Reference Quotes - page 14
Yet in a relatively short creative life of twenty years or so, Chopin redrew the boundaries of Romantic music, and his self-imposed restriction to the 88 keys of the piano keyboard sublimated nothing less than the aesthetic essence of piano music. It was his total identification with the instrument which, in its radical regeneration of the lyric and the dramatic, fantasy and passion and their unique fusion, shaped a tonal language which united an aristocratic sense of style and formal Classical training and intuition with an ascetic rigor. Chopin's precisely marshaled trains of thought permitted no experiments, and so he did not ‘wander about' within his stylistic points of reference as Scriabin was to do. Chopin's works may seem light and improvisatory, but they are planned in meticulous details, exactly and well calculated.
Burkard Schliessmann
Since the revelations of NSA surveillance and mass data collection, Leiderman has consistently referred to this as the "tin foil age.” It is a reference to the days when if someone thought the government was spying on them they would be seen as crazy – the kind of person that would wear a tin foil hat to combat the government surveillance. Now that we are all aware that our government is collecting mass data on so many people, we don't think the tin foil hat wearing people were quite so crazy [sort of], hence "the tin foil age.”.
Jay Leiderman
...WHEREAS, IN THE PAST, THE POINT OF DISAGREEMENT HAS BEEN BETWEEN DISSONANCE AND CONSONANCE, IT WILL BE, IN THE IMMEDIATE FUTURE, BETWEEN NOISE AND SO-CALLED MUSICAL SOUNDS.
THE PRESENT METHODS OF WRITING MUSIC, PRINCIPALLY THOSE WHICH EMPLOY HARMONY AND ITS REFERENCE TO PARTICULAR STEPS IN THE FIELD OF SOUND, WILL BE INADEQUATE FOR THE COMPOSER, WHO WILL BE FACED WITH THE ENTIRE FIELD OF SOUND.
John Cage
What is at stake here is precisely the problem of the fulfillment of desire: when we encounter in reality an object which has all the properties of the fantasized object of desire, we are nevertheless necessarily somewhat disappointed; we experience a certain this is not it; it becomes evident that the finally found real object is not the reference of desire even though it possesses all the required properties.
Slavoj Žižek
When you see reference to a new paradigm you should always, under all circumstances, take cover. Because ever since the great tulipmania in 1637, speculation has always been covered by a new paradigm. There was never a paradigm so new and so wonderful as the one that covered John Law and the South Sea Bubble - until the day of disaster.
John Kenneth Galbraith
![Always fatuity, vulgarity, as soon as human passion is touched. [...] Just as some poetry is of the eye (form, colour) and some of the ear, so Keats is of the palate. Not only has he constant reference to its pleasures, but the general sensation after reading him is one of tasting. 'What's the harm? (E. M. Forster)](https://cdn.quotesdtb.com/img/quotes_images_webp/85/e-m-forster-colour-831685.webp)
In this play a reference is made by a Chief of Police to the political necessity for killing people: a necessity so distressing to the statesmen and so terrifying to the common citizen that nobody except myself (as far as I know) has ventured to examine it directly on its own merits, although every Government is obliged to practise it on a scale varying from the execution of a single murderer to the slaughter of millions of quite innocent persons.
George Bernard Shaw
In a sense the present work is to be regarded as a secondary-study of the work of a group of writers in the field of social theory. But the genus "secondary study" comprises several species; of these an example of only one, and that perhaps not the best known, is to be found in these pages.
The primary aim of the study is not to determine and state in summary form what these writers said or believed about the subjects they wrote about. Nor is it to inquire directly with reference to each proposition of their "theories" whether what they have said is tenable in the Hght of present sociological and related knowledge. Both these questions must be asked repeatedly, but what is important is not so much the fact that they are asked, or even answered, but the context in which this takes place.
Talcott Parsons
Mantle played ball almost under a shroud of depression, because he always thought he was going to die an early death. But Mays probably thinks he's going to live forever. Mantle acted like a man who was doomed. Mays never did, even though he played long beyond his ability. I talked to Willie after the 1973 World Series, in which he looked terrible. I said, "What were you doing out there, Willie?" "Oh, I was having fun!" he told me. Mantle never had fun. Mays, on the other hand, seemed to be inoculated from all the pressure. He simply went beyond the usual frames of reference. If I were writing this, I'd say that he went beyond the usual frames of reverence. That's the way we all felt, and I think it was true for not only the press, but also for managers and other players. And this bled into the other pages of the newspaper.
Arnold Hano
I have already intimated to you the danger of parties in the state, with particular reference to the founding of them on geographical discriminations. Let me now take a more comprehensive view, and warn you in the most solemn manner against the baneful effects of the spirit of party, generally.
George Washington
