Tone Quotes - page 23
![More than an athlete, Cruyff was also a great thinker, someone who reinvented the sport (...) Cruyff has left us now, but his vision and philosophy will hopefully live forever. You can see it in the way Barcelona-one of two clubs Cruyff revolutionized, along with Ajax-still plays every week. It's a style that has admirers around the world. I think a lot of people share that [philosophy] with him. You want to see this type of game, where you set the tone, you control the game, you make it fast, you make it attractive and attacking. He's always been famous for his version of the 4–3–3 with the wide wingers, all technically highly gifted and fast. This is his mark." (Johan Cruyff)](https://cdn.quotesdtb.com/img/quotes_images_webp/00/johan-cruyff-athlete-attractive-1004800.webp)
Indeed, the secrecy of the program indicates an understanding that the regular military culture and mores would not support these activities and neither would the American public or the world community. Another implicit acknowledgement of violations of accepted standards of behavior is the process of farming out prisoners to countries less averse to torture and giving assignments to private contractors.
President Bush set the tone for our attitude for suspects in his State of the Union address. He noted that more than 3,000 "suspected terrorists" had been arrested in many countries and then he added, "and many others have met a different fate. Let's put it this way: they are no longer a problem to the United States and our allies."
George Bush promised to change the tone in Washington. And indeed he did.
Al Gore
There is perhaps nothing more interesting than to listen to a superior man talk of what he does not know. He advances slowly, and scarcely puts his foot down without knowing if the ground is solid; he looks for plausible analogies; he tries to attach his ideas to higher and incontestable principles; he always has the tone of looking, never that of teaching; and it often happens that, even if he is mistaken, he leaves a great enough idea of his mental honesty.
Joseph de Maistre
Tell me, suit, don't you wonder if it's all worth it?'
"If what's all worth what?” it says, and I can hear that condescending tone in its voice again.
"You know; living. Is it worth all the... bother?”
"No.”
"No?”
"No, I don't ever wonder about it.”
"Why not?” I'm keeping my questions short as we walk, conserving energy and breath.
"I don't need to wonder about that. It's not important.”
"Not important?”
"It's an irrelevant question. We live; that's enough.
Iain Banks
Very few people ever had the opportunity to see Cézanne at work, because he could not endure being watched while at the easel. For one who has seen him paint, it is difficult to imagine how slow and painful his progress was on certain days. In my portrait there are two little spots of canvas on the hand which are not covered. I called Cézanne's attention to them. "If the copy I'm making in the Louvre turns out well," he replied, "perhaps I will be able tomorrow to find the exact tone to cover up those spots. Don't you see, Monsieur Vollard, that if I put something there by guesswork, I might have to paint the whole canvas over starting from that point?" The prospect made me tremble.
During the period that Cézanne was working on my portrait, he was also occupied with a large composition of nudes, begun about 1895, on which he labored almost to the end of his life.
Paul Cézanne
Friend John, forgive me if I pain. I showed not my feeling to others when it would wound, but only to you, my old friend, whom I can trust. If you could have looked into my very heart then when I want to laugh; if you could have done so when the laugh arrived; if you could do so now, when King Laugh have pack up his crown, and all that is to him - for he go far, far away from me, and for a long, long time - maybe you would perhaps pity me the most of all.”
I was touched by the tenderness of his tone, and asked why.
"Because I know!
Bram Stoker
I ask myself: Is the outlook of this book comic? Is it tragic? Is the story best served by a first person narrator who's telling his or her story? Is it best served by an omniscient narrator who can stand above and make connections about the characters and society and politics? Part of figuring out how to tell the story is tone and voice, the same way I'm picking characters and places.
Colson Whitehead
The artist worked at his lithographs [on stone!] on the easel, the stone placed like a canvas. He manipulated his crayons like brushes and never sharpened them. He remained standing, walking backwards and forwards every other minute to judge his effects. Usually he covered the whole stone with a uniform gray tone and then removed with a scraper those parts which were to appear light: here a head, a figure; there a horse, a bull. Next, the crayon was again employed to strengthen the shadows, the accents, or to indicate the figures and give them movement..
Francisco Goya
Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.. ..and also of Kandinsky's 'jumping spots' in hearing this music [of Schönberg ], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting..
Wassily Kandinsky
The truth is that people should be judged as individuals. (That is one of my core Precepts.) Anyone that makes blanket statements about other races is ignorant that there are both good and bad individuals in all groups. There is no inherent superiority in any skin tone or facial feature, any more than there is in any particular hair color.
James Wesley Rawles
She can turn anything into gold with that voice, here's the thing: if you speak to a good singing teacher about great opera singers, they will talk about consistency of tone. Or there's a book by Alfred Tomatis about why some people like certain people's voices and other people hate them, like Bob Dylan or me or whoever, some people say, 'Oh, I hate that voice', so there's a thing about people's frequency responses, what they are pleased by. Rihanna has this thick tone, so it's very hard to annoy anybody.
Chris Martin
Many of us affect a tone of irony about gadgets, as if we lived always in realms above and dealt with trifles only during rare descents from sublime thoughts. The truth is that more and more of the important things in life turn on pinpoints. Our frustrations begin in trivialities - a telephone out of order, a car that will not start, a claim check whose number has been misread. The thing in cellophane that cannot be got at - plain to the sight but sealed like an egg - is the modern version of the torture of Tantalus. Catastrophes we will deal with like heroes, but the bottle top that defies us saps our morale, like the tiny arrows of the Lilliputians that maddened Gulliver and set his strength at naught.
Jacques Barzun
The bass suit was actually one of the first cordless guitars in existence, and I invented it. It was built right into this silver bodysuit so it looked as though the bass was coming out of my body, and the volume and tone knobs were on the sleeve...When it worked it was great, but the tunings were a little strange, plus I can't tell you how many times I got shocked. It wound up being just one more thing that we had to worry about on tour: ‘Well, I wonder if this will work tonight.' After a while I couldn't stand wearing it anymore so I gave it up.
Dan Hartman
I think the thing that Tucker gets a knock for - that he doesn't deserve - is this idea that he's evolved and changed in some radical new direction. Tucker has always been that guy. He is legitimately that guy. He is not faking it. He comes by his beliefs and his convictions and even his tone of voice quite naturally. He is not putting it on.
Tucker Carlson
My highest ambition, and what I hope to do as far as I can, is to make my history the very reverse of Gibbon in this respect,-that whereas the whole spirit of his work, from its low morality, is hostile to religion, without speaking directly against it, so my greatest desire would be, in my History, by its high morals and its general tone, to be of use to the cause, without actually bringing it forward.
Thomas Arnold
I want to talk about our common responsibilities in the face of a common danger. The events of recent weeks may have helped to illuminate that challenge for some; but the dimensions of its threat have loomed large on the horizon for many years. Whatever our hopes may be for the future - for reducing this threat or living with it - there is no escaping either the gravity or the totality of its challenge to our survival and to our security - a challenge that confronts us in unaccustomed ways in every sphere of human activity.
This deadly challenge imposes upon our society two requirements of direct concern both to the press and to the President - two requirements that may seem almost contradictory in tone, but which must be reconciled and fulfilled if we are to meet this national peril. I refer, first, to the need for a far greater public information; and, second, to the need for far greater official secrecy.
John F. Kennedy
