Contrast Quotes - page 3
A British porch is a musty, forbidding non-room in which to fling a sodden umbrella or a muddy pair of boots; a guard against the elements and strangers. By contrast the good ol' American front porch seems to stand for positivity and openness; a platform from which to welcome or wave farewell; a place where things of significance could happen.
Dan Stevens
In Malaysia, where Western culture was extremely influential, I'd grown up listening to Elvis and the Beatles and watching American movies. People wanted to be like Americans. In contrast, when I got here, I saw prosperous middle-class American college students wanting to somehow join the Third World.
Feisal Abdul Rauf
Perspective gives us the ability to accurately contrast the large with the small, and the important with the less important. Without it we are lost in a world where all ideas, news, and information look the same. We cannot differentiate, we cannot prioritize, and we cannot make good choices.
John H. Sununu
A branch of physics that I was working in for many years has lately become much less active. Many problems have been solved and others are so difficult that nobody knows what to do about them. This means that I do much less physics today than 15 years ago. By contrast, fractal tools have plenty to do. There is a joke that your hammer will always find nails to hit. I find that perfectly acceptable. The hammer I crafted is the first effective tool for all kinds of roughness and nobody will deny that there is at last some roughness everywhere.
Benoît Mandelbrot
Fortunately, the first Islamic invasion of Europe was stopped at Poitiers in 732; the second in Vienna in 1683. [L]et us ensure that the third Islamic invasion, which is currently in full spate, will be stopped too in spite of its insidious nature and notwithstanding the fact that, in contrast to the 8th and 17th centuries, it has no need for an Islamic army because the scared "dhimmis" in the West, also those in Dutch politics, have left their doors wide open to Islam and Muslims.
Geert Wilders
Leading a life like that got me thinking about some big questions. It is sometimes said that Americans and Europeans differ a lot and that they are growing further apart. I disagree-we share the same fundamentals, and that binds us together. Western societies guarantee their citizens something that no other civilizations grant them: privacy. It's one of those things you tend to take for granted unless you lose it. The importance of privacy is unique to Western society with its notion of the sovereign individual. In stark contrast to Western norms, Islam robs people of their privacy and dignity. Islamic societies-including Islamic enclaves in the West-exert tight social control that is indicative of the totalitarian character of Islam.
Geert Wilders
In a sense, all of Earth glows in the dark. The energy release from natural radioactivity, the lingering fluorescence of stellar explosions, keeps Earth dynamic. It melts the core and keeps it flowing, and heats the crust and mantle, with consequences ranging from the generation of earth's magnetic field to earthquakes and the motion of continents. By contrast, Luna and Mars, because they are smaller, derive less energy from radioactive decays. Geologically, they are dead.
Frank Wilczek
Once helium burning has occurred... the next possible reaction-carbon burning-is not necessarily slow... This reaction involves ...a strong as opposed to a weak interaction. ...Carbon burning results in magnesium. ...Taking a cross section of a highly evolved star would reveal a system of many layers. The inner layers have been subjected to the largest pressures, thereby forced to the highest temperatures, and burned the furthest; the outermost layers, by contrast, have not burned at all. Thus, as we proceed from outside in, there will be an outermost layer with the initial mix of hydrogen and helium, a layer of mostly helium, a layer of carbon, a layer of magnesium, and so on. ...So we arrive at the picture of a star, in the latest stages of its evolution... now composed of mostly carbon nuclei and other explosive material.
Frank Wilczek
To understand this radiation [ cosmic microwave background ], it is easier to begin thinking about the radiation from a very hot gas like that inside a neon light. The same neon... is, at room temperature, utterly transparent... The character of matter in general changes abruptly when it gets heated above 3,000 degrees or so. Below this temperature, matter is electrically neutral... At high temperatures in a neon light, the electrically charged pieces of atoms become unstuck. Frequent and violent collisions break down neutral atoms into electrons and unbalanced nuclei. Matter in this state is called plasma, and it radiates much of its collision energy in the form of light. ...a gas of neutral atoms (like air) is virtually transparent. The free [charged] nuclei and electrons of plasma, by contrast, couple to light's electromagnetic fields and absorb it very efficiently. ...You ...see light only from the borderline layer of neon between opaque plasma and transparent neutral atoms.
Frank Wilczek
The next day he [uncle Alfred] took me to hear the 'Concert Colonne' at the Chatelet. First we lunched and then went to the hall. There was a fine program! Schumann, Bizet (new to me), Berlioz (ditto). - I can scarcely express how I marveled at the Hamlet and Romeo et Juliette of Berlioz. - He belongs with Delacroix, with Shakespeare, he is of the same family, he has the mark of these men of genius. He is prodigious in movement, imagination, strangeness, vigor, delicacy, sense of contrast, he is terrible and suave.
Camille Pissarro
The new vision.... does not proceed from a fixed point. Its viewpoint is everywhere, and not limited to any one position [in space]. Nor is it bound by space or time (in accordance with the theory of relativity) [of Einstein ]. In practice, the viewpoint is in front of the plane... Thus this new vision sees architecture as a multiplicity of planes; again flat. This multiplicity composes itself (in an abstract sense) into a flat image [in contrast to Theo van Doesburg who emphasized the dynamic position of the viewer – a central idea of Futurism in 1919].
Piet Mondrian
I was a Yorkshire miner's son, the youngest of seven, and my mother was no longer so very young. She suffered from bad rheumatism in the back and would often say to me in winter, when I came home from school: 'Henry, boy, come and rub my back.' Then I would massage her back with liniment. When I came to model this figure [for his sculpture 'Seated Woman', 1957] which represents a fully mature woman, I found that I was unconsciously giving to its back the long-forgotten shape of the one that I had so often rubbed as a boy. Not just her shoulder but her whole back down from the shoulder blades with the skin close to the bone, to the fleshy lower parts. I had a strong sense of contrast between bone and flesh. I was seven or eight at the time [c. 1906].
Henry Moore
Pissarro wants to achieve delicacy by means of adjustments of nearly like tones; he keeps from juxtaposing two distant tones and does without the vibrant note which such contrast gives, but strives on the contrary to diminish the distance between two tints by introducing into each one of them intermediate elements which he calls 'passage'. But the neo-impressionist technique is based precisely on this type of contrast, for which he feels no need, and on the violent purity of tints which hurts his eye. He has kept of divisionism only the technique, the little dot, whose raison d'etre is exactly that it enables the transcription of this contrast and the conservation of this purity. So it is easy to understand why he [Pissarro] gave up this means, insufficient as it is by itself.
Paul Signac
