Construction Quotes - page 5
To protect people's lives and keep our children safe, we must implement public-works spending and do so proudly. If possible, I'd like to see the Bank of Japan purchase all of the construction bonds that we need to issue to cover the cost. That would also forcefully circulate money in the market. That would be positive for the economy, too.
Shinzō Abe
The Zionist regime has adopted measures to change population structure of the city of divine religions and cradle of peace. It has resorted to racism and expansionist policies including expulsion of Palestinian people and construction of Jewish settlements and the separation wall. The regime has posed serious danger to everyday life of the Palestinians.
Gholam-Ali Haddad-Adel
It has often been matter of regret in modern times that, in the construction of the Statute of Limitations, the decisions had not proceeded upon principles better adapted to carry into effect the real objects of the Statute; that instead of being viewed in an unfavourable light as an unjust and discreditable defence, it had not received such support as would have made it what it was intended to be, emphatically a Statute of repose. It is a wise and beneficial law, not designed merely to raise a presumption of payment of a just debt from lapse of time, but to afford security against stale demands after the true state of the transaction may be forgotten, or be incapable of explanation by reason of the death or removal of witnesses.
Joseph Story
In consequence of this arrangement I began to construct the forty-foot telescope about the latter end of 1785. The woodwork of the stand and machines for giving the required motions to the instrument were immediately put in hand. In the whole of the apparatus none but common workmen were employed, for I made drawings of every part of it, by which it was easy to execute the work, as I constantly inspected and directed every person's labor; though sometimes there were not less than forty different workmen employed at the same time. While the stand of the telescope was preparing, I also began the construction of the great mirror, of which I inspected the casting, grinding, and polishing, and the work was in this manner carried on with no other interruption than that occasioned by the removal of all the apparatus and materials from where I then lived, to my present situation at Slough.
William Herschel
To conclude, if we call light, those rays which illuminate objects, and radiant heat, those which heat bodies, it may be inquired whether light be essentially different from radiant heat? In answer to which I would suggest that we are not allowed, by the rules of philosophizing, to admit two different causes to explain certain effects, if they may be accounted for by one. ...If this be a true account of the solar heat, for the support of which I appeal to my experiments, it remains only for us to admit that such of the rays of the sun as have the refrangibility of those which are contained in the prismatic spectrum, by the construction of the organs of sight, are admitted under the appearance of light and colors, and that the rest, being stopped in the coats and humors of the eye, act on them, as they are known to do on all the other parts of our body, by occasioning a sensation of heat.
William Herschel
As you can see this is a composition of vertical and horizontal lines which will (in an abstract manner) have to express the idea of rising upwards, of magnitude. This is the same idea which used, for example, to be the guiding principle in the construction of cathedrals. Since only the manner of expression and not the representation has to express this general idea, I have not given any title. An abstract human mind will, of itself, receive the intended impression. I always confine myself to expressing the general.
Piet Mondrian
The second conception of the world via the medium of matter required both a visual and a tactile perception of things. In this case the whole design process tends to emanate from the specific characteristics of the respective medium used. The leader of this movement (Tatlin) assumed.... that the intuitive and artistic mastery of materials would lead to inventions on the basis of which objects could be constructed. He believed he could prove this theory with his design for the 'Monument to the Third International' (1920), [never built]. He accomplished this task without having any special technical knowledge of construction.
El Lissitsky
This is the way in which the artist has set about the construction of the world - an activity which affects every human being and carries work beyond the frontiers of comprehension. We see how its creative path took it by way of cubism to pure construction, but there was still no outlet to be found here.
El Lissitsky
We have named PROUN [the art, stepping over from painting to architecture] a station on the path to the construction of the new form... From being a simple depicter the artist becomes a creator (builder) of forms for a new world - the world of objectivity. This does not mean the creation of a rivalry with the engineer. Art has not yet crossed paths with science.
El Lissitsky
In America the architect has a direct and continuing relationship with technology. Perhaps this is why he does not ask more from technology than it can offer. In our country [Russia] it is still impossible to have such urban complexes as are found in Paris, Chicago, or Berlin. It is through technology that we can build a bridge to all the most recent achievements, which is what made it possible for our country to pass directly from the hoe to the tractor without having to travel the long path of historical development. That is why we want to introduce the most modern methods of building and construction into our country - and why we see the works and designs of both the 'formalists' and the 'constructivists' as a radical experiment in the manipulation of construction.
El Lissitsky
We analyzed the first stage of our construction, confined to two-dimensional space, and found it to be as durable and resistant as the earth itself. We build in this space just as we would on the ground, and therefore must take as our point of departure the concepts of gravity and force of attraction, as the foundation of everything built on the land. In PROUN the reciprocity of the effects of gravity [Newton, 'for every action an equal and opposite reaction'] manifests itself in a new capacity. We see that on the surface (plane) of the picture, the PROUN ceases to exist as such and becomes a building surveyed from every direction - considered from above or examined from below. The result of this turns out to be the destruction of the single axis that leads to the horizon.
El Lissitsky
The love of simplicity, precision and clarity, is totally Western. Today's rational plastic form does not come from the Mediterranean or the Orient; it comes from the North [of France]. The North, younger, quicker less subtle, has seen straight to the heart of the new problem of construction that is posed by modern life.
Fernand Léger
![Everything takes place in an infinitely greater field than what is framed by the size of the picture or by what is materially in the picture. This matter [door/window/wall] is but a support inviting the viewer to participate in the much larger game of a thousand and one visions and feelings; it is the talisman lifting or sinking walls into the deepest recesses of our spirit, opening and at times closing windows in the construction of our impotence, our bondage, or our freedom. The 'subject-matter' then may be found in the picture or it may exist solely inside the spectator's head. (Antoni Tàpies)](https://cdn.quotesdtb.com/img/quotes_images_webp/09/antoni-t-pies-bondage-480109.webp)
The new architecture has 'opened' the walls so that the separateness of interior and exterior is suppressed. Walls no longer sustain since the system of construction is based upon the use of columns. This results in a new type of ground plan, an open ground plan, which is totally different from classical ones, since interior space and exterior space are interrelated.
Theo van Doesburg
But the projects with which the architects of Russian proletarian architecture present us are not only based on pure imagination, but their construction would, if they were fitted for realization, entail enormous waste of space and materials. The dwelling complex 'Wolkenbügel' [architecture, designed by Lissitzky, with the help of [ w:Emil Roth - Swiss architect, 1924] (assuming that one could live here without either freezing or melting!), shaped like a 4, stands in a very un-constructive way on three legs in which the elevators are located. The latter take up as much space as would one or more skyscrapers. And these 'architects' are to teach the West what architecture is!
Theo van Doesburg
