Sentiment Quotes - page 14
We live in a very low state of the world, and pay unwilling tribute to governments founded on force. There is not, among the most religious and instructed men of the most religious and civil nations, a reliance on the moral sentiment and a sufficient belief in the unity of things, to persuade them that society can be maintained without artificial restraints... or that the private citizen might be reasonable and a good neighbor, without the hint of a jail or a confiscation.
Ralph Waldo Emerson
I was brought up to look upon falling in love as something natural...something that was pleasant and natural and amusing. I've been in love before, casually, the way young Frenchmen are...but in earnest, too, because a Frenchman can't help surrounding a thing like that with sentiment and romance. He can't help it. If it were just ... just something shameful and nasty, he couldn't endure it. They don't have affairs in cold blood the way I've heard men talk about such things since I've come here. It makes a difference, Mrs. Pentland, if you look at things in the light they do. I've learned now, and it is a thing which needs learning, the most important thing in all life. The French are right about it. They make a fine, wonderful thing of love.
Louis Bromfield
There is nothing very extraordinary in this fact: no youth of the age I then was, can be expected to be more than one thing, and this was the thing I happened to be. Ambition and desire of distinction, I had in abundance; and zeal for what I thought the good of mankind was my strongest sentiment, mixing with and colouring all others. But my zeal was as yet little else, at that period of my life, than zeal for speculative opinions. It had not its root in genuine benevolence, or sympathy with mankind; though these qualities held their due place in my ethical standard. Nor was it connected with any high enthusiasm for ideal nobleness.
John Stuart Mill
Sentiment de Napoléon sur la divinité de Jésus-Christ (1841), p. 59. Translated: "From first day to the last, he is the same, always the same, majestic and simple, extremely severe and extremely mild in the business of public life, so to speak, Jesus does not hold to any criticism, his prudent manner so delighted admiration by a mixture of strength and gentleness."
Napoleon Bonaparte
Until quite recently poetry was taught badly-at least according to current academic standards. Poetry was used to teach grammar, elocution, and rhetoric. It was employed to convey history, both secular and sacred, often to instill patriotic sentiment and religious morality. Poetry was chanted in chorus at female academies. It was copied to teach cursive handwriting and calligraphy. It was memorized by wayward schoolboys as punishment. It was recited by children at public events and family gatherings. Being able to write verse was considered a social grace in both domestic and public life. Going to school meant becoming well versed.
Dana Gioia
Poetic trifles from solitary rambles whilst chewing the cud of sweet and bitter fancy.. now written from memory, confined to fourteen lines, this seemed best adapted to the unity of sentiment, the verse flowed in unpremeditated harmony as my ear directed but are far from being mere elegiac couplets.
William Lisle Bowles
Must it ever be thus-that the source of our happiness must also be the fountain of our misery? The full and ardent sentiment which animated my heart with the love of nature, overwhelming me with a torrent of delight, and which brought all paradise before me, has now become an insupportable torment, a demon which perpetually pursues and harrasses me.
Johann Wolfgang von Goethe
In the hours of distress and misery, the eyes of every mortal turn to friendship in the hours of gladness and conviviality, what is our want It is friendship. When the heart overflows with gratitude, or with any other sweet or sacred sentiment, what is the word to which it would give utterance A friend.
Walter Savage Landor
I discovered that what's really important for a creator isn't what we vaguely define as inspiration or even what it is we want to say, recall, regret, or rebel against. No, what's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.
Federico Fellini
