Recording Quotes - page 5
Unfortunately, I have dedicated my life to researching and recording the sad tale of the Baudelaire Orphans. There is no reason for you to dedicate yourself to such things, and you might instead dedicate yourself to letting this slippery book slip from your hands into a nearby trash receptacle, or deep pit.
Daniel Handler
I hadn't heard of either disco or Meco. When I was asked to listen to Meco's now-famous recording, I was a little apprehensive, wondering how a pop record could be made from "The March from Star Wars" and what it would be like. I immediately liked what I heard and sensed that a genuine communication was taking place. Meco took things forward another step by bringing Star Wars to a vast audience who otherwise would not have heard it in its original symphonic setting. I am most grateful to Meco for all of this and I am delighted that 'disco' and 'Meco' are now household words.
John Williams
My own home, we do it in our on home. I know about that. Anybody that has a VCR, talk to them, and I ask you to use your own commonsense... If you had the power to sit on a playback of a recording and you could wipe out the commercials or not wipe out the commercials, what would you do? ... We all do it.
But when you do it, you strip away the reason for free television. ... As far as I am concerned, I am going to continue taping because the plaintiffs have said they aren't going to do anything to me. I am not committing any crime. They know that.
Jack Valenti
Dad used to say it's [live recording] the backbone for any musical endeavour. And I've realised that with time. So most often, my re-recordings are live. Technology does enhance music, but the warmth of a live orchestra is incomparable. Fans wrote to me after ‘Oru Devadai...' ("Vaamanan”) saying the score had a divine quality. That's because it was done live. Besides, I'm also conscious of the employment problem that technology-driven music creates.
Yuvan Shankar Raja
My concerts were canceled left and right. Speaking about South African Apartheid was fine, but they were suddenly afraid I might speak about American Apartheid, although I never did. Bookers told me that my shows would finance radical activities and [Reprise Records] told me they were not going to honor my recording contract. I didn't say anything, but if I was married to a troublemaker, I must be a troublemaker. I'd already lived in exile for 10 years, and the world is free, even if some of the countries in it aren't, so I packed my bags and left.
Miriam Makeba
![[to] think, in a certain way, of the power and severity of Romanesque paintings... Go to the beach and make graphic signs in the sand, draw by pissing on the dry ground, design in space by recording the songs of the birds, the sounds of water and wind.... and the chant of insects. (Joan Miró)](https://cdn.quotesdtb.com/img/quotes_images_webp/67/joan-mir-beach-certain-451867.webp)
There's no record industry, and so musicians I know, because I get mail from young musicians, I mean, they're really just struggling to survive, because they're not gonna get a record contract! So what are they doing? To survive? Like I did? I mean, okay I drove trucks, and sold caviar and repaired instruments just to survive. But in the end, you know, I'm in the studio, you know, recording rock music, pop music, whatever! Whatever gives me money to put in my, you know, food in my mouth. And so there's a lot of great musicians today, they're just looking for a gig! And what are the gigs that are going around? The gigs with pop bands or with smooth jazz, funky jazz, you know, a lot of this kind of cliched music. I'm sorry to criticize it like that, but I grew up with Tony (Williams) and you know Miles (Davis), (John) Coltrane, and real things, where there's blood all over the floor, blood all over the stage, that's what the passion's all about.
John McLauglin
David Tudor and I went to Hilversum in Holland to make a recording for the Dutch radio. We arrived at the studio early and there was some delay. To pass the time, we chatted with the engineer who was to work with us. He asked me what kind of music he was about to record. Since he was a Dutchman I said, 'It may remind you of the work of Mondrian.' When the session was finished and the three of us were leaving the studio, I asked the engineer what he thought of the music we had played. He said, 'It reminded me of the work of Mondrian.
John Cage
The phenomenal Celia Cruz [is missing]. But although she couln't be here physically [Cruz died in 2003], I felt her presence throughout the entire recording of the album. It's still impossible for me to feel like Celia's gone, simply because she is still so alive to me through her music and the friendship we shared for so many years. There were moments during this recording that felt to me like she was directing me to a degree or giving me ideas for where to go with the song.
Gloria Estefan
The 2004 tour hasn't ended. I still have to finish Latin America and Europe. [Celia Cruz and I] were good friends. Emilio did her first video; we wrote a song for her. I would have loved to have had her there [when recording "90 Millas"]. But she was there. I felt her. That's the beauty of a legacy. Celia was economical and tasty in her choices. And in the pocket like you wouldn't believe? [Which means] It's like a rhythm, from son music. To have it it is to be locked in, like a tuned engine. Once you're in the pocket, you're free. That's why, for most of these songs, I sang and I sang until I had the emotion, then . . . one take. {Couldn't you be considered the heiress to Celia Cruz?] you can't give yourself a title! That's crazy! If I ever start talking like that, please put me out of my misery. I don't care if I'm 80, with my butt to my ankles, put me down.
Gloria Estefan
Lots of my friends have babies, but I don't have any babies. But I have lots of friends; babies don't have any friends. They all have those baby-monitors so they can hear the baby from the other room, which I consider a form of wiretapping. One day there's gonna be a really smart baby who makes a fake recording of some fake baby noises...gonna crawl out of the window and go to Italy.
Steven Wright
[Bill Evans talking about Miles Davis's change of style to jazz fusion] I would like to hear more of the consummate melodic master, but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. It's tempting for the musician to prejudice his own views when recording opportunities are so infrequent but I for one am determined to resist the temptation.
Bill Evans
