Contrast Quotes - page 15
[Vathek] has, in parts, been called, but to some judgments, never is, dull: it is certainly in parts, grotesque, extravagant and even nasty. But Beckford could plead sufficient "local colour" for it, and a contrast, again almost Shakespearean, between the flickering farce atrocities of the beginning and the sombre magnificence of the end. Beckford's claims, in fact, rest on the half-score or even half-dozen pages towards the end: but these pages are hard to parallel in the later literature of prose fiction.
William Thomas Beckford
The great masters of modern analysis are Lagrange, Laplace, and Gauss, who were contemporaries. It is interesting to note the marked contrast in their styles. Lagrange is perfect both in form and matter, he is careful to explain his procedure, and though his arguments are general they are easy to follow. Laplace on the other hand explains nothing, is indifferent to style, and, if satisfied that his results are correct, is content to leave them either with no proof or with a faulty one. Gauss is as exact and elegant as Lagrange, but even more difficult to follow than Laplace, for he removes every trace of the analysis by which he reached his results, and studies to give a proof which while rigorous shall be as concise and synthetical as possible.
W. W. Rouse Ball
Then came the journey up to London through Birmingham and the Black District, another lesson, which needed much more to be rightly felt. The plunge into darkness lurid with flames; the sense of unknown horror in this weird gloom which then existed nowhere else, and never had existed before, except in volcanic craters; the violent contrast between this dense, smoky, impenetrable darkness, and the soft green charm that one glided into, as one emerged - the revelation of an unknown society of the pit - made a boy uncomfortable, though he had no idea that Karl Marx was standing there waiting for him, and that sooner or later the process of education would have to deal with Karl Marx much more than with Professor Bowen of Harvard College or his Satanic free-trade majesty John Stuart Mill.
Henry Adams
No contrast is greater than a man on the pinnacle, erect in stature, confident, supercilious; and the same man in the pit, bent, irresolute, and servile. Some observers insist that, in the pit, a man usually loses his moral principles; but, on the pinnacle, is virtuously inclined, sensitive of reputation, faithful of trusts.
Alexander Bryan Johnson