Concert Quotes - page 5
Chinese cultural influence is virtually nil, and unlikely to increase... Indeed, high Chinese culture and art are almost all imitative of western forms: Chinese concert pianists are technically brilliant, but brilliant at Schubert and Rachmaninov. Chinese ballerinas dance to the scores of Diaghilev. The number of Chinese Nobel prizes won on home turf is zero, although there are of course legions of bright Chinese trying to escape to Stanford and Caltech... It is hard to think of a single Chinese sport at the Olympics, compared with umpteen invented by Britain, including ping-pong, I'll have you know, which originated at upper-class dinner tables and was first called whiff-whaff. The Chinese have a script so fiendishly complicated that they cannot produce a proper keyboard for it.
Boris Johnson
My dream is to perform in a big, celebratory concert in a free Cuba, but I don't think they'd even let me into the country. And if they did, I'd have to speak against what is going on, which the government fears. I don't know how much change toward democracy we'll see as long as one of the Castro brothers is around, but I do believe there is a future with a new leader someday. But this leader will also love Cuba and really want to take her forward. When that day comes, Emilio and I will be there in any way that we can be of service.
Gloria Estefan
I'm looking forward, though, one day, if I'm not too old, to do a free concert in a free Cuba. That to me would be fantastic. We're looking forward to it. Well, hopefully, I mean he's [Castro] gotta go [die] sometime. He's gotta go sometime -- let's hope it's sooner [rather] than later.
Gloria Estefan
I heard Edwin Fischer, who did not mean much to me. I heard another pianist in Berlin who had a big success and I thought he was awful - Mischa Levitzki. Just fingers, and you cannot listen only to fingers. There is a difference between artist and artisan. Levitzki was an artisan. But Ignaz Friedman, who I admired, was a great artist. He had wonderful fingers and a very personal, individual way of playing, even if some of his ideas were very strange to me. He had no hesitation touching up the music. I got annoyed with him at one concert when he changed the basses in Chopin's F minor Ballade. I didn't like that. For some reason he was happier making records than he was on the stage.
Vladimir Horowitz
If we are to project our power against the vital areas of any enemy across the ocean before beachheads on enemy territory are captured, it must be by air-sea power; by aircraft launched from carriers; and by heavy surface ships and submarines projecting guided missiles and rockets. If present promise is developed by research, test and production, these three types of air-sea power operating in concert will be able within the next ten years critically to damage enemy vital areas many hundreds of miles inland.
Naval task forces including these types are capable of remaining at sea for months. This capability has raised to a high point the art of concentrating air power within effective range of enemy objectives.
Chester W. Nimitz
In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.
André Maurois
(about her concert in North Korea) "The concert was full of government officials. Every single last seat. It was invitation only, but it was an unbelievable experience. Frightening and exhilarating at the same time. And I just thought about how lucky I am. I am so fortunate to be a musician, and at that moment, I genuinely felt that music is the one and only universal language."
Sarah Chang
I feel it is our duty to sustain the federated action of Europe. I think it has suffered by the somewhat absurd name which has been given to it-the Concert of Europe-and the intense importance of the fact has been buried under the bad jokes to which the word has given rise. But the federated action of Europe-if we can maintain it, if we can maintain this Legislature-is our sole hope of escaping from the constant terror and the calamity of war, the constant pressure of the burdens of an armed peace which weigh down the spirits and darken the prospects of every nation in this part of the world. ["Hear, hear!"] The federation of Europe is the only hope we have; but that federation is only to be maintained by observing the conditions on which every Legislature must depend, on which every judicial system must be based-the engagements into which it enters must be respected.
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury
When an orchestra of the Journeyers first publicly performed a suite from the time before Handel completely without crescendi and diminuendi, with the naïveté and chasteness of another age and world, some among the audience are said to have been totally uncomprehending, but others listened with fresh attention and had the impression that they were hearing music for the first time in their lives. In the League's concert hall between Bremgarten and Morbio, one member built a Bach organ as perfectly as Johann Sebastian Bach would have had it built had he had the means and opportunity.
Hermann Hesse
Within the vast, virtually limitless piano repertoire, the piano sonatas of Sergei Prokofiev occupy a special place. Apart from Alexander Scriabin early in the century, Prokofiev was the only major twentieth-century composer to pay such consistent attention to the form, ... They are a constant presence in concert programs and are considered an indispensable part of the repertoire by almost every serious concert pianist.
Boris Berman
The real issue underlying these controversies appears to have been a challenge to his philosophy of music; nay, that of the Trinity. Balamuralikrishna has long held that Carnatic music today is an entity outside the strictly religious domain. He remarked once that those who believed that concert singing denigrated the essence of Carnatic music should confine their singing to puja rooms.
M. Balamuralikrishna
Dotty: Archie says the Church is a monument to irrationality.
George: ... The National Gallery is a monument to irrationality! Every concert hall is a monument to irrationality! - and so is a nicely kept garden, or a lover's favour, or a home for stray dogs! You stupid woman, if rationality were the criterion for things being allowed to exist, the world would be one gigantic field of soya beans!
Tom Stoppard
