Spanish Quotes - page 5
Fascism, since that is the word that is used, fascism presents, wherever it manifests itself, characteristics which are varied to the extent that countries and national temperaments vary. It is essentially a defensive reaction of the organism, a manifestation of the desire to live, of the desire not to die, which at certain times seizes a whole people. So each people reacts in its own way, according to its conception of life. Our rising, here, has a Spanish meaning! What can it have in common with Hitlerism, which was, above all, a reaction against the state of things created by the defeat, and by the abdication and the despair that followed it?
Francisco Franco
Marylin Marsh, who had about it with Spain, declared to him [the old Spanish man] [...] But it redounds to your national credit, the then Missus Turner went on in effect - she'd been reading up on reciprocal atrocities in the Guerra Civil - that the sunny Spanish could never be guilty of an Auschwitz, for example. In the first place, your ovens would have died, like our kitchen stove, instead of your Jews, whom you'd got rid of anyhow in the sunny Fifteenth century, no? And in the second place the whole idea of extermination camps would've been too impersonal for your exquisite Moorish tastes. Much more agradable to push folks off a cliff one at a time into a gorgeous Mediterranean sunset, as you did near Malaga - three hundred, was it, or three thousand? Or to rape and then kill a convent-full of nuns in the manner of the saint of their choice - was that Barcelona or Valencia?
John Barth
He [Gilels] played in an easy, natural manner, with strong but unassuming musicianship. His technique was brilliant; years later Neuhaus, still astonished, was to recall Gilels's incredible octaves in Liszt's Spanish Rhapsody. Yet Gilels was never looked upon as a mere virtuoso. As a matter of fact, his programs did not often include music pour epater le bourgeois. He played a stedy diet of Beethoven (the Hammerklavier was a work that strongly engaged his last years), Schubert, Schumann, Chopin and Brahms. In many respects, the great virtuoso who put his authoritative stamp on whatever he played was, at the same time, a thinking man's pianist.
Emil Gilels
I had entered the communist children's movement, an organisation called the Young Pioneers of America, in 1930 in New York City; I was only nine years of age. And I'd gone through the entire '30s as a-Stalinist-initially, and then increasingly as someone who was more and more sympathetic to Trotskyism. And by 1939, after having seen Hitler rise to power, the Austrian workers revolt of 1934 (an almost completely forgotten episode in labour history), the Spanish revolution by which I mean the so-called Spanish civil war-I finally became utterly disillusioned with Stalinism, and drifted increasingly toward Trotskyism. And by 1945, I, finally, also became disillusioned with Trotskyism; and I would say, now, increasingly with Marxism and Leninism.
Murray Bookchin