Passage Quotes - page 8
The most precise and complete formulation of the law of higher logic I find in the writing of Plotinus, in his On Intelligible Beauty. I shall quote this passage in the succeeding chapter.
I have called this system of higher logic Tertium Organum because for us it is the third canon - third instrument - of thought after those of Aristotle and Bacon. The first was Organon, the second, Novum Organum. But the third existed earlier than the first.
Man, master of this instrument, of this key, may open the door of the world of causes without fear.
P. D. Ouspensky
The past has a terror and fascination and a beauty beyond almost anything else. We are looking at the dead, and they move and grin and wave at us; it's an almost unbearable experience. When our wonder or our grief are interrupted or followed by a commercial, we want to destroy the ugly box. Old movies don't tear us apart like that. They do something else, which we can take more of and take more easily; they give us a sense of the passage of life. Here is Elizabeth Taylor as a plump matron and here, an hour later, as an exquisite child.
Pauline Kael
...the following passage from Major Cartwright's Memorandum Book: "On Sunday the 10th of April, 1814, Earl Stanhope informed me that in conversation with Mr. Fox and a third person, Mr. Fox said ‘Parliamentary reform was a fit thing to be made use of in argument in the House of Commons, but not to be carried into execution.'” Lord Stanhope also mentioned the same fact to Major Cartwright's friend, Mr. Holt White, and in the same words.
Charles James Fox
In the history of madness, two events signal this change with singular clarity: in 1657, the founding of the Hôpital Général, and the Great Confinement of the poor; and in 1794, the liberation of the mad in chains at Bicêtre. Between these two singular and symmetrical events, something happened, whose ambiguity has perplexed historians of medicine: blind repression in an absolutist regime, according to some, and, according to others, the progressive discovery, by science and philanthropy, of madness in its positive truth. In fact, beneath these reversible meanings, a structure was taking shape, which did not undo that ambiguity but was decisive for it. This structure explains the passage from the medieval and humanist experience of madness to the experience that is our own, which confines madness in mental illness.
Michel Foucault
Navigation brought man face to face with the uncertainty of destiny, where each is left to himself and every departure might always be the last. The madman on his crazy boat sets sail for the other world, and it is from the other world that he comes when he disembarks. This enforced navigation is both rigorous division and absolute Passage, serving to underline in real and imaginary terms the liminal situation of the mad in medieval society. It was a highly symbolic role, made clear by the mental geography involved, where the madman was confined at the gates of the cities. His exclusion was his confinement, and if he had no prison other than the threshold itself he was still detained at this place of passage. In a highly symbolic position he is placed on the inside of the outside, or vice versa. A posture that is still his today, if we admit that what was once the visible fortress of social order is now the castle of our own consciousness.
Michel Foucault
Now understand the deepest essence of your soul, what 'soul' is. Soul is a being that can be beheld by God and by which, again, God can be beheld. Soul is also a being that wishes to content God ... The soul is a bottomless abyss in which God suffices to himself; and his own self-sufficiency ever finds fruition to the full in this soul, as the soul, for its part, ever does in him. Soul is a way for the passage of God from his depths to his liberty; and God is a way for the passage of the soul into its liberty, that is, into his inmost depths, which cannot be touched except by the soul's abyss.
Hadewijch
In the passage quoted here from Monteverdi's madrigal [Cruda amarilli, mm.9-19 and 24-30], one sees a tonality determined by the characteristic of the accord parfait on the tonic, by the sixth chord assigned to the third and seventh degrees, by the optional choice of the accord parfait or the sixth chord on the sixth degree, and finally, by the accord parfait, and above all, by the unprepared seventh chord (with major third) on the dominant.
François-Joseph Fétis
Tuesday, January 13, 1835: We made the land at Point Conception... the point of Santa Barbara, to which we were bound, lying about fifty miles to the southeast of this point, we continued sailing down the coast during the day and the following night, and on the next morning.
On the whole coast of California there was not a lighthouse, a beacon, or a buoy, and the charts were made up from old and disconnected surveys by British, Russian, and Mexican voyagers. Birds of prey and passage swooped and dived about us, wild beasts ranged through the oak groves... herds of deer came to the water's edge.
Richard Henry Dana, Jr.
You and yours at the Circle, you're gonna save all the souls. You're gonna get everyone in one place, you're gonna teach them all the same things. There can only be one morality, one set of rules. Imagine! Now all humans will have the eyes of God. You know this passage? 'All things are naked and opened unto the eyes of God.' Something like that. You know your Bible? Now we're all God. Every one of us will soon be able to see, and cast judgment upon, every other. We'll see what He sees. We'll articulate His judgment. We'll channel His wrath and deliver His forgiveness. On a constant and global level. All religion has been waiting for this, when every human is a direct and immediate messenger of God's will. Do you see what I'm saying?
Dave Eggers
The developed world should neither shelter nor militarily destabilize authoritarian regimes unless those regimes represent an imminent threat to the national security of other states. Developed states should instead work to create the conditions most favorable for a closed regime's safe passage through the least stable segment of the J curve however and whenever the slide toward instability comes. And developed states should minimize the risk these states pose the rest of the world as their transition toward modernity begins.
Ian Bremmer
It pleased the great Creator of the world to make three sorts of living creatures. Angels he made pure spirits, without flesh, and therefore he made them only for heaven and not to dwell on earth. Beasts were made flesh, without immortal souls, and therefore they were made only for the earth and not for heaven: Man is of a middle nature between both, as partaking of both flesh and spirit, so is he made for earth, but as his passage or way to heaven, and not that this should be his home or happiness. The blessed state that man was made for was to behold the glorious majesty of the Lord and to praise him among his holy angels; and to love him, and to be filled with his love forever.
Richard Baxter
For this companion volume to A New Earth, I selected passages from the original book that felt particularly suitable for inspirational or meditative reading. For this reason I do not recommend that you read this book straight through from cover to cover. It would be far more beneficial to read, at the most, one chapter at a time, stopping at and perhaps rereading whatever passages elicit an inner response. Then let the words sink in and sense the truth to which they point, which is, of course, already within you. It can also be helpful to open the book at random occasionally, read one page or just one passage and let the words point the way to that dimension deep within that is beyond words, beyond thought. The truth to which the words point, the timeless dimension of consciousness, cannot be arrived at through discursive thought and conceptual understanding.
Eckhart Tolle
What is seen and called the picture is what remains – an evidence. Even as one travels in painting towards a state of 'unfreedom' where only certain things can happen, unaccountably the unknown and free must appear. Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanished and the paint falls into positions that feel destined. The very matter of painting – its pigment and space – is so resistant to the will, so disinclined to assert its plane and remain still. Painting seems like impossibility, with only a sign now and then of its own light. Which must be because of the narrow passage from a diagramming to that other state – corporeality. In this sense, to paint is a possessing rather than a picturing.
Phillip Guston
