Fifteen Quotes - page 16
People talking shit, but when the shit hits the fan
Everything I'm not made me everything I am.
I know people wouldn't usually rap this
But I got the facts to back this
Just last year, Chicago had over six hundred caskets
Man, killing's some wack shit
Oh, I forgot, 'cept for when niggas is rappin'
Do you know what it feel like when people is passin'?
He got changed over his chains a block off Ashland
I need to talk to somebody, pastor
The church want tithe, so I can't afford to pay
Pink slip on my door, 'cause I can't afford to stay
My fifteen seconds up, but I got more to say--
'That's enough Mr. West, please, no more today.'
Kanye West
When I was fifteen and had quit school forever, I went to work in a vineyard near Sanger with a number of Mexicans, one of whom was only a year or two older than myself, an earnest boy named Felipe. One gray, dismal, cold, dreary day in January, while we were pruning muscat vines, I said to this boy, simply in order to be talking, "If you had your wish, Felipe, what would you want to be? A doctor, a farmer, a singer, a painter, a matador, or what?" Felipe thought a minute, and then he said, "Passenger." This was exciting to hear, and definitely something to talk about at some length, which we did. He wanted to be a passenger on anything that was going anywhere, but most of all on a ship.
William Saroyan
I was one of the Asian American theatre people who protested the casting of Jonathan Pryce as the Eurasian pimp in the musical MISS SAIGON when it came to Broadway, as an example of "Yellow Face” casting.. The intensity, vehemence, and anger I felt, on both sides of that issue, left me shaken for many years afterwards. So I wrote FACE VALUE, a comedy of mistaken racial identity, to explore the question, "What does it really mean to ‘play' another race?” As noted above, FACE VALUE became an infamous flop, but the idea of doing a comedy of mistaken racial identity stayed with me for the next fifteen years or so. Eventually, I found another way to realize this notion with YELLOW FACE.
David Henry Hwang
I am oppressed with a sense of the impropriety of uttering words on this occasion. If silence is ever golden, it must be here, beside the graves of fifteen thousand men, whose lives were more significant than speech, and whose death was a poem, the music of which can never be sung. With words we make promises, plight faith, praise virtue. Promises may not be kept, plighted faith may be broken, and vaunted virtue be only the cunning mask of vice. We do not know one promise these men made, one pledge they gave, one word they spoke: but we do know they summed up and perfected, by one supreme act, the highest virtues of men and citizens. For love of country they accepted death, and thus resolved all doubts, and made immortal their patriotism and their virtue.
James A. Garfield
Many I believe will wonder at this juxtaposition, not seeing that he is like Spinoza, or that he holds the same conspicuous position in art as Spinoza in science. Without destroying the balance of the Speech, I could only suggest my reason. There is now another reason why I should say no more. During these fifteen years the attention to Spinoza, awakened by Jacobi's writings and continued by many later influences, which was then somewhat marked, has relaxed. Novalis also has again become unknown to many. At that time, however, these examples seemed significant and important. Many coquetted in insipid poetry with religion, believing they were akin to the profound Novalis, just as there were advocates enough of the All in the One taken for followers of Spinoza who were equally distant from their original.
Baruch Spinoza