Contrast Quotes - page 13
The work organization of the new seam was, to us, a novel phenomenon consisting of relatively autonomous groups interchanging roles and shifts and regulating their affairs with a minimum of supervision. Cooperation between task groups was everywhere in evidence, personal commitment obvious, absenteeism low, accidents infrequent, productivity high. The contrast was large between the atmosphere and arrangements on these faces and those in the conventional areas of the pit, where the negative features characteristic of the industry were glaringly apparent. The men told us that in order to adapt with best advantage to the technical conditions in the new seam, they had evolved a form of work organization based on practices common in the unmechanized days when small groups, who took responsibility for the entire cycle, had worked autonomously.
Eric Trist
The peace that passeth understanding is that which comes when the pain is not relieved, which subsists in the midst of the painful situation, suffusing it, which springs out of the pain itself, which shimmers on the crest of the wave of pain, which is the spear of frustration transfigured into the shaft of light. It is upon those we love that we must anchor ourselves spiritually in the last moments. The sense of interconnectedness with them stands out vividly by way of contrast at the very moment when our mortal connection with them is about to be dissolved. And the intertwining of our life with theirs, the living in the life that is in them, is but a part of our living in the infinite manifold of the spiritual life. The thought of this, as apprehended, not in terms of knowledge, but in immediate experience, begets the peace that passeth understanding. And it is upon the bosom of that peace that we can pass safely out of the realm of time and space.
Felix Adler
The fact that there is a spiritual power in us, that is to say, a power which testifies to the unity of our life with the life of others, which impels us to regard others as other selves - this fact conies home to us even more forcibly in sorrow than in joy. It is thrown into clearest relief on the background of pain.
In the glow of achievement we are apt to be full of a false self-importance. But in moments of weakness we realise, through contrast, the infinitely superior strength of the power whose very humble organs and ministers we are. It is then we come to understand that, isolated from it, we are nothing; at one with it, identified with it, we participate in its eternal nature, in its resistless course.
Felix Adler
Herz, Thalberg, Heller, Felicien David and others were great virtuosos of their time, more famous than Chopin himself. They had their own personal styles, but the essence of their music was time-bound, nothing that could occupy generations after them. Chopin, in contrast, was someone special, someone who was completely different from all other artists, composers, and pianists. So too with his style. As a result, the aesthetic in approaching Chopin is distinctive: interpreting his music is the most difficult of all. For me personally, it's the crowning of playing piano. Bach, Mozart, Chopin: these are the three who definitely created musical art in an all-embracing and overwhelming way.
Burkard Schliessmann