Height Quotes - page 5
I know of no well-directed attempts of this kind, except in the ancient family of the Bickerstaffs, who are said to have been very successful in whitening the skins and increasing the height of their race by prudent marriages, particularly by that very judicious cross with Maud, the milk- maid, by which some capital defects in the constitutions of the family were corrected.
Thomas Malthus
To be successful, insurrection must rely not upon conspiracy and not upon a party, but upon the advanced class. That is the first point. Insurrection must rely upon a revolutionary upsurge of the people. That is the second point. Insurrection must rely upon that turning-point in the history of the growing revolution when the activity of the advanced ranks of the people is at its height, and when the vacillations in the ranks of the enemy and in the ranks of the weak, half-hearted and irresolute friends of the revolution are strongest. That is the third point. And these three conditions for raising the question of insurrection distinguish Marxism from Blanquism.
Vladimir Lenin
As Tarzan grew he made more rapid strides, so that by the time he was ten years old he was an excellent climber, and on the ground could do many wonderful things which were beyond the powers of his little brothers and sisters.
In many ways did he differ from them, and they often marveled at his superior cunning, but in strength and size he was deficient; for at ten the great anthropoids were fully grown, some of them towering over six feet in height, while little Tarzan was still but a half-grown boy.
Edgar Rice Burroughs
A great soul, any sincere soul, knows not what he is,-alternates between the highest height and the lowest depth; can, of all things, the least measure-Himself! What others take him for, and what he guesses that he may be; these two items strangely act on one another, help to determine one another. With all men reverently admiring him; with his own wild soul full of noble ardors and affections, of whirlwind chaotic darkness and glorious new light; a divine Universe bursting all into godlike beauty round him, and no man to whom the like ever had befallen, what could he think himself to be?
Thomas Carlyle
The primary meaning of the words "modern," "modernity," with which recent times have baptised themselves, brings out very sharply that feeling of "the height of time" which I am at present analysing. "Modern" is what is "in the fashion, "that is to say, the new fashion or modification which has arisen over against the old traditional fashions used in the past. The word "modern" then expresses a consciousness of a new life, superior to the old one, and at the same time an imperative call to be at the height of one's time. For the "modern" man, not to be "modern" means to fall below the historic level.
José Ortega y Gasset
The new architecture considers not only space, but also time to be an architectural value. The unity of space and time will give architecture a new form of appearance, which is more complete. This is what is meant by 'active space'.... the dissimilar space-cells develop eccentrically from the center to the borders of the cube, thereby granting a new plastic quality to the dimensions of height, width, depth, and time.
Theo van Doesburg
My aim is always to get hold of the magic of reality and to transfer this reality in painting – to make the invisible visible through reality... What helps me most in this task is the penetration of space. Height, width and depth are the three phenomena which I must transfer into one plane to form the abstract surface of the picture, and thus to protect myself from the infinity of space. My figures come and go, suggested by fortune or misfortune. I try to fix them divested of their apparent accidental quality.
Max Beckmann
It must be emphasized that in seeing a work of art that has been composed by precise means, the viewer does not perceive dominant details. His impression is one of perfect balance to which all the parts contribute, an impression which not only applies to the parts as such, but is transmitted also to the relation existing between the work of art and the viewer. Although it is very difficult to express in words the effect of a work of art, it may be said that the viewer's deepest impression can best be defined as the achievement of a balance between objective meaning and subjective meaning, both directly penetrated by awareness. He has a sensation of height and of depth which are no longer in any way bound to natural conditions or to spatial dimensions, a sensation which places the viewer in a state of consciousness harmony.
Theo van Doesburg
Dada is a farce, a legend, a state of myth. A badly behaved myth whose subterranean survival and capricious manifestation upset everyone.. .The aesthetic of absolute negativity has been changed into methodical doubt, thanks to which it will finally be able to incarnate new signs.. .After the NO and the ZERO, there is a third position for the myth; the anti-art gesture of Marcel Duchamp has been charged with positive energy. The Dada spirit identifies itself with a method of appropriation of exterior reality of the modern world.. .The ready-made is no longer the height of negativity or of polemic, but the basis element of a new expressive repertoire. Such is the New Realism: a direct means for getting one's feet back on the ground but at 40 degree above Dada zero.
Gerhard Richter
Were I as rich in worldly commodity, as in hearty will, I would thank you most princely for your very welcome and agreeable letter; but, were it so, I should not proportion my gratitude to your wants; for, blessed be the God of thy hope! thou wantest nothing - more than, what's in thy possession, or in thy power to possess. I would neither give thee Money, nor Territory, Women, nor Horses, nor Camels, nor the height of Asiatic pride, Elephants; I would give thee Books.
Ignatius Sancho
Historians of the future will amuse themselves by coming up with theories to explain why European civilization, at the height of its powers, rich with unparalleled achievements in science, music, art, literature, mathematics, and technology, gave up its lands and its treasures to people for whom those achievements were mere hated tokens of oppression or the impious and superfluous productions of infidels.
John Derbyshire
You must either make a tool of the creature, or a man of him. You cannot make both. Men were not intended to work with the accuracy of tools, to be precise and perfect in all their actions. If you will have that precision out of them, and make their fingers measure degrees like cog-wheels, and their arms strike curves like compasses, you must unhumanize them. All the energy of their spirits must be given to make cogs and compasses of themselves....On the other hand, if you will make a man of the working creature, you cannot make him a tool. Let him but begin to imagine, to think, to try to do anything worth doing; and the engine-turned precision is lost at once. Out come all his roughness, all his dulness, all his incapability; shame upon shame, failure upon failure, pause after pause: but out comes the whole majesty of him also; and we know the height of it only when we see the clouds settling upon him.
John Ruskin
Phenomena unfold on their own appropriate scales of space and time and may be invisible in our myopic world of dimensions assessed by comparison with human height and times metered by human lifespans. So much of accumulating importance at earthly scales [...] is invisible by the measuring rod of a human life. So much that matters to particles in the microscopic world of molecules [...] either averages out to stability at our scale or simply stands below our limits of perception.
Stephen Jay Gould
But, I'm sure you weren't aware of the dream that was born in me when I was small . . . Well, let me rephrase that -- when I was young -- because, technically, I'm still very small. And I get this from everybody when they meet me: 'You're so tiny.' I guess I am. I don't feel any height, but, apparently, I am not that big.
Gloria Estefan
