Sensation Quotes - page 5
It must be emphasized that in seeing a work of art that has been composed by precise means, the viewer does not perceive dominant details. His impression is one of perfect balance to which all the parts contribute, an impression which not only applies to the parts as such, but is transmitted also to the relation existing between the work of art and the viewer. Although it is very difficult to express in words the effect of a work of art, it may be said that the viewer's deepest impression can best be defined as the achievement of a balance between objective meaning and subjective meaning, both directly penetrated by awareness. He has a sensation of height and of depth which are no longer in any way bound to natural conditions or to spatial dimensions, a sensation which places the viewer in a state of consciousness harmony.
Theo van Doesburg
By the painful light of the factory's huge electric lamps
I write in a fever.
I write gnashing my teeth, rabid for the beauty of all this,
For this beauty completely unknown to the ancients.O wheels, O gears, eternal r-r-r-r-r-r-r!
Bridled convulsiveness of raging mechanisms!
Raging in me and outside me,
Through all my dissected nerves,
Through all the papillae of everything I feel with!
My lips are parched, O great modern noises,
From hearing you at too close a range,
And my head burns with the desire to proclaim you
In an explosive song telling my every sensation,
An explosiveness contemporaneous with you, O machines!
Fernando Pessoa
I'm a keeper of sheep.
The sheep are my thoughts.I'm a keeper of sheep.
The sheep are my thoughts
And each thought a sensation.
I think with my eyes and my ears
And with my hands and feet
And with my nose and mouth.To think a flower is to see and smell it,
And to eat a fruit is to know its meaning.That is why on a hot day
When I enjoy it so much I feel sad,
And I lie down in the grass
And close my warm eyes,
Then I feel my whole body lying down in reality,
I know the truth, and I'm happy.
Fernando Pessoa
As he (the gnani) gets older he grows more and more happy and peaceful. After all, he is going home. Like a traveller nearing his destination and collecting his luggage, he leaves the train without regret. (...) The mist of bodily existence is lifting – the burden of the body is growing less from day to day. (...) Every sensation is contemplated in perfect equanimity. There is no desire for it, nor refusal. It is as it is and he looks at it with a smile of affectionate detachment. (...) He is alone, but he is all. He is not even a being. He is the beingness of all beings. (...).
Nisargadatta Maharaj
The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of a stunt pilot's turning barrel rolls, or an inchworm's blind rearing from a stem in search of a route. At its worst, it feels like alligator wrestling, at the level of the sentence.
Annie Dillard
If the sensation that precedes the present by half a second were still immediately before me, then on the same principle, the sensation preceding that would be immediately present, and so on ad infinitum. Now, since there is a time [period], say a year, at the end of which an idea is no longer ipso facto present, it follows that this is true of any finite interval, however short.
Charles Sanders Peirce
Always fatuity, vulgarity, as soon as human passion is touched. [...] Just as some poetry is of the eye (form, colour) and some of the ear, so Keats is of the palate. Not only has he constant reference to its pleasures, but the general sensation after reading him is one of tasting. 'What's the harm?' Well, taste for some reason or the other can't carry one far into the world of beauty-that reason being perhaps that though you don't want comradership there you do want the possibility of comradership, and A cannot swallow B's mouthful by any possibility:.... and this exclusiveness (to maunder on) also attaches to the physical side of sex though not the least to the spiritual.
E. M. Forster
I had an interesting day's reading yesterday, with the sudden sensation of being in close contact with what I was reading. [...] But as for reading how curious it is: all these books, their lore of the ages, waiting to be embraced but usually slipping out of one's nerveless hands on to the floor. When one reads properly it is as if a third person is present.
E. M. Forster
If we would regain our freedom, we must shake off the burden of sensation, no longer react to the world by our senses, break our bonds. For all sensation is a bond, pleasure as much as pain, joy as much as misery. The only free mind is the one that, pure of all intimacy with beings or objects, plies its own vacuity.
Emil Cioran
I said that to invite minds to concern themselves with Mind and its destiny was a sign and symptom of the times. Would that idea have occurred to me, had not a whole body of impressions been sufficiently significant and powerful to reflect themselves in me, and for that reflection to become action? And that action, which consists of expressing it in your presence, would not perhaps have been accomplished had I not felt that my impressions were those of many other people, that the sensation of a diminution of mind, of a menace to culture, of a twilight of the most pure gods was a sensation which imposed itself with increasing strength on all those who are capable of feeling something in the order of superior values of which we are speaking.
Paul Valéry
