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Text Quotes - page 21 - Quotesdtb.com
Text Quotes - page 21
Editions and Revisions. The printed Bible text of Luther had the same fate as the written text of the old Itala and Jerome's Vulgate. It passed through innumerable improvements and mis-improvements. The orthography and inflections were modernized, obsolete words removed, the versicular division introduced (first in a Heidelberg reprint, 1568), the spurious clause of the three witnesses inserted in 1 John 5:7 (first by a Frankfurt publisher, 1574), the third and fourth books of Ezra and the third book of the Maccabees added to the Apocrypha, and various other changes effected, necessary and unnecessary, good and bad. Elector August of Saxony tried to control the text in the interest of strict Lutheran orthodoxy, and ordered the preparation of a standard edition (1581). But it was disregarded outside of Saxony.
Philip Schaff
Callas studied the text, the meaning of the words, and as a result, she became a diva. She became the Great Callas. Because she studied the character, she entered the mind of the character, and she brought the character to life onstage. Today, young singers don't have this mindset. They don't have the kind of technique that Callas had. ...Price, Milanov and Tebaldi had stupendous voices and great careers. [But] Callas, as a performer, as someone who expressed the real meaning of the words, was the best. The best. There is no doubt about this - not only for her sound, but because she studied so much. Callas is the diva. She is important to young singers, because she was a serious singer onstage, and she left a great legacy. I don't know, though, if they can listen and learn from what she left on her recordings.
Maria Callas
I used to listen again and again to recordings by Maria Callas. She was so musical and so theatrical at the same time. That is rare! I admire the way she cares for the words, so that everything comes from the text. She takes everything from the text and the music to elaborate a character and make her really interesting and impressive. She brings her own nature to the part - what she is, her passion, her fragility, doubts, feelings, violence - everything she is. And she never betrays the text or the music. We're very different, thank goodness, and I am happy with my own voice. But I feel very close to her in terms of discipline - trying to be as disciplined as she. She is an example to follow! Maybe in the past, people were more interested in voice and beautiful sounds. Maria Callas changed that. She arrived, brought a new way of doing opera, opened the way for us. We don't have any excuse now for not doing it!
Maria Callas