Immense Quotes - page 21
The third general fact on which this theory is founded, is, that the stratified rocks, instead of being either horizontal, or nearly so, as they no doubt were originally, are now found possessing all degrees of elevation, and some of them even perpendicular to the horizon; to which we must add, that those strata which were once at the bottom of the sea are now raised up, many of them several thousand feet above its surface. ...This force, which has burst in pieces the solid pavement on which the ocean rests, and has raised up rocks from the bottom of the sea, into mountains... exceeds any which we see actually exerted, but seems to come nearer to the cause of the volcano or the earthquake than to any other, of which the effects are directly observed. The immense disturbance, therefore, of the strata, is in this theory ascribed to heat acting with an expansive power, and elevating those rocks which it had before consolidated.
James Hutton
«She is able to oscillate between classical allusions to the holy books and the works of great poets like Hölderlin, Baudelaire, Borges, Artaud and Celan, and then she comes to terms with the Beat Generation, with Ferlinghetti, Corso, with the philosophy of the existentialists. With immediate acceptances, repulses, with vast ignitions and immense fires, with echoes of jazz and pop music» (Dante Maffia about Fatti deprecabili/Deprecable Facts)
Caterina Davinio
I feel that what is wrong with scores of modern novels which show literary quality, but which are repellent and depressing to the spirit is not that the writers have rejected a morality, but that they have one which is unexamined, trivial, and lopsided. They have a base concept of life; they bring immense gusto to their portrayals of what is perverse, shabby, and sordid, but they have no clear notion of what is Evil; the idea of Good is unattractive to them, and when they have to deal with it, they do so in terms of the sentimental or the merely pathetic. Briefly, some of them write very well, but they write from base minds that have been unimproved by thought or instruction. They feel, but they do not think. And the readers to whom they appeal are the products of our modern universal literacy, whose feeling is confused and muddled by just such reading, and who have been deluded that their mental processes are indeed a kind of thought.
Robertson Davies