Mask Quotes - page 8
![The shot by [Andy] Bathgate nearly ripped my nose off. I told Toe [Blake] I would only return if I could wear the mask, so there was no choice. He never wanted me to wear the mask because he thought it would make me too complacent. (Jacques Plante)](https://cdn.quotesdtb.com/img/quotes_images_webp/06/jacques-plante-choice-mask-312206.webp)
Now to get back to our given Church: it lives almost entirely for modesty and moneyed piety. It zealously inveighs against the harm done to Joseph and the sheep, but it has made its arrangements with the upper classes and serves as their spiritual defender. It bristles at see-through blouses, but not at slums in which half-naked children starve, and not, above all, at the conditions that keep three quarters of mankind in misery. It condemns desperate girls who abort a foetus, but it consecrates war, which aborts millions. It has nationalized its God, nationalized him into ecclesiastic organization, and has inherited the Roman empire under the mask of the Crucified. It preserves misery and injustice, having first tolerated and then approved the class power that causes them; it prevents any seriousness about deliverance by postponing it to St. Never-Ever's Day or shifting it to the beyond.
Ernst Bloch
The anxiety about death is met in two ways. The reality of death is excluded from daily life to the highest possible degree. The dead are not allowed to show that they are dead; they are transformed into a mask of the living. The other and more important way of dealing with death is the belief in a continuation of life after death, called the immortality of the soul. This is not a Christian and hardly a Platonic doctrine. Christianity speaks of resurrection and eternal life, Platonism of a participation of the soul in the transtemporal sphere of essences. But the modern idea of immortality means a continuous participation in the productive process.
Paul Tillich
All these troubles revolve around the irritable mutual dependence of life and art – with their need and contempt for one another. Of necessity, to create is a temporary state and cannot be possessed, because you learn and relearn that it is the lie and mask of Art and, too, its mortification, which promise a continuity. There are twenty crucial minutes in the evolution of each of my paintings. The closer I get to that time - those twenty minutes – the more intensely subjective I become – bit the more objective, too. Your eye gets sharper, you become continuously more and more critical. There is no measure I can hold on..
Phillip Guston
We were all there when Janco arrived with his masks, and everyone immediately put one on. Then something strange happened. Not only did the mask immediately call for a costume; it also demanded a quite definite, passionate gesture, bordering on madness. Although we could not have imagined it five minutes earlier we were walking around with most bizarre movements, festooned and draped with impossible objects, each one of us trying to outdo the other in inventiveness... What fascinated us all about the masks is that they represent not human characters and passions, but.... passions that are larger than life. The horror of our time [World War 1., a. o. ], the paralyzing background of events, is made visible.
Hugo Ball
Arrangements to make people pay for using a program, including licensing of copies, always incur a tremendous cost to society through the cumbersome mechanisms necessary to figure out how much (that is, which programs) a person must pay for. And only a police state can force everyone to obey them. Consider a space station where air must be manufactured at great cost: charging each breather per liter of air may be fair, but wearing the metered gas mask all day and all night is intolerable even if everyone can afford to pay the air bill. And the TV cameras everywhere to see if you ever take the mask off are outrageous. It's better to support the air plant with a head tax and chuck the masks.
Copying all or parts of a program is as natural to a programmer as breathing, and as productive. It ought to be as free.
Richard Stallman
I had recklessly dared to do what I wouldn't dare to do today. The knight performs his morning prayer. When he is ready to pack up his chess set, he turns around, and there stands Death. 'Who are you?' asks the knight. 'I am Death.' Bengt Ekerot and I agreed that Death should have the features of a white clown. An amalgamation of a clown mask and a skull. It was a delicate and dangerous artistic move, which could have failed. Suddenly, an actor appears in whiteface, dressed all in black, and announces that he is Death. Everyone accepted the dramatic feat that he was Death, instead of saying, 'Come on now, don't try to put something over us! You can't fool us! We can see that you are just a talented actor who is painted white and clad in black! You're not Death at all!
Ingmar Bergman
Sabina's initial inner revolt against Communism was aesthetic rather than ethical in character. What repelled her was not nearly so much the ugliness of the Communist world (ruined castles transformed into cow sheds) as the mask of beauty it tried to wear - in other words, Communist kitsch.
Milan Kundera
