Notes Quotes - page 11
Never - never in my whole life - has my head spun as much from a book as it did with Rosenberg's Myth. Not because his writings were exceptionally profound, difficult to comprehend or emotionally overwhelming, but because Clemens hammered on my head with the book for minutes on end. (Clemens and Weser were the principal torturers of the Jews in Dresden, and they were generally differentiated as the Hitter and the Spitter.) ‘How dare a Jewish pig like you presume to read a book of this kind?' Clemens yelled. To him it seemed like the desecration of a consecrated wafer. ‘How dare you have a book here from the lending library?' Only the fact that the volume had demonstrably been borrowed in the name of my Aryan wife, and, moreover, that the sheet of notes which accompanied it was torn up without being deciphered, saved me at the time from the concentration camp.
Victor Klemperer
Received your letter and, almost at the same time, the long text at which I was overjoyed. You no doubt know that you are the only person in the world to have put together the gestation of the glass [ The Large Glass, circa 1923] in all its detail, including even the numerous intentions which were never executed [by Duchamp]. Your patient work has enabled me to relive a period of long years during which the notes were written for the 'Green Box' [the second of the three Boxes Duchamp created and this one was full of written notes] at the same time as the Glass [= The Large Glass] was taking shape. And I confess to you that, not having read these notes for a very long time, I had completely lost all recollection of numerous points not illustrated on the glass and which are a delight to me now.
Marcel Duchamp
Character is the product of daily, hourly actions, and words, and thoughts; daily forgivenesses, unselfishness, kindnesses, sympathies, charities, sacrifices for the good of others, struggles against temptation, submissiveness under trial. Oh, it is these, like the blending colors in a picture, or the blending notes of music, which constitute the man.
John Rose Macduff
But this brings us to what I consider the fatal flaw in the monetarist prescriptions. If the leader of the school cannot make up his own mind regarding what the most desirable rate of monetary increase should be, what does he expect to happen when the decision is put in the hands of the politicians? ... The fatal flaw in the monetarist prescription, in brief, is that it postulates that money should consist of irredeemable paper notes and that the final power of determining how many of these are issued should be placed in the hands of the government-that is, in the hands of the politicians in office. The assumption that these politicians could be trusted to act responsibly, particularly for any prolonged period, seems incredibly naive. The real problem today is the opposite of what the monetarists suggest. It is how to get the arbitrary power over the stock of money out of the hands of the government, out of the hands of the politicians.
Henry Hazlitt
As I said, I am grateful that you do take notes, but I do wish that you take them accurately and not misrepresent my rather complex theories and reasoning. After all, I am a philosopher and a student, and my thoughts may be complex. If at any time you don't follow me, please interrupt and I will explain further. I have to smile when some of the defendants say in court that they never read my books or works, because it is a reflection on their inabilities to follow a philosophic trend of thought, which to the common man is much too deep and profound. It is difficult for one to express important opinions and theories scientifically and at the same time use simple construction. However, I have always tried to be as lucid as possible and I never strived to make my work or writings beyond the comprehension of the normally intelligent man.
Alfred Rosenberg
There is current in our land (and several European countries) at this moment a kind of nit-picking worship of historic im-po-tence. They say, they say, that Bach must not be interpreted and that he must have no emotion, his notes speak for themselves. You want know what that is? Pure unadulterated rot! Bach has the red blood. He has the communion with the people! He has all of this amazing spirit and imagine that you could put all the music on one side of the agenda with his great interpretation and great feeling and put the greatest man of all right up on top of a dusty shelf underneath some glass case in a museum and say that he must not be interpreted! They're full of you know what and they are so untalented that they had to hide behind this thing 'cause they couldn't get in the House of Music any other way!
Virgil Fox
