Regarding Quotes - page 11
It was this indifference to the quality of his material that earned Liszt the contempt of his most distinguished contemporaries and of many of the most respectable critics and historians of posterity. It was, nevertheless, his greatest strength. It made it possible for him to manipulate the material ruthlessly, to concentrate on effects of realization with unprecedented intensity, and to integrate styles and techniques of performance into composition in a new way. His invention of novel keyboard effects and his mastery of musical gesture have always been undervalued, especially by pianists of the German school who prefer the kind of music that can be executed while soulfully regarding the ceiling. On the whole, the most genuine understanding of his music has been displayed by musicians of eastern Europe, and he may almost be considered as the founder of Russian pianism.
Charles Rosen
Regarding mutual tolerance It is negative in one sense, but positive in another. It absolutely forbids us to be forward in pronouncing on the meaninglessness of forms of existence other than our own and it commands us to tolerate, respect, and indulge those whom we see harmlessly interested and happy in their own ways, however unintelligible these may be to us. Hands off ....
William James
By avarice and selfishness, and a groveling habit, from which none of us is free, of regarding the soil as property, or the means of acquiring property chiefly, the landscape is deformed, husbandry is degraded with us, and the farmer leads the meanest of lives. He knows Nature but as a robber.
Henry David Thoreau
There is plenty of primary literature available in Arabic and Persian regarding the rise, development, and doings of numerous sufi silsilas in India. Some of this literature has been translated into Urdu and English as well. A study of this literature leaves little doubt that sufis were the most fanatic and fundamentalist elements in the Islamic establishment in medieval times. Hindus should go to this literature rather than fall for latter-day Islamic propaganda. The ruin of Hindus and Hinduism in Kashmir in particular, can be safely credited to sufis who functioned there from the early thirteenth century onwards.
Sita Ram Goel
Husbands, recognize your wife's intelligence and her ability to counsel with you as a real partner regarding family plans, family activities, and family budgeting. Don't be stingy with your time or with your means. Give her the opportunity to grow intellectually, emotionally, and socially as well as spiritually.
Ezra Taft Benson
India has its own full-fledged brand of negationism: a movement to deny the large-scale and long-term crimes against humanity committed by Islam. This movement is led by Islamic apologists and Marxist academics, and followed by all the politicians, journalists and intellectuals who call themselves secularists. In contrast to the European negationism regarding the Nazi acts of genocide, but similar to the Turkish negationism regarding the Armenian genocide, the Indian negationism regarding the terrible record of Islam is fully supported by the establishment. It has nearly full control of the media and dictates all state and government parlance concerning the communal problem.
Koenraad Elst
The more books and articles on Ayodhya and on "communalism" I look into, the more I feel confirmed in my assessment that the Hindu presentation of their own case regarding Ayodhya is the single worst public relations job in world history. (...) Future books on the affair will certainly include a chapter on "the Ayodhya scandal": the unscrupled use of academic and media power positions by the secularists to suppress relevant evidence, and the gullibility of foreign scholars relying on hearsay from Indian colleagues whose bona fides is open to question. (...) Future scholars of political and communications science will study the reporting on the Ayodhya affair as an absolute classic of brilliantly successful disinformation. ... The buffoon of the affair is the Western class of India-watchers .... they have swallowed the anti-Hindu propaganda hook, line and sinker.
Koenraad Elst
"Hey," he'd said, "it's me. Case."
The old eyes regarding him out of their dark webs of wrinkled flesh.
"Ah," Ratz had said, at last, "the artiste."
The bartender shrugged. "I came back."
The man shook his massive, stubbled head. "Night City is not a place one returns to, artiste," he said, swabbing the bar in front of Case with a filthy cloth, the pink manipulator whining.
William Gibson
![Regarding Iraq, bin Laden, as noted, was in contact with Baghdad's intelligence service since at least 1994. He reportedly cooperated with it in the area of chemical-biological-radiological-nuclear [CBRN] weapons and may have trained some fighters in Iraq at camps run by Saddam's anti-Iran force, the Mujahedin al-Khalq. (Michael Scheuer)](https://cdn.quotesdtb.com/img/quotes_images_webp/78/michael-scheuer-area-bin-869278.webp)
As the reader is aware, at the cradle of our learning stood the philosophy of Asia Minor and Greece, itself influenced in turn by Indian and Oriental philosophical and religious conceptions. It is the tragedy of this philosophy that, although it was traditionally directed towards the undogmatic acquisition of wisdom and virtue, always regarding the freedom of human rational thought in visionary fashion as the highest good, it nevertheless inevitably led to a mental hardening of the arteries into coercive thought models.
Fred Polak
A fundamental problem in such studies stems from the long tradition that has regarded artistic productions as social facts. By regarding such productions as social facts the analyst is relieved of the burden of demonstrating what meanings these productions have for the artist and his audience. It is too frequently assumed that such meanings can be identified by a capable analyst, independent of the interpretations brought to such works by the artist or his audiences. In my judgement artist productions must be seen as interactional creations; the meanings of which arise out of the interactions directed to them by the artist and his audience.
Norman Denzin
