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Temple Quotes - page 10 - Quotesdtb.com
Temple Quotes - page 10
In the long run, any attempt to reduce the complexity of the relations among the sacred, the properly secular, and the profane is doomed to failure, although each such effort can cause great human hardship in the short run. But in both the short and the long run, the Church, or the synagogue, or the mosque or the temple, is where you go when you want to be connected to the One who relates to everyone and every people. If the Church is where one goes to be truly free, how does the Church contribute to our understanding of who we are and what we should do in the activities that shape the world we live in, that fill the theater of secularity?
Francis George
He remembered how the night dew had fallen upon him,-how the dark forest had whispered to him,-how the stars had gleamed upon him,-a simple and loving man, watching his fire in the years gone by, and ever musing as it burned. He remembered with what tenderness, with what love and sympathy for mankind, and what pity for human guilt and woe, he had first begun to contemplate those ideas which afterwards became the inspiration of his life; with what reverence he had then looked into the heart of man, viewing it as a temple originally divine, and, however desecrated, still to be held as sacred to a brother; with what awful fear he had deprecated the success of his pursuit, and prayed that the Unpardonable Sin might never be revealed to him. Then ensued the base intellectual development which, in its progress, disturbed the counterpoise between his mind and heart.
Nathaniel Hawthorne
I am an artist, and, through my eye, must confess to a tremendous bias. In my purely literary voyages my eye is always my compass. "The architectural simplicity” – whether of a platonic idea or greek temple – I far prefer to no idea at all, or no temple at all, or, for instance, to most of the complicated and too tropical structures of India. Nothing could ever convince my EYE – even if my intelligence were otherwise overcome – that anything that did not possess this simplicity, conceptual quality, hard exact outline, grand architectural proportion, was the greatest art. Bergson is indeed the arch enemy of every impulse having its seat in the apparatus of vision, and requiring a concrete world. Bergson is the enemy of the Eye, from the start; though he might arrive at some emotional compromise with the Ear. But I can hardly imagine any way in which he is not against every form of intelligent life. (p. 338)
Wyndham Lewis