Italian Quotes - page 20
Napoleon, far more Italian than French, Italian by race, by instinct, imagination, and souvenir, considers in his plan the future of Italy, and, on casting up the final accounts of his reign, we find that the net profit is for Italy and the net loss is for France. Since Theodoric and the Lombard kings, the Pope, in preserving his temporal sovereignty and spiritual omnipotence, has maintained the sub-divisions of Italy; let this obstacle be removed and Italy will once more become a nation. Napoleon prepares the way, and constitutes it beforehand by restoring the Pope to his primitive condition, by withdrawing from him his temporal sovereignty and limiting his spiritual omnipotence, by reducing him to the position of managing director of Catholic consciences and head minister of the principal cult authorized in the empire.
Napoleon Bonaparte
Rankovich wants us to turn our borders into a roadhouse with two gates through which Yugoslav, Italian and Greek agents and weapons could go in and out freely, without visas, in order to bring us their "culture of cutthroats", so that Tito may realize his dream of turning Albania into the seventh republic of Yugoslavia, so that the reactionary Italian bourgeoisie may put into action for the third time their predatory intentions towards Albania, or so that the Greek monarcho-fascists may realize their crazy dream of grabbing southern Albania. Because we have not permitted and will never permit such a thing, we are "warmongers."
Enver Hoxha
How can America be in a position to assimilate its many races and to select intelligently its future immigrants unless it has a clear understanding of each race, a clear comprehension of its ideals and achievements and of its contributive relation to its own development? We have tried the haphazard method. We concentrated races indiscriminately in cities, and the result was colonies and ghettos. We dumped them into industries, and got immigrant slums and "dagos" and "hunkies" and "kikes". We tried to shut them out, and could think of nothing better to accomplish this than a literacy test. We set the beauty-loving Italian digging ditches and put the Greek in factories, and in our negligence we wasted both.
Frances Kellor
Our musical alphabet is poor and illogical. Music, which should pulsate with life, needs new means of expression, and science alone can infuse it with youthful vigor.
Why, Italian Futurists, have you slavishly reproduced only what is commonplace and boring in the bustle of our daily lives.
I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.
Edgard Varèse
Put yourself in the position of an up-and-coming artist living in early-sixteenth-century Italy. Now imagine trying to distinguish yourself from the other artists living in your town: Michelangelo, Raphael, Leonardo, or Titian. Is it any wonder that the Italian High Renaissance lasted only 30 years?
Jerry Saltz
Ed walked away from the program feeling fortified and stapled. His brain was buzzing, the way it always did just after Jeopardy! He loaded up the microbus with Atlases and poseidons and headed for Pope County. "I've had it," he sang. "I've had it with puns, alliteration, Russian literature, Italian neorealism, meaningless cross-references, and laundry lists of nonsense. I shall drive without a license, without clothing, without direction, and if I make it to Arkansas, fine, and if I'm running late, if I'm running a numbers game, it doesn't matter, I shall keep on running. Yes, this is the answer. This is the ending. I shall keep on running, because a body in motion tends to stay emotional, and it's better to feel. Pain is better than emptiness, emptiness is better than nothing, and nothing is better than this."
John S. Hall
The realities of globalization can be seen in something as simple as the investigation of a car crash. If a patrolman investigated a fatal accident in the 1970s, the victims and the witnesses were both likely from the local community; and if the officer climbed into the wreckage, to look for some malfunction in the vehicle, he would probably see from the serial numbers that the car was made in the U.S. He could put all that together, and make his case. But Consider the death of Princess Diana. This accident involved an English citizen, with an Egyptian boyfriend, crashed in a French tunnel, driving a German car with a Dutch engine, driven by a Belgian, who was drunk on Scotch whiskey, followed closely by Italian paparazzi, on Japanese motorcycles, and finally treated with Brazilian medicines by an American doctor. In this case, even leaving aside the fame of the victims, a mere neighborhood canvass would hardly have completed the forensic picture, as it might have a generation before.
Mark Riebling
A French Author has found out that the French music is for the heart; Italian music, for the ear only: but I do not know how it is to get at the one but by means of the other, and I fancy that which does not please the ear, will never find its way to the heart. I think it is Confucius who says, that the state of music is a proof of the good or bad customs of a country. The French nation would lose by such a judgment and the Italian gain more than it deserves.
Peter Beckford
[T]he American dream is still alive and well, thanks: Even the newest taxi driver stumbling over his English grammar knows he can truly become an American. But European Muslims can't become French or Dutch or Italian or German. Even if they qualify for a passport, they remain second-class citizens. On a good day. And they're supposed to take over the continent that's exported more death than any other?
Ralph Peters
I wish that every young man when he begins to write music would not concern himself with being a melodist, a harmonist, a realist, an idealist or a futurist or any other such devilish pedantic things. Melody and harmony should be simply tools in the hands of the artist, with which he creates music; and if a day comes when people stop talking about the German school, the Italian school, the past, the future, etc., etc., then art will perhaps come into its own.
Giuseppe Verdi
