Conventional Quotes - page 11
At the same time, eroticism in the home requires active engagement and willful intent. It is an ongoing resistance to the message that marriage is serious, more work than play; and that passion is for teenagers and the immature. We must unpack our ambivalence about pleasure, and challenge our pervasive discomfort with sexuality, particularly in the context of family. Complaining of sexual boredom is easy and conventional. Nurturing eroticism in the home is an act of open defience.
Esther Perel
A well-functioning democracy has a culture of free speech, not simply legal protection of free speech. It encourages independence of mind. It imparts a willingness to challenge prevailing opinion through both words and deeds. Equally important, it encourages a certain set of attitudes in listeners, one that gives a respectful hearing to those who do not embrace the conventional wisdom. In a culture of free speech, the attitude of listeners is no less important than that of speakers.
Cass Sunstein
The Japanese see things that way. They don't paint sunlight, they don't cast shadows that perplex one and falsify the true shape of things. The Egyptian figures have simplicity, dignity, directness, unity; they express motion almost as if by a conventional formula, like writing itself, so direct it is. So I seek a logical method of rendering my idea.
Andre Derain
Well! according to the sketch your picture [which Whistler sent him in a letter] seems well-composed, the lines of sky, sea, the position of the figures all that seems very, very well done[, ] on opening the letter it struck me immediately, an impression of decorative ornamentation which makes a good picture appeal to the eye as well - upside down and any other way up. Arrangement, layout, composition. etc - mysterious words harmonious laws - in no way conventional - needs of the Artist glory of the Raphael's Michelangelo's etc etc - for me a repetition a hesitation, a matter of feeling - which should also be a law, a mathematical thing, like form, like light, colour[. ] I find similarities with the colour method which works by opposing colours to arrive at a harmony that is to say to make a canvas a complete whole, to put into a small space an image with all the forces all the principles of nature - [instead of showing a part of it]..
Henri Fantin-Latour
conventional terms such as service work, intellectual labor, and cognitive labor all refer to aspects of immaterial labor, but none of them captures its generality. As an initial approach, one can concieve immaterial labor in two principle forms. The first for refers to labor, that is primarily intellectual or linguistic such as problem solving, symbolic and analytical tasks, and linguistic expressions. This kind of immaterial labor produces ideas, symbols, codes, texts, linguistic figures, images and other such products. We call the other principle form of immaterial labor "affective labor."
Antonio Negri
John Cage said that music is the moral evaluation of sound. We might generalize his remark: when we speak of art, we make a moral evaluation of the relative worth of the various contributions to a work. It is no surprise that many of the participants differ with more conventional evaluations and rank their own contributions as more important than that of the artist as conventionally defined.
Howard S. Becker
There is no reason to assume that only those who finally commit a deviant act actually have the impulse to do so. It is much more likely that most people experience deviant impulses frequently. At least in fantasy, people are much more deviant than they appear. Instead of asking why deviants want to do things that are disapproved of, we might better ask why conventional people do not follow through on the deviant impulses they have. Something of an answer to this question may be found in the process of commitment through which the "normal” person becomes progressively involved in conventional institutions and behavior.
Howard S. Becker
Maybe the years I spent playing the piano in taverns in Chicago and elsewhere led me to believe that the people who did that mundane work were as important to an understanding of art as the better-known players who produced the recognized classics of jazz. Growing up ... may have led me to think that the craftsman who help make art works areas important as the people who conceive them... Learning the "Chicago tradition" of sociology from Everett C. Hughes and Herbert Blumer surely led to a skepticism about conventional definitions of the objects of sociological study.
Howard S. Becker
The idea of an art world forms the backbone of my analysis. "Art world" is commonly used by writers on the arts in a loose and metaphoric way, mostly to refer to the most fashionable people associated with those newsworthy objects and events that command astronomical prices. I have used the term in a more technical way, to denote the the network of people whose cooperative activity, organized via their joint knowledge of conventional means of doing things, produce(s) the kind of art works that art world is noted for.
Howard S. Becker
There is no need in these mathematical days to defend the use of symbolism. It is regarded by many schools of modern thought as the only safe form of language. Wittgenstein treats symbols as something more than conventional signs, and regards them as corresponding in some way to the reality to which they refer. He would probably accept Gurdjieff's dictum that:
Symbols not only transmit knowledge but show the way to it.
Even though other thinkers deny any objective reference to symbols, no one questions that symbolism has a power beyond that of ordinary language. It is different with the language of myth. This is despised by superficial thinkers, but the greatest philosophers have known its value.
John G. Bennett
Conventional physics deals only with closed systems, i. e. systems which are considered to be isolated from their environment... However, we find systems which by their very nature and definition are not closed systems. Every living organism is essentially an open system. It maintains itself in a continuous inflow and outflow, a building up and breaking down of components, never being, so long as it is alive, in a state of chemical and thermodynamic equilibrium but maintained in a so-called steady state which is distinct from the latter.
Ludwig von Bertalanffy
Classic art was like a king who has the right to govern, punish, reward, and choose his favorites from an aristocracy, obliging them to adopt conventional rules as to manners, morals, and modes of speech. The new art tries to imitate nature in its unconsciousness, its moral indifference.
Eugène-Melchior de Vogüé
