Italian Quotes - page 12
When most Italian artists of my own generation were afraid to be too 'modern,' too 'international' in their style, not 'national' or 'imperial' enough, I was still left in peace, perhaps because I demanded so little recognition. My privacy was thus my protection and, in the eyes of the Grand Inquisitors of Italian art, I remained a provincial professor of etching, at the Fine Art Academy in Bologna.
Giorgio Morandi
I have been fortunate enough to lead.... an uneventful life. Only on very rare occasions have I ever left Bologna, my native city, and the surrounding province of Emilia. Only twice, for instance, have I been abroad... Besides, I speak only my native language, as you see, and read only Italian periodicals... When I was in my early twenties, my highest ambition was to go abroad study art in Paris.... the material difficulties involved were too great, and I was obliged to remain in Italy. Later I had too many responsibilities, with my teaching and my family [his sisters he lived with] and never managed to go abroad.
Giorgio Morandi
Mussolini is not an ordinary socialist. You will perhaps see him one day as a leader of a consecrated battalion, saluting the flags of Italy with his sword. He is an Italian of the fifteenth century, a condottiere. He is the only man with the strength to correct the weakness of the government.
Georges Sorel
From the director to the international cast, all of them are from deaf families for generations, while the film industry usually entrusts these roles to audacious interpreters that end up being bad imitators of the Sign language: as if an Italian actor was asked to act in Japanese by cracking down the tongue.
Emilio Insolera
I do not believe that art must develop on national lines, but I am convinced that there never was and never will be an international art. There is and was French, German, Italian, and Flemish art. But I deny those specific definitions so fashionable with adepts of fascism which make of every country an hermetic cell from which all foreign artists are excluded. [shortly after the end of the German occupation].
Ossip Zadkine
I have a garden and across the road, a park. I never go for walks, but I look out the window and 'ask for permission' [to paint the view] as I call it. If I need some green, I find it there. In that sense, I'm a very old-fashioned painter, tied to nature. But I remain modern in that I execute some rather impious structures. I will react if I feel that my paintings, though abstract, become too naturalistic. I have another studio in Italy and I worked a lot there this summer. I still depend on my surroundings, so some of my work was very influenced by the Italian landscape, its olive trees and the very cold green color of the leaves. You could identify the specific landscape in those paintings and it drove me crazy. So I had to destroy them. But even destruction can still help underline what is good about a picture.
Per Kirkeby
Given the opportunity, Mussolini would have been glad as late as 1920-21 to take under his wing the Italian Communists, for whom he felt great affinities: greater, certainly, than for democratic socialists, liberals and conservatives. Genetically, Fascism issued from the 'Bolshevik' wing of Italian socialism, not from any conservative ideology or movement.
Richard Pipes
According to Marx, the evolution of capitalism would inevitably lead to the pauperization of the proletariat and then, just as inevitably, to its radicalization. It is interesting that Bento Mussolini arrived at an identical judgment ten years later. Before the outbreak of the first World War, Mussolini had been the closest analogue to Lenin in the European socialist movement, being equally revolutionary and anti-reformist. He was the Lenin of the Italian Socialist Party with the difference that, whereas Mussolini managed to rally behind him a revolutionary majority and expel the reformers, in Russia, Lenin found himself leading a minority and forced to break away from the Social-Democratic Establishment.
Richard Pipes
It's because it's very European. And I'm Italian and it's very close to my culture and all the steppings for where all these legends took place, some places I'm very familiar with. And on the other hand, there's also something that's really special about Dracula & Array; which is the constant search for blood, which is enticing and sensual. And which is why The Count has three Brides.
Silvia Colloca
There was the populist extreme left, whose main spokesman was the journalist Curzio Malaparte, who wanted to see Fascism make a ‘revolution of the people' that would reflect what the populist left considered true Italian popular culture, both intellectually and socially. There were small sectors of a dissident extreme left or ‘free Fascism' that promoted a progressivist and leftist revolution of ‘liberty' under the Fascist banner.
Stanley G. Payne
At the Twelfth Party Congress in Moscow in 1923, Nikolia Bukharin stressed that the Nazi Party had ‘inherited Bolshevik political culture exactly as Italian Fascism had done.' On June 20, 1923, Karl Radek gave a speech before the Comintern Executive Committee proposing a common front with the Nazis in Germany. That summer several Nazis addressed Communist meetings and vice versa, as the German Communist Party took a strong stand for ‘national liberation' against the Treaty of Versailles and inveighed against ‘Jewish capitalists.' It is said that a few of the more radical Nazis even told German Communists that if the latter go rid of their Jewish leaders, the Nazi would support them.
Stanley G. Payne
Yet Giap persisted nevertheless in a big-unit war in which his losses were appalling, as evidenced by his admission to the Italian journalist Oriana Fallaci that he had by early 1969 lost half a million men killed. Ruthless disregard for losses is seldom seen as military genius. A Western commander absorbing losses on the scale of Giap's would have hardly lasted in command more than a few weeks.
William Westmoreland
