Score Quotes - page 15
When I was young, it was not thought proper for young ladies to study very conspicuously; and especially with pen in hand. Young ladies (at least in provincial towns) were expected to sit down in the parlour to sew,-during which reading aloud was permitted,-or to practice their music; but so as to be fit to receive callers, without any signs of blue‐stockingism which could be reported abroad. Jane Austen herself, the Queen of novelists, the immortal creator of Anne Elliott, Mr. Knightly, and a score or two more of unrivalled intimate friends of the whole public, was compelled by the feelings of her family to cover up her manuscripts with a large piece of muslin work, kept on the table for the purpose, whenever any genteel people came in. So it was with other young ladies, for some time after Jane Austen was in her grave; and thus my first studies in philosophy were carried on with great care and reserve.
Jane Austen
If fallacies come knocking at my door,
I'd rather feed, and shelter full a score,
Than hide behind the black portcullis, doubt,
And run the risk of barring one Truth out.And if pretension for a time deceive,
And prove me one too ready to believe,
Far less my shame, than if by stubborn act,
I brand as lie, some great colossal Fact.
Ella Wheeler Wilcox
He's like a PlayStation. I think he can take advantage of every mistake you make. Barcelona are a very good side but of course they have Messi who can make the difference at any moment in the game. He is very young but he can achieve a lot. There are not many players who can score four goals like he did. He has six or seven great years ahead of him and he can become unbelievable.
Arsène Wenger
Like gladiator games and pyramid building, opera has always been a gloriously money-losing proposition. It is the most extravagant of arts, requiring the constant support of kings, dictators, plutocrats, and town councils. Box-office success is no solution. San Francisco Opera loses money at every sold-out performance. Sane business practices simply don't suffice. Composer Richard Wagner's patron, King Ludwig II of Bavaria, was the ideal operatic angel - very rich and certifiably insane. Mel Brooks' shyster producer Max Bialystock need not have mounted Springtime for Hitler to score a surefire loss. Aida would have done just fine.
Dana Gioia
Audiences and critics acknowledge that a play or concerto gains force in great rendition. A good play may overcome bad staging. A great concerto may survive a poor soloist. But it is naturally assumed that a more accomplished performance intensifies the impact of the work. The play's text or concerto's score does not change, but the right actors and musicians help realize its full potential. Among contemporary literary critics, however, one never encounters this notion in regard to books and printing. To recognize the sensual contributions of the physical elements of a book is somehow assumed to demean the spiritual purity of the text. To notice the book itself smacks of philistinism, and to make distinctions based on paper, binding, and typography brings accusations of elitism or decadence.
Dana Gioia
Streit, Okposo, Tavares, Moulson and Hunter... Hunter for Moulson, it hopped over his stick, Moulson got it back, couldn't control, then THEY SCORE! It's Tavares! John Tavares picked up the loose puck, and fires home his first National Hockey League goal! A power play goal, and the Islanders lead it 2 to 1! How about THAT for fast hands?
Howie Rose
She helped me feel like I could take risks with the music, which you're often told not to do. When you watch her, you see that it makes a difference. From now on, I am not going to be afraid to individualize my performances to the max. I won't be afraid of liberties, if the score permits them. I know I can do it.
Megan Marie Hart
