Charm Quotes - page 10
There is nothing new in these lectures, but only old truths retold. But the truths are of such vivid and perennial interest that, though old, they are never stale, and, though well known, there is always something to say which seems to throw on them new light and new charm. For they touch the deepest recesses of our being, and bring the breath of heaven into the lower life of earth...
May these reminders of the ancient facts of discipleship and Masterhood nerve some to effort, encourage others to perseverance. May they help some to realize the possibility of obeying the command: "Be ye therefore perfect, even as your Father in heaven is perfect."
Annie Besant
In this frame of mind it occurred to me to put the question directly to myself: "Suppose that all your objects in life were realized; that all the changes in institutions and opinions which you are looking forward to, could be completely effected at this very instant: would this be a great joy and happiness to you?" And an irrepressible self-consciousness distinctly answered, "No!" At this my heart sank within me: the whole foundation on which my life was constructed fell down. All my happiness was to have been found in the continual pursuit of this end. The end had ceased to charm, and how could there ever again be any interest in the means? I seemed to have nothing left to live for.
John Stuart Mill
As for myself, I confess to a preference for clear-cut situations, for radical and even extreme positions. But I also feel a secret and very strong attraction to ambiguous situations... for example, that hovering moment when it is no longer day and not yet night, the shades of emotion between indifference and friendship... (they) are so fascinating because they are so indefinable. That which is pure transition, is all the more appealing to the mind because of its elusiveness. It is the same in the cases of Mondrian, Kandinsky and the Cubists: abstraction and figuration have a common frontier in their work that is so tenuous that we often do not know which side we are on. It is this ambiguity that imports a rare poetic charm to their paintings. Artists like Klee, Miro and Dubuffet have also pitched their tents on this borderline and constantly travel from one side tot the other.
Michel Seuphor
Bread has always been one of the oldest subjects of fetishism and obsession in my work, the first and the one to which I have remained the most faithful. I painted the same subject 19 years ago 'Basket of Bread, 1929'. By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.
Salvador Dalí
![Billy Budd: You didn't even hate him. I think that sometimes you hate yourself. I was thinking, sir, the nights are lonely. Perhaps I could talk with you between watches when you've nothing else to do.
Claggert: Lonely. What do you know of loneliness?
Billy Budd: Them's alone that want to be.
Claggert: Nights are long. Conversation helps pass the time.
Billy Budd: Can I talk to you again, then? It would mean a lot to me.
Claggert: Perhaps to me, too. [His expression suddenly sours] Oh, no. You would charm me too, huh? Get away. (Peter Ustinov)](https://cdn.quotesdtb.com/img/quotes_images_webp/65/peter-ustinov-billy-charm-458065.webp)
I try to condense the meaning of this body [of a woman] by drawing its essential lines. The charm will then become less apparent at first glance, but in the long run it will begin emanate from the new image. This image at the same time will be enriched by a wider meaning, a more comprehensively human one, while the charm, being less apparent, will not be its only characteristic. It will be merely one element in the general conception of the figure.
Henri Matisse
Suppose I want to paint a woman's body: first of all I imbue it with grace and charm, but I know that I must give something more. I will condense the meaning of this body by seeking its essential lines. The charm will be less apparent at first glance, but it must eventually emerge from the new image which will have a broader meaning, one more fully human.
Henri Matisse
Everyone wants to understand painting. Why don't they try to understand the song of the birds? Why do they love a night, a flower, everything which surrounds man, without attempting to understand them? Whereas where painting is concerned, they want to understand. Let them understand above all that the artist works from necessity; that he, too, is a minute element of the world to whom one should ascribe no more importance than so many things in nature which charm us but which we do not explain to ourselves. Those who attempt to explain a picture are on the wrong track most of the time. Gertrude Stein, overjoyed, told me some time ago that she had finally understood what my picture represented: three musicians. It was a still life!!
Pablo Picasso
There is no power in holy men,
Nor charm in prayer, nor purifying form
Of penitence, nor outward look, nor fast,
Nor agony-nor, greater than all these,
The innate tortures of that deep despair,
Which is remorse without the fear of hell,
But all in all sufficient to itself
Would make a hell of heaven,-can exorcise
From out the unbounded spirit the quick sense
Of its own sins, wrongs, sufferance, and revenge
Upon itself; there is no future pang
Can deal that justice on the self-condemn'd
He deals on his own soul.
Lord Byron
My early book learning came to me as naturally as the seasons in ... the little town in which I grew up. ... Quite early I began to find a special charm in an unpeopled world ... of lava rock and sagebrush desert. ... I was often more purely happy at such times than I think I have ever been since.
Richard McKenna
If you could be alarmed into the semblance of modesty, you would charm everybody; but remember my joke against you about the Moon and the Solar System;-"Damn the solar system! bad light - planets too distant - pestered with comets - feeble contriviance; - could make a better with great ease."
Sydney Smith
Legally Blonde 2 should never have been made. It is a cinematic abomination - a source of embarrassment for everyone involved. There have been worse films this year, but none has been marketed as this fun-loving and upbeat. Worthwhile moments are few and far between, and Reese Witherspoon's incandescent charm, which was one of the original Legally Blonde's saving graces, is so bright that it creates a glare. There's such a thing as being too perky.
James Berardinelli
Men are constantly attracted and deluded by two opposite charms: the charm of competence which is engendered by mathematics and everything akin to mathematics, and the charm of humble awe, which is engendered by meditation on the human soul and its experiences. Philosophy is characterized by the gentle, if firm, refusal to succumb to either charm.
Leo Strauss
