Inferior Quotes - page 10
When the object of sense is very violent, it injures sense at once, so that sense, after its occurrence, cannot immediately discern its weaker objects. Thus extreme brightness offends the eye, and a very loud noise offends the ears. Mind, however, is otherwise; by its most excellent object it is neither injured nor ever confused. Nay, rather, after this object is known, it distinguishes inferior things at once more clearly and more truly.
Marsilio Ficino
I grew up in a world, [a] very New Jersey, American, Dominican, immigrant, African-American, Latino world. And, you know, I went to school and it was basically the same. I went to college; it was basically the same, where largely I wasn't really encouraged to imagine women as fully human. I was in fact pretty much - by the larger culture, by the local culture, by people around me, by people on TV - encouraged to imagine women as something slightly inferior to men. And so I think that a lot of guys, part of our journey is wrestling with, coming to face, our limited imagina[tion] and growing in a way that allows us not only to imagine women as fully human, but to imagine the things that we do to women - that we often do blithely, without thinking, we just sort of shrug off - as actually deeply troubling and as hurting another human being. And this seems like the simplest thing. A lot of people are like, 'Really, that's like a huge leap of knowledge, of the imagination?
Junot Diaz
The slave-owner is at times visited with a nightmare. He finds that his free will, in spite of its freedom, is thwarted, not by a superior will but by things-in-themselves – by inferior wills, accidents, mistakes, and his own ignorance. Yet he is still unable to conceive his will except as being thwarted like that of his slave's by another will, and since he the master is so thwarted, might not even the world's master and his – God Himself – be thwarted in his volition by some grand over-riding will, by Will-in-Itself? This is the slaveowning conception of Moira, or Fate, a comparatively late development reaching its noblest expression in Greek tragedy. This Fate, in spite of its closeness to bourgeois determinism, betrays its slave-owning parentage by the fact that it is always visualised as a consciously forseeing Will, and always as thwarting, not determining human wills as well as events, but interfering with human wills by means of events.
Christopher Caudwell