Tone Quotes - page 20
The educated classes were apt to speak in a patronizing tone of the "masses of the people", and to talk of political education as if it were only needed by those masses, but the fact was that the middle classes needed education, especially on this Irish question, quite as much as the masses. The whole trouble and difficulty of our dealings with Ireland had arisen from our ignorance. ... He confidently believed that the country would arrive at but one conclusion, and that that would be in favour of Home Rule. The work would not be a long one, because two or three years would undoubtedly see the solution of this question in the sense which they desired to see it concluded-a consummation which was so much to be desired not only in the interests of Ireland but also of England, Scotland, and Wales.
James Bryce, 1st Viscount Bryce
He moved away to the next picture. It was of a man with a fat smiley face and a red ribbon round him and a lot of medals. My great uncle Ambrose Fudge said Bernard carelessly.
He looks a thourough ancester said Ethel kindly.
Well he was said Bernard in a proud tone he was really the Sinister son of Queen Victoria.
Not really cried Ethel in excited tones but what does that mean.
Well I dont quite know said Bernard Clark it puzzles me very much but ancesters do turn quear at times.
Daisy Ashford
A lot of people who voted for Barack Obama expected and were led to expect something new in politics: a new tone of political discourse in Washington. And I think - I think they're disappointed, because Barack Obama is not a new kind of politician. In fact, he's an old Chicago politician.
Bernard Goldberg
I say it with my tongue firmly planted in cheek but there's truth to it - being a comedian is very close to being a therapist. When you're working smaller clubs, you're listening. You're feeling an energy, you're going with a tone but when people start yelling out, you almost start a conversation with people.
Dane Cook
Over the holidays, and even during filming, I realized that I actually like my body, even if it's not perfect according to the book. I just feel sexy. For the first time, I don't want to get rid of the curves. I just want to tone it up. My body is comfortable, and it's not unhealthy, so I'm going to rock with it.
Rihanna
Along with the steady diet sitar, sarod, and tabla, several new instruments and players came to my attention. The first of these was Ustad Bismillah Khan, master of the sonorous double-reed instrument known as shehnai. This beautiful wind instrument, with finger holes and a bell-shaped opening at the bottom, sounded to me like a hybrid of soprano saxophone and oboe, and Bismillah Khan's tone very much influenced what Coltrane and Terry Riley would do with the soprano sax. Primarily used at weddings, the shehnai had been rejected as a classical instrument until Bismillah Khan elevated it to a higher status among listeners. His unique fingertips and sublime breath control produced the necessary range of sounds for raga making shehnai one of the more popular instruments in North India.
Bismillah Khan
A day, a livelong day, is not one thing but many. It changes not only in growing light toward zenith and decline again, but in texture and mood, in tone and meaning, warped by a thousand factors of season, of heat or cold, of still or multi winds, torqued by odors, tastes, and the fabrics of ice or grass, of bud or leaf or black-drawn naked limbs. And as a day changes so do its subjects, bugs and birds, cates, dogs, butterflies and people.
John Steinbeck
For a long time, the movie [Shrek] didn't know what it wanted to be. One problem was unavoidable: Chris Farley had died, and the story had been geared around him, so when he went, the story kind of went with him. It went through an upheaval while they tried to find the right tone for it. I think they were really close to shelving the project when a few of us came into story to try and find a tone that we could work with. When Kelly Asbury moved on to Spirit: Stallion of the Cimarron I became head of story, along with Randy Cartwright. Along with Andrew Adamson, who stayed on as director, we started pulling little pieces together out of what remained, and part of the way through, Jeffrey [Katzenberg] decided that I should be directing. A few months later, we started production.
Vicky Jenson
And, notwithstanding a few exceptions, we do undoubtedly find that the most truly eminent men have had not only their affections, but also their intellect, greatly influenced by women. I will go even farther; and I will venture to say that those who have not undergone that influence betray a something incomplete and mutilated. We detect, even in their genius, a certain frigidity of tone; and we look in vain for that burning fire, that gushing and spontaneous nature with which our ideas of genius are indissolubly associated. Therefore, it is, that those who are most anxious that the boundaries of knowledge should be enlarged, ought to be most eager that the influence of women should be increased, in order that every resource of the human mind may be at once and quickly brought into play.
Henry Thomas Buckle
I honestly believe that you have to be able to play the guitar hard if you want to be able to get the whole spectrum of tones out of it. Since I normally play so hard, when I start picking a bit softer my tone changes completely, and that's really useful sometimes for creating a more laid-back feel.
Angus Young
Color is primarily Quality. Secondly, it is also Weight, for it has not only color value but also brilliance. Thirdly, it is Measure, for besides Quality and Weight, it has its limits, its area, and its extent, all of which may be measured.Tone value is primarily Weight, but in its extent and its boundaries, it is also Measure.Line, however, is solely Measure.
Paul Klee
To be a student of Stuck [1898 - 1900] sounded good. In reality, however, it was not half so splendid. Instead of coming to him with a sound mind I brought a thousand pains and many prejudices. In the realm of colour I found it hard to progress. Since the tone provided by mood predominated strongly in my mastery of form, I sought to find as much profit as possible here at least. And, in this respect, a great deal really was to be gained at Stuck's. Naturally I was not the only one, at this time, to be deficient in the realm of color. Later, in his monograph, Kandinsky passed a similar judgement on this school [of Stuck].
Paul Klee
Graphic work as the expressive movement of the hand holding the recording pencil.. ..is so fundamentally different from dealing with tone and color that one can use this technique quite well in the dark, even in the blackest night. On the other hand, tone (movement from light to dark) presupposes some light, and color presupposes a great deal of light.
Paul Klee
