Organic Quotes - page 11
![Bill [=Willem de Kooning ] was working on a huge canvas. It was black and white. And I said to him, 'It's very curious.' You know, I came into the studio. I had my separate studio and I walked in and I said, 'It's very curious. There are no treelike shapes in that painting. The forms are all like animals more or less and organic shapes that don't resemble the forest at all, but I get the feeling of Faulkner forest from that painting.' Bill said, 'That's extraordinary.' And he went over and lifted up a pile of papers and underneath was a book by Faulkner and later he named a painting 'Light in August. (Elaine de Kooning)](https://cdn.quotesdtb.com/img/quotes_images_webp/62/elaine-de-kooning-august-953662.webp)
In Nature organic growth proceeds according to a "master plan,” a "blueprint.” According to this master plan diversification among cells is determined by the requirements of the various organs; the size and shape of the organs and, therefore, their growth processes are determined by their function, which in turn depends on the needs of the whole organism.
Such a "master plan” is missing from the process of growth and development of the world system... The masterplan has yet to evolve through the existence of options by people who constitute the world-system.
Mihajlo D. Mesarovic
Part of the charm of synthetic organic chemistry derives from the vastness of the intellectual landscape along several dimensions. First, there is the almost infinite variety and number of possible target structures that lurk in the darkness waiting to be made. Then, there is the vast body of organic reactions that serve to transform one substance into another, now so large in number as to be beyond credibility to a non-chemist. There is the staggering range of reagents, reaction conditions, catalysts, elements, and techniques that must be mobilized in order to tame these reactions for synthetic purposes. Finally, it seems that new information is being added to that landscape at a rate that exceeds the ability of a normal person to keep up with it. In such a troubled setting any author, or group of authors, must be regarded as heroic if through their efforts, the task of the synthetic chemist is eased.
Elias James Corey
I've been a vegetarian since I was 35. It just happened-it just came over me. I'd gotten asthma and was having trouble sleeping, getting less than an hour of sleep a night. ... I decided I wouldn't eat meat any more, not even for a million dollars. I felt cleansed and incredible, like the inflammation in my body had been reduced. It was life-changing. ... When I decided to become vegetarian, I had to learn how to ‘recook,' if you will. ... When I gave up meat, I wondered what I would make. That turned out to be vegetables, really organic and fresh. I made them very flavorful, using herbs, lemon and a little oil. I think I taught my kids well. My daughter, Dinah, for example, is also a vegetarian and doesn't eat anything that can look at her.
Cloris Leachman
[About her vegan diet] I guess I'm a very compassionate person so hearing about animal abuse kind of triggered something in me that maybe I should try it... I'm really into health and fitness and wellness, so this kind of tied into it. I thought I was just going to do it until the (2010) Olympics, but then I didn't go to the Olympics, and then I ended up liking it so much, I think I'll be a vegan for the rest of my life. ... My energy is so much better, I don't hit that wall at 2 o'clock or 3 o'clock in the afternoon, I sleep well, my skin is better, everything just feels well. And it transfers into my attitude, everything in my life has just become a lot calmer, everything I'm putting in me is clean and genuine and organic and in turn, the way I live my life has started to follow that path.
Meagan Duhamel
The concept of the "organic growth” of mankind, as we have proposed in this report, is intended as a contribution toward achieving that end. Were mankind to embark on a path of organic growth, the world would emerge as a system of interdependent and harmonious parts, each making its own unique contributions, be it in economics, resources, or culture.
... Such an approach must start from and preserve the world's regional diversity. Paths of development, region-specific rather than based on narrow national interests, must be designed to lead to a sustainable balance between the interdependent world-regions and to global harmony – that is, to mankind's growth as an "organic entity” from its present barely embryonic state.
Mihajlo D. Mesarovic
[Another significant aspect of the concept of growth is the distinction that Mesarovic and Pestel draw between "undifferentiated" and "organic" growth. The former type of growth, according to these authors, consists of mere replication of cells by cellular division, usually expotentially, with an increase in quantity alone. The latter type of growth] involves a process of differentiation, which means that various groups of cells begin to differ in structure and function... During and after differentiation the number of cells can still increase, and the organs grow in size, but while some organs grow, others might celine.
Mihajlo D. Mesarovic
The work of art has its origin in an unconscious impulse that springs from collective substrata of universal values common to all men, from which all men draw their gestures, and from which the artist derives the 'archaic' of organic existence. Every man of his own accord extracts the human element from this base, without realizing it, and in an elementary and immediate way.
Piero Manzoni
It is absurd to assume that upon the rigid earth-crust the organic originated from the inorganic. In order to explain the nascence of the lowest organisms on the earth-crust, one must assume an already existing organising principle or a thought-process, under conditions that would render organic combinations impossible. We must accordingly assume that these conditions are valid only for the life-process in the actual state of the earth's surface, and only so far as we can explain them may we estimate the possibility of life-processes under other conditions.
Bernhard Riemann
An immediate consequence of these principles of explanation is that the souls of organic beings, i. e., the compacts of mind-masses, arisen during life, continue to exist after death. (Their isolated persistence is not sufficient). But in order to explain the orderly development of organic nature in which the earlier collected experiences obviously serve as basis for the later creations, it is necessary to assume that these mind-masses enter into a greater compact of mind-masses, the Earth-Soul, and that these serve a higher soul-life according to the same laws as the mind-masses engendered in our nerve-processes observe in their service of our own soul-life.
Bernhard Riemann
I've cut way back on animal products (especially dairy), and I try to only eat organic. Because of Alicia [Silverstone], I'm way more conscious of what I put in my mouth and also about how my dollar is spent. Her book The Kind Diet was a real eye-opener for me. ... [In the film Vamps] Alicia and I play vampires who abstain from human blood. So we were very kind in that we weren't killing people and drinking their blood! ... All the people in my life joke that I'm vampire in real life. Not because I drink blood or anything but because I prefer to stay indoors with the blinds closed. I'm not really a SUN person. I come out of my coffin (bedroom) when the sun goes down.
Krysten Ritter
Will biofuel usage require land? Absolutely, but we think the ability to use winter cover crops, degraded land, as well as using sources such as organic waste, sewage, and forest waste means that actual land usage will be limited. Just these sources can replace most of our imported oil by 2030 without touching new land.
Vinod Khosla
Zaha Hadid's Maxxi Museum is proof that Rome and contemporary architecture are no longer a paradox. The building is characteristic Hadid - with curving lines and organic shapes - and the permanent collection already boasts works by Francesco Clemente, William Kentridge, and Gerhard Richter.
Amanda Hearst
