Observation Quotes - page 9
I must learn how to express the gentle vibration of things, their roughened textures, their intricacies. I have to find an expression for that in my drawing, too, in the way I sketched my nudes here in Paris, only more original, more subtly observed. The strange quality of expectation that hovers over muted things [skin, Otto's Otto Modersohn forehead, fabrics, flowers]; I must try to get hold of the great and simple beauty of all that. In general, I must strive for the utmost simplicity united with the most intimate power of observation. That's where greatness lies.
Paula Modersohn-Becker
Although all the qualities of mind may be united in a great genius, yet there are some which are special and peculiar to him; his views are unlimited; he always acts uniformly and with the same activity; he sees distant objects as if present; he comprehends and grasps the greatest, sees and notices the smallest matters; his thoughts are elevated, broad, just and intelligible. Nothing escapes his observation, and he often finds truth in spite of the obscurity that hides her from others. A lofty mind always thinks nobly, it easily creates vivid, agreeable, and natural fancies, places them in their best light, clothes them with all appropriate adornments, studies others' tastes, and clears away from its own thoughts all that is useless and disagreeable.
François de La Rochefoucauld
In those three years, (from fourteen to seventeen years old)... I came to understand the meaning of a drawing from the life, the synthesis of my art, and the rhythm of animais. I remember that a companion of those days,' of whom I hâve since lost sight, made me see, in a couple of hours, on a very true and simple principle, an observation of the necessary equilibria of movement not taught in the schools, the secret of the plans of a figure. That lesson has influenced my whole life. As for the ornament-maker, in whose workshop I earned a scanty wage, I long deplored being constrained to do so, but I hâve since thought with affection of it, understanding that there are as many sources of beauty in ornament as in the face.
Auguste Rodin