Sheer Quotes - page 7
No, the parallels are between modernism, late modernism, and socialist realism, of course. That's two sides of one coin. Both came of this idea of aristocrats, of people in power, imposing the culture on the people. A totally inhuman art. Modern art, and Pollock is the best example, is totally inhuman. Huge pictures for museums--now we call them museums; in Stalin times they were called palaces, but basically the same thing--which we rarely see and rarely visit. The sheer size of this painting, it's a totally inhuman scale. And there it can be typified...
Alexander Melamid
Or when people break up, they always use a bunch of lines on each other, you know, terrible rubbish lies, like "It's not you, it's me, it's me." It's NEVER you, it's always them! You should level with these people! Tell them! "You know that strange sound you used to hear when you were going to sleep? That was me CHEWING the bed, out of sheer boredom! OOOOHH, How I HATE you, I hate you so much it gives me energy! I have to get up early in the morning to hate you because there isn't time enough in the day. Please, GO AWAY!" Or that other BULLSHIT: "I need more space!" People never quantify exactly how much space they really need.. do they? But strangely enough, it always seems to be the exact same height, depth and breadth as you.
Dylan Moran
An unbiased reader, on opening one of their [Fichte's, Schelling's or Hegel's] books and then asking himself whether this is the tone of a thinker wanting to instruct or that of a charlatan wanting to impress, cannot be five minutes in any doubt. ... The tone of calm investigation, which had characterized all previous philosophy, is exchanged for that of unshakeable certainty, such as is peculiar to charlatanry of every kind and at all times. ... From every page and every line, there speaks an endeavor to beguile and deceive the reader, first by producing an effect to dumbfound him, then by incomprehensible phrases and even sheer nonsense to stun and stupefy him, and again by audacity of assertion to puzzle him, in short, to throw dust in his eyes and mystify him as much as possible.
Arthur Schopenhauer
The condemned man found himself transformed into a hero by the sheer extend of his widely advertised crimes, and sometimes the affirmation of his belated repentance. Against the law, against the rich, the powerful, the magistrates, the constabulary or the watch, against taxes and their collectors, he appeared to have waged a struggle with which one all too easily identified. The proclamation of these crimes blew up to epic proportions the tiny struggle that passed unperceived in everyday life. If the condemned man was shown to be repentant, accepting the verdict, asking both God and man for forgiveness for his crimes, it was as if he had come through some process of purification: he died, in his own way, like a saint.
Michel Foucault