Notes Quotes - page 6
![The ones [compliments] I value most came from Edgar Degas who said he was happy to see my work becoming more and more pure. The etcher Bracquemond, a pupil of Ingres, said - possibly he meant what he said - that my work shows increasing strength. I will calmly tread the path I have taken, and try to do my best. At bottom, I have only a vague sense of its rightness or wrongness. I am much disturbed by my unpolished and rough execution. I should like to develop a smoother technique which, while retaining the old fierceness, would be rid of those jarring notes which make it difficult to see my canvases clearly except when the light falls in front. There lies the difficulty - not to speak of drawing. (Camille Pissarro)](https://cdn.quotesdtb.com/img/quotes_images_webp/68/camille-pissarro-becoming-best-312168.webp)
French music is really very sensory, and appeals to sense of smell, taste, touch. It can be languorous, and almost erotic. Russian music is very subjective, sometimes whiny, breast-beating 'Look how I suffer, look how I suffer!'. German music is, to use your word, metaphysical. It really asks those existential questions of 'How do I relate to the Universe?', 'Is there a heaven?', 'How am I like a brook, or a leaf on a tree?'. I know this was the music that most challenged Schnabel. He said Mozart was the most inaccessible of the great masters, because with the fewest number of notes, he accesses the deepest levels of human awareness and experience.
Leon Fleisher
I've made my best notes sitting outside cafes on busy streets, or in murky bars in foreign cities. I sorted out a big series of problems in the novel I'm just finishing while sitting drinking a long line of solitary beers in a bar in a small coastal town. The hangover was pretty brutal, but I'm not sure I'd have found the solutions any other way. Part of the job of being a writer is learning how your head works - when to push it, when to step back. This kind of self-management is actually far harder, I think, than learning how to write decent prose.
Michael Marshall Smith
Hundreds of thousands of rouble notes are being issued daily by our treasury. This is done, not in order to fill the coffers of the State with practically worthless paper, but with the deliberate intention of destroying the value of money as a means of payment... Experience has taught us it is impossible to root out the evils of capitalism merely by confiscation and expropriation... The simplest way to exterminate the very spirit of capitalism is therefore to flood the country with notes of a high face-value without financial guarantees of any sort. ...[T]he great illusion of the value and power of money, on which the capitalist state is based will have been definitely destroyed.
Vladimir Lenin
Now, I should like to say something else to you about the connection with music, primarily that of Bach, i. e. the Fugue or, put more simply, the canon... It has a great deal in common with my own motifs, which I make turn on various axes too. Nowadays I have such a powerful sense of relationship, of affinity, that when I am listening to Bach I frequently get inspired and feel an overwhelming instinct for his insistent rhythm, a cadence seeking something of the infinite. In the Fugue everything is based on a single motif, often consisting of just a few notes. In my work, too, everything revolves around a single closed contour..
M. C. Escher
That night a little son was born in the tiny cabin beside the primeval forest, while a leopard screamed before the door, and the deep notes of a lion's roar sounded from beyond the ridge.
Lady Greystoke never recovered from the shock of the great ape's attack, and, though she lived for a year after her baby was born, she was never again outside the cabin, nor did she ever fully realize that she was not in England.
Edgar Rice Burroughs
Not only have we radically abandoned the motive fully developed according to its determined and, therefore, artificial equilibrium, but we suddenly and purposely intersect each motif with one or more other motifs of which we never give the full development but merely the initial, central, of final notes... We thus arrived at what we call the painting of states of mind.
Umberto Boccioni
I practice all the scales. Everyone should know lots of scales. Actually, I feel there are only scales. What is a chord, if not the notes of a scale hooked together? There are several reasons for learning scales: one, the knowledge will unlock the neck for you -- you'll learn the instrument; second, if I say I want you to improvise ofer Gmaj7+5, then go to Eaug9-5, then to bmaj7-5 --well, if you don't know, what those chords are in scale terms, you're lost. It's not all that difficult, but you have to be ready to apply yourself...
John McLauglin
Theosophists have guessed at the awesome grandeur of the cosmic cycle wherein our world and human race form transient incidents. They have hinted at strange survivals in terms which would freeze the blood if not masked by a bland optimism. But it is not from them that there came the single glimpse of forbidden eons which chills me when I think of it and maddens me when I dream of it. That glimpse, like all dread glimpses of truth, flashed out from an accidental piecing together of separated things - in this case an old newspaper item and the notes of a dead professor....
H. P. Lovecraft
It was around 1935 or 1936 that I first had the idea of compiling a history of art – not in the usual way, but considering only the fads that have succeeded one another down through the ages. For example, the infatuation in Roman times with broken pleats and heads turned in profile.... or during the epoch of Pérugin and Raphael, a certain blue that appears everywhere. I wanted to draw up an inventory of these vogues. To this end I visited museums, took notes in little notebooks, and made demonstrative sketches of paintings. For this purpose I preferred bad paintings, by which I mean those held to be mediocre by aesthetes, but in which these fads that interested me were clearly in evidence.
Jean Dubuffet
Indians in Southeast-Asia were never known as 'Hindu', but the Arabs, Turks, Mongolians and other northern and western foreigners adopted the Persian name as their own word for 'India' and 'Indians', e. g. Arabic Hind, Turkish Hindistan. Xuan Zang ... notes in so many words that the name Xin-du (regular Chinese rendering of Persian Hindu)1 or, as he corrects it, Yin-du, is used outside India but is unknown within the country, because the natives call it Aryadesh or Brahmarashtra.
Koenraad Elst
