Void Quotes - page 7
"Travel in the old ruts,” quotes my friend Meredith; some ancient Chinese maxim. The way lain down by elders. Pathways through the world, pathways through the mind-it's a shame that these days we so seldom have a guide. That our atomized worldview, mimicking scientific doctrine, sees us as separate, distinct, alone, orbiting in space, touching only an infinite void.
Russell Brand
It is also not entirely unworthy of observation, that in declaring what shall be the supreme law of the land, the constitution itself is first mentioned; and not the laws of the United States generally, but those only which shall be made in pursuance of the constitution, have that rank. Thus, the particular phraseology of the constitution of the United States confirms and strengthens the principle, supposed to be essential to all written constitutions, that a law repugnant to the constitution is void; and that courts, as well as other departments, are bound by that instrument.
John Marshall
A person disconnected from empathy is a sociopath, but making that all about the president is to displace our outrage & responsibility from where it belongs. Our public policies have lacked empathy for decades. He did not create the spiritual void; the spiritual void created him.
Marianne Williamson
(After I had outlived the shocks of childhood, after the habit of reflection had been born in me, I used to mull over the strange absence of real kindness in Negroes, how unstable was our tenderness, how lacking in genuine passion we were, how void of great hope, how timid our joy, how bare our traditions, how hollow our memories, how lacking we were in those intangible sentiments that bind man to man, and how shallow was even our despair. After I had learned other ways of life I used to brood upon the unconscious irony of those who felt that Negroes led so passional an existence! I saw that what had been taken for our emotional strength was our negative confusions, our flights, our fears, our frenzy under pressure.
Richard Wright
"And at last the darkness of the night descended and softly-kissed the surface of the watery grave and the only sound was the lonely rustle of the ancient trees,” I wrote as I penned the final line. I was excited; I read it over and saw that there was a yawning void in it. There was no plot, no action, nothing save atmosphere and longing and death. But I had never in my life done anything like it; I had made something, no matter how bad it was; and it was mine...Now, to whom could I show it?
Richard Wright
Visiting a museum is a matter of going from void to void. Hallways lead the viewer to things once called 'pictures' and 'statues." Anachronisms hang and protrude from every angle. Themes without meaning press on the eye. Multifarious nothings permute into false windows (frames) that open up into a variety of blanks. Stale images cancel one's perception and deviate one's motivation. Blind and senseless, one continues wandering around the remains of Europe, only to end in that massive deception 'the art history of the recent past'
Robert Smithson
The state, [Kierkegaard] argues, bears a direct relation to numbers. When a state decays, numbers decline and the state disappears. The whole concept is void. The relation of Christianity to numbers is different. A single Christian gives it reality. Christianity bears indeed an inverse relation to numbers. When all become Christians, the concept of Christianity is void. The concept is indeed a polemical one. One can be a Christian only in opposition. When opposition is suppressed, there is no more sense in saying "Christian.” Christendom has astutely abolished Christianity by making us all Christians. ... In Christendom there is not the slightest idea of what Christianity is. People cannot see or understand that Christianity has been abolished by its propagation. Again, history probably does not offer any other example of a religion being abolished by reason of its success.
Jacques Ellul
I think I've had three or four moments in my work over the last twenty-five years that have been real discoveries. The pigment pieces felt to me as if they were a discovery about an object and what an object can be; how an object can be and not be. Then, of course, the void pieces. The idea that if I empty out all the content and just make something that is an empty form, I don't empty out the content at all. The content is there in a way that's more surprising than if I tried to make a content. So, therefore, the idea that subject matter is somehow not the same as content. Then, in a different sort of way, moving from matte surfaces to shiny surfaces. In terms of the fact that the traditional sublime is the matte surface, deep and absorbing, and that the shiny might be a modern sublime, which is fully reflective, absolutely present, and returns the gaze. This feels like a new way to think about the non-objective object.
Anish Kapoor
Italian fascism was the immediate outgrowth of the betrayal by the reformists of the uprising of the Italian proletariat. From the time the [first world] war ended, there was an upward trend in the revolutionary movement in Italy, and in September 1920 it resulted in the seizure of factories and industries by the workers. The dictatorship of the proletariat was an actual fact; all that was lacking was to organize it and draw from it all the necessary conclusions. The social democracy took fright and sprang back. After its bold and heroic exertions, the proletariat was left facing the void. The disruption of the revolutionary movement became the most important factor in the growth of fascism. In September, the revolutionary advance came to a standstill; and November already witnessed the first major demonstration of the fascists.
Leon Trotsky
Autumn, cloud blades on the horizon.
The west wind blows from ten thousand miles.
Dawn, in the clear morning air,
Farmers busy after long rain.
The desert trees shed their few green leaves.
The mountain pears are tiny but ripe.
A Tartar flute plays by the city gate.
A single wild goose climbs into the void.
Du Fu
I will contemplate the spectacle of your sea. The viewpoints of our mountains also offer us the limitless spectacle of immensity. The unfillable void has a calming effect... The sea! The sea with its charms saddens me. In its joyful moods, it makes me think of the laughing tiger; in its sad moods it recalls the crocodile's tears, and in its roaring fury, the caged monster that cannot swallow me up.
Gustave Courbet
To work and create "for nothing," to sculpture in clay, to know one's creation has no future, to see one's work destroyed in a day while being aware that fundamentally this has no more importance than building for centuries - this is the difficult wisdom that absurd thought sanctions. Performing these two tasks simultaneously, negating on the one hand and magnifying on the other, it the way open to the absurd creator. He must give the void its colors.
Albert Camus
