Narrative Quotes - page 7
Now, I want to make clear that I am myself using these terms as metaphors for the different ways we construe fields or sets of phenomena in order to ‘work them up' into possible objects of narrative representation and discursive analysis. Anyone who originally encodes the world in the mode of metaphor, will be included to decode it – that is, narratively ‘explicate' and discursively analyze it – as a congeries of individualities.
Hayden White
Here you will find a pleasant and agreeable style, of a natural simplicity. The narrative is pure and the good faith of the author shines from it, exempt from the vanity of talking about oneself, and from partiality or envy when speaking of others. His ideas and exhortations are accompanied more by good zeal and truth than by any fine ability; and all throughout there is an authoritative tone and gravity proper to a man of good background, brought up in great affairs.
Philippe de Commines
There are red lines that I as a democrat, say you cannot cross. I see it as defiance against Israel and Jerusalem as its capital as well as another protest against the historical narrative, a matter already pending before the High Court. (Responding to a MK Tibi-proposed bill recognising Jerusalem as the capital of a Palestinian state)
Reuven Rivlin
One of the things that's great about Training Day is that you have two very distinct personalities, but it's true: it also has a great plot. If you can do both, it's incredibly exciting for the audience. Oftentimes, you have art films that have no narrative to speak of and instead offer characterization; then you have mainstream movies that are simple formulas, A-B-C-D. Training Day is a good combo.
Ethan Hawke
the same year in which I began Latin, I made my first commencement in the Greek poet with the Iliad. After I had made some progress in this, my father put Pope's translation into my hands. It was the first English verse I had cared to read, and it became one of the books in which for many years I most delighted: I think I must have read it from twenty to thirty times through. I should not have thought it worth while to mention a taste apparently so natural to boyhood, if I had not, as I think, observed that the keen enjoyment of this brilliant specimen of narrative and versification is not so universal with boys, as I should have expected both a priori and from my individual experience.
John Stuart Mill
As author in control of the plot I can choose and dictate the fall-out of events from any number of infinite possibilities -- which is a very volatile state of affairs, suggesting the ephemerality of fictional narrative. I can choose to have seven characters and kill six of them off in the first five minutes. I can have seventy characters and squash them under a fallen rock, make them copulate with beasts, sit them on the moon or turn their hair white. This casual condition of authorship is irresponsible.
Peter Greenaway
The form of this book can be seen as a revival for the present age of the oldest form of recorded spiritual teachings: the sutras of ancient India. Sutras are powerful pointers to the truth in the form of aphorisms or short sayings, with little conceptual elaboration. The Vedas and Upanishads are the early sacred teachings recorded in the form of sutras, as are the words of the Buddha. The sayings and parables of Jesus, too, when taken out of their narrative context, could be regarded as sutras, as well as the profound teachings contained in the Tao Te Ching, the ancient Chinese book of wisdom. The advantage of the sutra form lies in its brevity... (intro)
Eckhart Tolle
But let us not speak anymore of books and theories on paper. Now then, did you see my exhibition? As you may remember, 1 gathered in 'Cahiers d'Art' ten very recent paintings, twenty-five gouaches and watercolors, also recent, and twenty-eight drawings that span the period from 1910-1934. In the majority of the compositions on canvas I used a sand technique more or less consistently.... but I usually don't distinguish between traditional oil painting, gouache, tempera and watercolor, and I even simultaneously use the various techniques in the same work. What is essential for me is to be able to clearly convey what I want, to recount my dream. / consider both technique and form to be mere instruments of expression, and my stories, furthermore, are not narrative or historical in character, but purely pictorial.
Wassily Kandinsky
My dear reader, if you are tired of going on with this account of the Lord's gracious interpositions for us week after week, or day after day, I beseech you to lay it aside for the present. Take it up at another time. This Narrative is not of an ordinary character. It does not contain anecdotes for amusement; it relates no embellished tales; it gives facts in which the hand of God is seen stretched out on our behalf, as the result of prayer and faith. Seek to admire God, dear reader, in this simple Narrative of Facts, which are related to His praise, and to allure your heart more and more for Him, and which are brought before you in all simplicity to encourage you and to stir you up, if it may please God so to use His servant, to put your whole trust in Him. I judge that it will be the more profitable way to read this account by little and little.
George Müller
Time-travel has a uniquely intimate, and seductively morbid, relationship to both fiction and history, because it scrambles the very principle of narrative order in profundity. If Western media authorities assumed the same role of cultural custodianship that has been traditional among their Chinese peers, they too might have been compelled to denounce a genre that flagrantly subverted the foundational principle of Aristotelian poetics: that any story worthy of veneration should have a beginning, a middle, and an end. If time-travel can occur, it seems (at least initially) that order is an illusion, so that fiction and reality switch places.
Nick Land
[...] a stone rolled down hill by an idle truant boy [...]. Even such is the course of a narrative like that which you are perusing. The earlier events are studiously dwelt upon, that you, kind reader, may be introduced to the character rather by narrative, than by the duller mdium of direct description; but when the story drwas near its close, we hurry over the circumstances, however important, which your imagination must hvae forestalled, and leave you to suppose those things which it would be abusing your patience to relate at length.
Walter Scott
Well, I'm a product of the Australian film industry which by its very nature is independent, sometimes for better sometimes for worse. I suppose the collaborative nature of being independent is what feels natural to me, and when people talk about working in Hollywood I don't quite know what that means. Being part of the Indiana Jones franchise and The Lord of the Rings, that felt more like a departure for me. But in the end, I think the whole notion of the independent spirit is not just about the way a film is financed but about the creative thinking behind it, and sometimes that can exist in the mainstream; those sensibilities can cross over and audiences are interested in, not a homogenous way of storytelling but a diverse way of receiving a narrative.
Cate Blanchett
