Contrast Quotes - page 6
Well sure, my sculptures are floor pieces. Each one, like any area on the surface of the earth, supports a column of air that weighs – what is it? – 14.7 pounds per square inch. So in a sense, that might represent a column. It's not an idea, it's a sense of something you know, a demarked place. Somehow I think I always thought of it going that way, rather than an idea of a narrowing triangle going to the center of the earth... I have nothing to do with Conceptual art [in contrast to his Physical Art, as Carl Andre called his sculpture art already in 1969]]. I'm not interested in ideas. If I were interested in ideas, I'd be in a field where what we think in is ideas... I don't really know what an idea is. One thing for me is that if I can frame something in language, I would never make art out of it. I make art out of things which cannot be framed in any other way. [quote from a talk with the audience, December 1969].
Carl Andre
When taken as a way of modeling cognitive architecture, connectionism really does represent an approach that is quite different from that of the classical cognitive science that it seeks to replace. Classical models of the mind were derived from the structure of Turing and Von Neumann machines. They are not, of course, committed to the details of these machines as exemplified in Turing's original formulation or in typical commercial computers-only to the basic idea that the kind of computing that is relevant to understanding cognition involves operations on symbols.. In contrast, connectionists propose to design systems that can exhibit intelligent behavior without storing, retrieving, or otherwise operating on structured symbolic expressions. The style of processing carried out in such models is thus strikingly unlike what goes on when conventional machines are computing some function.
Jerry Fodor
Sport is linked with the technical world because sport itself is a technique. The enormous contrast between the athletes of Greece and those of Rome is well known. For the Greeks, physical exercise was an ethic for developing freely and harmoniously the form and strength of the human body. For the Romans, it was a technique for increasing the legionnaire's efficiency. The Roman conception prevails today.
Jacques Ellul
Game theory concepts were first explicitly applied in evolutionary biology by Lewontin (1961). His approach, however, was to picture a species as playing a game against nature, and to seek strategies which minimised the probability of extinction. A similar line has been taken by Slobodkin & Rapoport (1974). In contrast, here we picture members of a population as playing games against each other, and consider the population dynamics and equilibria which can arise.
John Maynard Smith
In contrast to the flux and muddle of life, art is clarity and enduring presence. In the stream of life, few things are perceived clearly because few things stay put. Every mood or emotion is mixed or diluted by contrary and extraneous elements. The clarity of art-the precise evocation of mood in the novel, or of summer twilight in a painting-is like waking to a bright landscape after a long fitful slumber, or the fragrance of chicken soup after a week of head cold.
Yi-Fu Tuan
It is worth recalling that during the 1960s, and again in the 1970s, Britain's growth rate was the lowest of all the major European economies. By contrast, during the 1980s, our growth rate has been the highest of all the major European economies. This greatly improved growth performance has been accompanied by falling inflation, which at 3½ per cent. in 1986 reached the lowest figure for almost 20 years.
Nigel Lawson
Contrast the world's thirty-years of silence on the tyranny of this regime to the extremely loud and well-organized protests frequently directed at my father's government in the 1970s. The difference could not be more distinct or disturbing. Then, the world seemed quite attuned to and concerned with the issue of human rights in my country. Today, with thirty-years worth of full graveyards and more on death row than ever before in Iran, the global silence on the stunning human rights atrocities committed by this supposedly religious regime has been astonishing and disappointing. It is quite frustrating for me and for many of my compatriots to conclude that the global standard on human rights seems to be capriciously administered and certainly has been discounted for Iranians since the establishment of the world's only modern day theocracy.
Reza Pahlavi
Simultaneousness' is a technique. Simultaneous contrast is the most up-to-date honey of this technique in this field. Simultaneous contrast is visible depth – Reality, Form, construction, representation. Depth is the new inspiration. We live in depth, we travel in depth. I'm in it. The senses are in it. And the mind is too.
Robert Delaunay
My whole life is woven of threads which are in blatant contrast to my principles. ... I love self-chosen poverty, and live among rich people; I avoid all honours, and yet some have come to me. ... I believe that illusions are necessary to man, yet live without illusion; I believe that the passions are more profitable than reason, and yet no longer know what passion is.
Nicolas Chamfort
Neokantianism represents in the last analysis nothing but a certain academic line of thought, which has supplied us with a better knowledge of Kant and a useful literature of educated people. Agnosticism, on the other hand, on account of its diffusion among the people, is an actual symptom of the present condition of certain social classes. The socialists would have good grounds for believing that this symptom is one of the evidences of the decadence of the bourgeoisie. It certainly stands in marked contrast to the heroic devotion to truth shown by the thought of the precursors of modern history, such as Bruno and Spinoza, or to that conventional assertiveness, which was typical of the thinkers of the 18th century, until the classic German philosophy gradually came upon the scene.
Baruch Spinoza
I would have to look, try to find a bridge that would make plausible what I knew but could scarcely prove. The standards of science are austere, unforgiving-and who would have it differently? I would have to hedge, to take one step back for each two forward, to compare and suggest and contrast, always sticking close to the data. And despite what I thought I knew now, the data would have to lead, they would have to show the way.
Gregory Benford
The progress of the colored people on this continent is one of the marvels of modern history. We are perhaps even yet too near to this phenomenon to be able fully to appreciate its significance. That can be impressed on us only as we study and contrast the rapid advancement of the colored people in America with the slow and painful upward movement of humanity as a whole throughout the long human story.
Calvin Coolidge
Most men think dramatically, not quantitatively, a fact that the rich would be wise to remember more than they do. We are apt to contrast the palace with the hovel, the dinner at Sherry's with the workingman's pail, and never ask how much or realize how little is withdrawn to make the prizes of success. (Subordinate prizes - since the only prize much cared for by the powerful is power. The prize of the general is not a bigger tent, but command.)
Oliver Wendell Holmes Jr.
Ken Noland has put things in the center [of the painting] and I'll use a symmetric pattern, but we use symmetry in a different way. It's non-relational. In the newer American painting [in contrast to European geometric art] we strive to get the thing in the middle, and symmetrical, but just to get a kind of force, just to get the thing on the canvas. The balance factor isn't important.
Frank Stella
In my figures [of his famous painting 'Vision After the Sermon'] I have achieved a great simplicity, which is both rustic and superstitious..... In this picture the landscape and the struggle [between Jacob wrestling with the angel ] exist only in the imagination of the people whom the sermon has moved to prayer. That's why there is a contrast between the people, depicted naturally, and the struggle in its unnatural and dis-proportioned landscape.
Paul Gauguin
