jean-Baptiste-Camille Corot
Perhaps it was his return to Paris [In June 1919 Piet Mondrian returned from The Netherlands to Paris] that was needed to provide him with fresh new possibilities in his work. Invigoration. His most recent work is without composition. The division of the picture plane is modular. That means ordinary rectangles, all the same size. The only contrast is in the colour. In my view, this runs counter to his theory concerning the abolition of position and dimension. This is in effect equality of position and dimension.
Piet Mondrian
Ostensibly the hymn is from the final stage of Rig-Vedic composition, shortly before Veda-Vyasa's final editing of the hymns into the fully-formed Vedas. It soon became the Vedic bedrock of varna doctrine and gets reproduced or quoted to that effect in younger Vedic writings, including the Atharva & Yajur Veda (so, there also interpolations?), the Panchavimsha Brahmana, Taittitiya Aranyaka, Mahabharata and Bhagavata Purana.
Koenraad Elst
Meanwhile, fierce competition among global self-prop systems will have led to such drastic and rapid alterations in the Earth's climate, the composition of its atmosphere, the chemistry of its oceans, and so forth, that the effect on the biosphere will be devastating. ... We will argue that if the development of the technological world-system is allowed to proceed to its logical conclusion, then in all probability the Earth will be left a dead planet-a planet on which nothing will remain alive except, maybe, some of the simplest organisms-certain bacteria, algae, etc.-that are capable of surviving under extreme conditions.
Theodore Kaczynski
Although there are aspects of mugging which are continuous, permanent, old-fashioned, the new word is describing a typically new thing. That new thing, as is recently being admitted, is connected with the change in the composition of the population of certain of our great cities. To use a crude but efficient word for it, it is racial. Its prevalence is due to the fact that an implant into our society has changed a community that was previously homogeneous into a community which is no longer homogeneous and self-identifying... I was delighted with the terminology of the Metropolitan Police report to the Select Committee on Race Relations and Immigration: ‘Experience has taught us the fallibility of the assertion that crime rates amongst those of West Indian origin are no higher than those of the population at large'. Splendidly expressed! Beautifully expressed!
Enoch Powell
Picasso is taking Cézanne's elements - the cone, cylinder and sphere - into Cubism. Matisse is taking Cézanne's interest in the wholeness and the clarity of figures. They're taking almost opposite interpretations of what they see in Cézanne: Picasso is understanding it as decomposition, and Matisse is understanding it as composition.
Paul Cézanne
True, the law is sacred to the bourgeois, for it is his own composition, enacted with his consent, and for his benefit and protection. He knows that, even if an individual law should injure him, the whole fabric protects his interests; and more than all, the sanctity of the law, the sacredness of order as established by the active will of one part of society, and the passive acceptance of the other, is the strongest support of his social position. Because the English bourgeois finds himself reproduced in his law, as he does in his God, the policeman's truncheon which, in a certain measure, is his own club, has for him a wonderfully soothing power. But for the working-man quite otherwise! The working-man knows too well, has learned from too oft-repeated experience, that the law is a rod which the bourgeois has prepared for him; and when he is not compelled to do so, he never appeals to the law.
Friedrich Engels
Very few people ever had the opportunity to see Cézanne at work, because he could not endure being watched while at the easel. For one who has seen him paint, it is difficult to imagine how slow and painful his progress was on certain days. In my portrait there are two little spots of canvas on the hand which are not covered. I called Cézanne's attention to them. "If the copy I'm making in the Louvre turns out well," he replied, "perhaps I will be able tomorrow to find the exact tone to cover up those spots. Don't you see, Monsieur Vollard, that if I put something there by guesswork, I might have to paint the whole canvas over starting from that point?" The prospect made me tremble.
During the period that Cézanne was working on my portrait, he was also occupied with a large composition of nudes, begun about 1895, on which he labored almost to the end of his life.
Paul Cézanne
We will study first the historical Christ; secondly, the mythic Christ; thirdly, the mystic Christ. And we shall find that elements drawn from all these make up the Jesus Christ of the Churches. They all enter into the composition of the grandiose and pathetic Figure which dominates the thoughts and the emotions of Christendom, the Man of Sorrows, the Saviour, the Lover and Lord of Men.
Annie Besant
Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.. ..and also of Kandinsky's 'jumping spots' in hearing this music [of Schönberg ], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting..
Wassily Kandinsky
In the negro melodies of America I discover all that is needed for a great and noble school of music. They are pathetic, tender, passionate, melancholy, solemn, religious, bold, merry, gay or what you will. It is music that suits itself to any mood or any purpose. There is nothing in the whole age of composition that cannot be supplied with themes from this source.
Antonín Dvořák
