Wood Quotes - page 5
There were many seas. The sea roared like a tiger. The sea whispered in your ear like a friend telling you secrets. The sea clinked like small change in a pocket. The sea thundered like avalanches. The sea hissed like sandpaper working on wood. The sea sounded like someone vomiting. The sea was dead silent.
Yann Martel
Human knowledge is not (or does not follow) a straight line, but a curve, which endlessly approximates a series of circles, a spiral. Any fragment, segment, section of this curve can be transformed (transformed one-sidedly) into an independent, complete, straight line, which then (if one does not see the wood for the trees) leads into the quagmire, into clerical obscurantism (where it is anchored by the class interests of the ruling classes).
Vladimir Lenin
He had seen fire, but only when Ara, the lightning, had destroyed some great tree. That any creature of the jungle could produce the red-and-yellow fangs which devoured wood and left nothing but fine dust surprised Tarzan greatly, and why the black warrior had ruined his delicious repast by plunging it into the blighting heat was quite beyond him. Possibly Ara was a friend with whom the Archer was sharing his food.
But, be that as it may, Tarzan would not ruin good meat in any such foolish manner, so he gobbled down a great quantity of the raw flesh, burying the balance of the carcass beside the trail where he could find it upon his return.
Edgar Rice Burroughs
If in the present work I have dwelt at some length on the worship of trees, it is not, I trust, because I exaggerate its importance in the history of religion, still less because I would deduce from it a whole system of mythology; it is simply because I could not ignore the subject in attempting to explain the significance of a priest who bore the title of King Of the Wood, and one of whose titles to office was the plucking of a bough - the Golden Bough.
James Frazer
Back in Moscow in 1925 - teacher at 'Vchutemas' of interior design and furniture at the faculty of wood and metalwork. In 1926 my most important artistic work began: designing exhibitions. In that year I was invited by the committee of the International Exhibition of Art in Dresden to design the space for contemporary art. Was sent abroad for by 'VOKS.
El Lissitsky
You can see the roughness of structure and the spots like wounds from battles on the canvas. The tops of skyscrapers with windows like eyes constantly remind you that there are laws surrounding the wastelands, and so you hide in the deep grass when you make love to a girl in dirty clothes, and experience how your nerves of seeing become stronger and stronger and every little sound more and more intense. That's what Pasolini's poetry is partly about; he was a street guy and therefore I avoided beautiful new wood or metal for his sculpture... The wasteland was Pasolini's other side; the boys, the knives, the nights, the tensions.
Karel Appel
To keep it short and simple.... you take the subject, that is for example the wood, and the colour, the paint. You compose the subject, the realistic subject, you make a fantastic shape. For example, here, this is some wood, this is a table with a top and wooden flowers, you know, therefore I paint a [flowery] table, for example..
Karel Appel
![The custom official was desperate, he did not know whether they were pictures, wood ware or even arms [about his abstract collage art, Schwitters exported to France in 1939]. I got the impression he had an inner struggle with two options, either to have me arrested or to call the lunatic asylum. Finally he did not want to make a fool of himself, and accepted they were paintings, especially because another customs official knew me personally and confirmed that I was an artist. (Kurt Schwitters)](https://cdn.quotesdtb.com/img/quotes_images_webp/28/kurt-schwitters-abstract-arms-321728.webp)
The medium is as unimportant as I myself. Essential is only the forming... I take any material whatsoever if the picture demands it. When I adjust materials of different kinds to one another, I have taken a step in advance of mere oil painting, for in addition to playing off color against color, line against line, form against form etc., I play off material against material, wood against sack clothes.
Kurt Schwitters
A contact sheet is so interesting, because you see how a photographer thinks. He comes closer and closer to a subject, corrects it, looks at it again, and then with tiny movements turns around until it is in exactly the right and exact relation to him. Contact sheets may be compared to the way you drive a nail into a plank. First you give several light taps to build up a rhythm and align the nail with the wood. Then, much more quickly, and with as few strokes as possible, you hit the nail forcefully on the head and drive it in.
Henri Cartier-Bresson
Take a look at the simplest of objects. Let's take, for example, an old chair. It seems like nothing. But think of the universe comprised within it: the sweaty hands cutting the wood that used to be a robust tree, full of energy, in the middle of a luxuriant forest by some high mountains. The loving work that built it, the joyful anticipation of the one who bought it, the tired bodies it has helped, the pains and the joys it must have endured, whether in fancy halls or in a humble dining room in your neighbourhood. Everything, everything shares life and has its importance! Even the most worn down of chair carries inside the initial force of the sap climbing from the earth, out there in the forest, and will still be useful the day when, broken into kindling, it burns in some fireplace.
Antoni Tàpies
I am going on very well with my pictures... the park [ Wivenhoe Park ] is the most forward - the great difficulty has been to get so much in as they wanted (his client, the Slater-Rebows) to make them acquainted with the scene - on my left is a grotto with some elms - at the head of a piece of water - in the center is the house over a beautifull wood and very far to the right is a Deer House - what it was necessary to add. So that my view comprehended to many degrees - but to day I got over the difficulty and I begin to like it 'myself'... I live in the park and Mrs. Rebow says I am very unsociable.
John Constable
