Intuition Quotes - page 6
Instinct reveals itself as self-concentrating, self-edifying it is limitation. Intuition produces self-denial, self-destruction； it is expansion. Culture can develop both. If it develops instinct, animal nature appears. Then culture destroys the intuitive capacity which men have even found in a primitive state.
Piet Mondrian
Only through intuition does a work rise above more or less subjective expression. Different periods produce different feelings and conceptions, and in each period men differ. Consequently different art expressions even in a single period are not only logical but a tribute to the general development of art. Intuition always finds the way of progress, which is continuous growth toward a clearer establishment of the content of art: the unification of man with the universe.
Piet Mondrian
.. the universal cannot be expressed purely so long as the particular obstructs the path. Only when this is no longer the case can the universal consciousness (intuition, that is) which is at the origin of all art, be rendered directly, giving birth to a purified art expression.
This, however, cannot appear before its proper time. For it is the spirit of the times that determines artistic expression, which, in turn, reflects the spirit of the times. But at the present moment, that form of art alone is truly alive which expresses our present - or future - consciousness.
Piet Mondrian
I believe that it is possible by means of horizontal and vertical lines, constructed 'consciously' but not 'calculating', guided by a higher intuition and brought to harmony and rhythm – I believe that these fundamental aesthetic shapes – where necessary supplemented by lines in other directions or curved lines, make it possible to arrive at a work of art which is as strong as it is true. For anyone who sees more deeply, there is nothing vague about this; it is only vague for the superficial observer of nature. And 'chance' must be as far removed as 'calculation'. And for the rest it seems to me that it is necessary to keep breaking off the horizontal or vertical line: for if these directions were not countered by others, they would themselves come to signify something 'specific' and thus human.
Piet Mondrian
Creativity is not limited to people practising one of the traditional forms of art, and even in the case of artists, creativity is not confined to the exercise of their art. Each one of us has a creative potential, which is hidden by competitiveness and success-aggression. To recognize, explore and develop this potential is the task of the School. Creation – whether it be a painting, sculpture, symphony or novel – involves not merely talent, intuition, powers of imagination and application, but also the ability to shape material that could be expanded to other socially relevant spheres.
Joseph Beuys
People who say: 'Ah, this Beuys will go back to the middle ages, or to the stone dwellers, cliff dwellers.' No, there is a misunderstanding. I have nothing against the materialistic methodology of analytics, but I think we have to enlarge this thing, not to get caught in a very restricted one-sidedness in our way of looking towards life. Because the problems of life, soul, humankind's spirit, the problems of intuition, imagination, and inspiration, the problems of birth and death, the problems of survival in a bigger shape, and to bring in the image of the meaning of man.
Joseph Beuys
For instance the idea of intuition, imagination, inspiration.... is related in the principle to an invisible world.... when I call these drawings 'The Secret Block' then I try to stress this part of reality as the most important part because spiritual existence is firstly... I find if we are only confronted with this hard part of the world, this already done part of the world, we are not.... related to the whole idea of reality.... the mission of the art is to make visible the whole reality..
Joseph Beuys
Today every child knows what Merz is. But what is 'i'? I is the middle vowel of the alphabet and the designation for the consequence of Merz in relation to an intensive apprehension of the art form. For the shaping of the work of art Merz uses large ready-made complexes that count as material, to shorten as much as possible the path leading from the intuition to the actualization (Sichtbarmachung) of the artistic idea, so as to avoid heat loss through friction. i defines this path as o (i setzt diesen Weg = null). Idea, material, and work of art are the same. i apprehends the work of art in nature. Here the artistic shaping is the recognition of rhythm and expression in a part of nature. Thus, no loss through friction i. e., no disturbing distraction during creation occurs here.
Kurt Schwitters
My first stop in Rome was a call on an old friend, Foreign Minister Susanna Agnelli. Universally known as Sunni, she had been appointed to the post by the government of Lamberto Dini in part because of her personal stature. A former mayor and senator, the sister of Italy's most famous businessman, Gianni Agnelli, and the author of a best-selling memoir with the delightful title We always wore sailor suits, Sunni Agnelli combined aristocratic bearing with casual informality. Her giant white mane of hair and her imposing height added to her presence. She approached her job as she had probably approached everything else: with a relaxed confidence in her own intuition. She conveyed an impression of great amusement at the passing parade of overly intense men formulating policy. We had known each other for years, but only socially.
Richard Holbrooke
The marginalization of intuition and the abandonment of the experimental attitude in matters of religion has lead Christianity to dogmatic stasis. It is an unfortunate legacy of the course which Christian theology has followed in Europe that faith has come to connote a mechanical adherence to authority. If we take faith in the proper sense of truth or spiritual conviction, religion is faith or intuition.
Sarvepalli Radhakrishnan
Creative insight is not the final link in a chain of reasoning. If it were that, it would not strike us as inspired in its origin. Intuition is not the end, but part of an ever-developing and ever-dynamic process of realization. There is continual system of "checks and balances” between intuition and the logical method of discursive reasoning. Cognitive intuitions are not substitutes for thought, they are challenges to intelligence. Mere intuitions are blind while intellectual work is empty. All processes are partly intuitive and partly intellectual. There is no gulf between the two.
Sarvepalli Radhakrishnan
Religious intuition is a unique form of experience. Religious intuition is more than simply the confluence of the cognitive, aesthetic, and ethical sides of life. However vital and significant these sides of life may be, they are but partial and fragmented constituents of a greater whole, a whole which is experienced in its fullness and immediacy in religious intuition.
Sarvepalli Radhakrishnan
![Marinetti's [leading Futurism founder and theorist] Tactilism can be seen as an instinctive effort in this direction [of the new architecture, according to Van Doesburg] even if it presents only the sensuous-tactile expression of space through using various materials. Picasso's earlier compositions in various materials also concerns us here. The Russian artists [ Tatlin and Lissitzky, both Constructivist artists] also appreciated the exterior quality of the plane, not only optical, but also in a tactile manner... Intuition already produced a foreknowledge of these new realms, but they can be established fully only by science. (Theo van Doesburg)](https://cdn.quotesdtb.com/img/quotes_images_webp/23/theo-van-doesburg-architecture-446623.webp)
The Cubists, to be objective, restrict themselves to considering things by turning around them, to produce their geometric writing. So they remain at a stage of intelligence which sees everything and feels nothing, which brings everything to a standstill in order to describe everything. We Futurists are trying, on the contrary, with the power of intuition, to place ourselves at the very center of things, in such a way that our ego forms with their own uniqueness a single complex. We thus give plastic planes a plastic expansion in space, obtaining this feeling of something in perpetual motion which is peculiar to everything living.
Carlo Carrà
The need for abstraction and symbols is a characteristic sign of the intensity and rapidity with which life is lived today. It often happens that a word, [or] a phrase, will serve to synthesize a complete action, an entire psychology. In the same way, one gesture, one essential feature, may, by suddenly throwing light upon our intuition, succeed in presenting to our vision the total reality.
Gino Severini
