Robert Quotes - page 16
Why did the problem of air become visible..? Why were Priestley, Boyle and Black able to see the question clearly enough..? ...because they had new tools. The air pump designed by Otto von Guericke and Boyle (...in collaboration with his assistant Robert Hooke...) were essential to Priestley's lab in Leeds. ...In a way, the air pump had enabled the entire field of pneumatic chemistry in the seventeenth century... [T]he air pump allowed you to... create a vacuum, which behaved markedly differently... even though air and the absence of air were visually indistinguishable.
Joseph Priestley
There is a policy going a begging; the general policy that Sir Robert Peel in 1841 took office to support-the policy of peace abroad, of economy, of financial equilibrium, of steady resistance to abuses, and promotion of practical improvements at home, with a disinclination to questions of reform, gratuitously raised.
William Ewart Gladstone
In the artist/theorist tradition of Robert Smithson, Joseph Nechvatal is a pioneer in the field of digital image making who challenges our perceptions of nature by altering conventional notions of space and time, gender, and self... Nechvatal successfully plunged into the depths where art, technology and theory meet.
Joe Lewis (artist)
J. Robert Oppenheimer observed people's reaction to the use of nuclear weapons and he said, "A few people laughed. A few people cried. Most people were silent.” If we keep silent and sit on the sidelines instead of speaking up and marching forward, human suffering will continue and inevitably escalate.
Newton Lee
Robert Frost was often skeptical about projects for human improvement, yet I do not think he would disdain this hope. As he wrote during the uncertain days of the Second War:
Take human nature altogether since time began . . .
And it must be a little more in favor of man,
Say a fraction of one percent at the very least . . .
Our hold on this planet wouldn't have so increased.
Because of Mr. Frost's life and work, because of the life and work of this college, our hold on this planet has increased.
Robert Frost
I made true the first English sentence [Albers came from Germany] that I uttered (better stuttered) on our arrival at Black Mountain College in November 1933 [right after the closing of the Bauhaus art school in Dessau Germany, by the Nazi's] When a student asked me what I was going to teach I said: 'to open eyes'. And this has become the motto of all my teaching [famous pupils of Josef Albers at Black Mountain College were for instance the young generation starting American artists, like Robert Rauschenberg, Helen Frankenthaler, Cy Twombly, Ray Johnson and Susan Weil.
Josef Albers
Those who did not fight for a place in the sun for White children will not live in that place after Ragnarok. To allow them to live among us would be a disgrace to the memory of Robert Mathews and to all who have sacrificed their lives, their freedom, their time or their wealth for the Fourteen Words.
David Lane (white nationalist)
New Rule: Airplane black boxes must now be made out of Keith Richards. The man, who has taken more drugs than Whitney Houston, Rush Limbaugh and Robert Downey, Jr., combined, recently fell out of a tree, and then crashed a jet ski. And yet, somehow, that cigarette never fell out of his mouth. What is this guy still running on? I've got to know. Because I'm beginning to think the future of medicine isn't injecting stem cells, it's injecting heroin.
Keith Richards
Over many years (I am almost 72) so many poets have touched my imagination and opened paths for me-it hardly makes sense to list them. I have always read a great deal of poetry. Some poets-like Robert Lowell, Denise Levertov, Randall Jarrell, Jean Valentine, Audre Lorde, Hayden Carruth, Jane Cooper, June Jordan, Joy Harjo, Clayton Eshelman-have been my friends, we've been comrades in exchanging work and encouraging each other... But I've also been powerfully affected by Wallace Stevens, Hart Crane, Muriel Rukeyser, Aimé Césaire, Robert Duncan-poets I met briefly if at all. Baudelaire, Sachs, Celan, Ghalib, Mandelstam...all in translation. This kind of influence isn't textual, exactly-it's like having windows open on "what is possible.” And this kind of intensive reading of many poets, and dialogues with a few, seems to me more fertilizing to a poet's life than immersion in workshops.
Adrienne Rich
Re-structuring and modernizing a media business in the current environment is a challenge; if anybody can make it work in Italy, that is John. He has vision with no illusion, a great passion for Italy, a set of principles rooted in tradition, which helps him being an innovator, and has a great business sense about opportunities.” Robert Thomson La Dolce Vita dei Media, Air Mail, October 2020.
John Elkann
Sir Robert Walpole used to say, that it was fortunate so few men could be prime ministers, as it was best that few should thoroughly know the shocking wickedness of mankind.
I never heard him say, that all men have their prices; and I believe no such expression ever came from his mouth.
Horace Walpole
I'm writing this note, though, because I want to save you if I can.
When I was first given the job of spying on you, I had no feelings about your life. Because I did have a husband, Robert. You killed him.
But now it's different. I know now that you were just as much forced into your situation as we were forced into ours. We are infected. But you already know that. What you don't understand yet is that we're going to stay alive. We've found a way to do that and we're going to set up society again slowly but surely. We're going to do away with all those wretched creatures whom death has cheated. And, even though I pray otherwise, we may decide to kill you and those like you.
Richard Matheson
It's not a clash between civilisations but within them - in the Muslim world, between what's left of moderate traditional Islam and an extreme strain of that faith that even many of their co-religionists have difficulty living with; and in the West between those who think this culture is worth defending and those who'd rather sleepwalk to national suicide while mumbling bromides about whether Western hedonism is to blame for 'lack of services for locals' in Bali. To read Robert Frisk and Margo Kingston is like watching a panto cast on drugs: No matter how often the baddies say, 'I'm behind you!', Robert and Margo reply, 'Oh, no, you're not!'
Mark Steyn
Hard to categorize other than as conjurors - singers of strange, sometimes acutely humorous songs . It is to three of the greatest entertainers in the field that we now turn. Entertainers whose dark, humanistic humour might be said genuinely to reflect the spirit of the decade: Robert Sheckley, Kurt Vonnegut Jr. and Philip K. Dick.
Sheckley has a wry inventiveness which skates him over profound depths, and a sense of playfulness even in his darkest moments. The 'science' in Sheckley's work is not physics but metaphysics and his protagonists are wide-eyed innocents sent on journeys designed to disillusion the widest-eyed idealist. Thomas Blaine in Immortality Inc. (1959) and Joenes in Journey Beyond Tomorrow (1963) are typical of this Candide archetype.
Robert Sheckley
We must not be rigid. We must not become conservative as is the unhappy state of some of our Liberal leaders to-day, as did the French Revolution of 1789, as has, in many respects, the Russian Bolshevik Revolution of 1917. We need the fresh air and free challenging thought of my favourite poet, Robert Burns, who was, I think, a Socialist agitator before an organised Socialist movement was born.
Herbert Morrison
Seurat read Delacroix's journals and made notes on his use of colour mixing in his paintings. Delacroix's puzzlement over why blobs of blue and yellow failed to produce green could have prepared Seurat to see in his French translation of Rood's Modern Chromatics an answer to the problem. He [Seurat] mentions in his letter to Fénéon that Ogden Rood's book had been brought to his attention in 1881 (the year it was published in France).. .w:Ogden Rood's chief lesson was to make clear the distinction between coloured lights and coloured pigments.. .However, as [w:Herbert, Robert L.|Herbert]] points out, in 1881 and 1882 Seurat's oil paintings were still in the Barbizon tradition and it was not until 1883 that his palette lightened and not until he started 'Grande Jatte|A Sunday Afternoon on the Island of La Grande Jatte|Grande Jatte' in 1884 that he started to use separate blobs of complementary colour in a clear, conscious manner..
Georges Seurat
When I was seventeen I read everything by Robert Heinlein and Arthur Clarke, and the early writings of Theodore Sturgeon and Van Vogt - all the people who appeared in Astounding Science Fiction - but my big science-fiction influences are H. G. Wells and Jules Verne. I've found that I'm a lot like Verne - a writer of moral fables, an instructor in the humanities. He believes the human being is in a strange situation in a very strange world, and he believes that we can triumph by behaving morally. His hero Nemo - who in a way is the flip side of Melville's madman, Ahab - goes about the world taking weapons away from people to instruct them toward peace.
Ray Bradbury
I have... hinted at the probability that Boyle himself was involved only in a very limited way in 'his' experimental manipulations. The device which became known as the machina Boyleana [air pump] was almost certainly constructed for him by remunerated assistants Ralph Greatorex and Robert Hooke, and even the extent of Boyle's rule in its evolving design remains unclear. The glass J-shaped tube that yielded his law of pressures and volumes was again almost certainly made for him and had to be manipulated by him in collaboration with assistants, if not solely by them. The furnaces in his laboratory, and the alembics in which long-term distillations were performed, were probably tended by assistants.
Robert Boyle
As a woman with a big ass, I've always liked Robert Crumb. Those who are familiar with Crumb's art only in passing will know him for the big, sturdy, sexualized women he drools over in his comics. "Nice big legs!” one drawing reads, next to an arrow pointing to some nice, big legs. Crumb draws himself as a paltry little nerd, sometimes clinging to the legs of an enormous woman, his eyes hidden completely behind bottle-bottom glasses. Flecks of saliva tend to fly across the paradigmatic Crumb page.
Robert Crumb
When Frank Ruscetti was out of town, I received a call from Dr. Fauci and he demanded that I give him our manuscript on the isolation and confirmation of HIV, while it was still in press. I refused to do that because it's unethical. These manuscripts are confidential and only authors can give him a copy... He threatened to fire me for insubordination but still I refused. It's unethical... When Frank Ruscetti returned a few weeks later, he gave the manuscript to Dr. Fauci, and Dr. Fauci purposely delayed the publication of our manuscript in order that his crony, Dr. Robert Gallo, could copy our work and submit a competing manuscript and get it into press before ours. On May 4, 1984, Dr. Robert Gallo famously published a series of papers demonstrating that a retrovirus he'd isolated was the cause of AIDS.
Robert Gallo
