Rhythm Quotes - page 22
It is difficult to see the great dance effects as they happen, to see them accurately, catch them fast in memory. It is even more difficult to verbalize them for critical discussion. The particular essence of a performance, its human sweep of articulate rhythm in space and in time has no specific terminology to describe it by.
Martha Graham
Well, I think it is accidental. It's just something I started doing naturally and it had a lot to do with reading. I think that Dylan Thomas, his prose and poetry, was a big influence on me. Just his use of words... He would use so many odd words: like these three- and four-syllable words that you just don't normally hear. And they're not used in a manner that sets the text apart from the reader. Rather they're drawing the reader in. It's entirely based on the alliteration of the word itself-onomatopoeia and things like that. I feel like a lot of the words I use don't stick out in the song because they keep the feel of the song in mind. The rhythm-that's the primary thing. They're put in there for rhythm and alliteration as much as they are for meaning. And as long as they are not used extraneously, they're real lightning rods for people listening to the lyrics. If the words are really helping out the rhythm of the song then all they're going to do is draw the listener in even more.
Colin Meloy
At the end of the day, I don't think it had anything to do with my age; I was successful because I could speak intelligently about the products, and because I had, at the end of the day, a really high-quality product. Obviously, there was some initial pushback from customers due to my age, but it just got to the point where I found my niche and got into a rhythm.
Ian Purkayastha
"Pop music provides useful perspective on Plato's association of poetry with madness. There was something dangerously irrational in poetry that worried the philosopher. It wasn't the semantic content but the visceral power of the sound and rhythm. Poetry compellingly communicates feelings that lie beyond or beneath rational discourse. The physicality of poetic speech separates it from the conceptual language of philosophy" (12).
Dana Gioia
The commonest utterances of the commonest citizens in the time of the Colour Revolt seem to have been suffused with a richer tinge of word or thought; and to that era we are even now indebted for our finest poetry and for whatever rhythm still remains in the more scientific utterance of these modern days.
Edwin Abbott Abbott
I try to avoid repetitions of any shot. It isn't easy to find one in my films. You might, I suppose, see something twice, but it would be rare. And then, you know, every line requires its own kind of shot. The American method of shooting one actor continuously, then moving to the other, then intercutting both - this method is wrong. A scene has to have a rhythm of its own, a structure of its own.
Michelangelo Antonioni
Our musical alphabet is poor and illogical. Music, which should pulsate with life, needs new means of expression, and science alone can infuse it with youthful vigor.
Why, Italian Futurists, have you slavishly reproduced only what is commonplace and boring in the bustle of our daily lives.
I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.
Edgard Varèse
The voluntary free market is a sacred extension of life itself. The free market-it has not been unfettered for a very long time-is really a spontaneously synchronized order comprising trillions upon trillions of voluntary acts that individuals perform in order to make a living. Introduce government force and coercion into this rhythm and you get life-threatening arrhythmia. Under increasing state control, this marketplace - this magic, organic agora - starts to splutter, and people suffer.
Ilana Mercer
All this calls for an attitudinal change in the Church. An inward looking Church gives undue importance to rite and rubrics, orthodoxy and discipline. But God-ward looking Church is concerned with the great human problem of living together in freedom and equality, love, justice and peace as well as in tune with the rhythm of nature. For the world, not the Church, is the primary object of God's love.
Kurien Kunnumpuram
Any genuine experience of God will send us out to serve those whom God loves. And working with people will make us aware of how much we are in need of God, of God's help and guidance. This will gradually usher in a rhythm of prayer and work – prayer leading to work and work leading to prayer. So the integration of prayer and work takes place existentially.
Kurien Kunnumpuram
The subtlety of Brazilian rhythms comes from the type of instruments used. Afro-Cuban music has a scraper called the güiro which is played with a solid stick producing a loud scraping noise. This same instrument is paralleled in Braziliam music with the reco-reco, the difference being that the reco-reco is much smaller, less resonant, and played with something like a brush. The cabasa is a gourd wrapped in beads that is incapable of extremely loud noise. The same is true of the chocalho or cylinder, and the tambourine. A regular set of drums contrasts this. The result is a light rhythm that, unlike the conga, bongos and timbales of Afro-Cuban music, does not engulf the listener but permeates him. To this is usually added the guitar (unamplified) played finger-style, which completes the subtlety.
Clare Fischer
I have no idea who that is. It's a terrible performance, the band is horribly out of tune-is that Maynard Ferguson? It starts off at a dynamic peak and never deviates from it. It also starts out with what is supposed to be jazz musicians trying to play some sort of a Latin bag, which is not making it, because there's no solidity of rhythms. Latin rhythm sections being based on the constant contrast of instruments, and it never moves any place. And then that thing on the end-what's that supposed to be? An adaptation of Porgy and Bess of some sort? I guess it was some sort of an allusion toward Porgy and Bess. But then if it is, it's completely escaped all the rest of it. It's like giving a paragraph of reference out of a two-page article and then saying, Well, this is about this.
Clare Fischer
I really don't know what to say about this without sounding hypercritical. First of all, the style of playing is so tremendously behind the beat, it gets to the point that I feel he's in opposition to his rhythm section, and I can't get a nice swing out of the thing. The pianist is tremendously heavy-handed, which I think gets in the way of what he's trying to do, so I feel that in some spots he's stumbling, instead of having the feeling that the man is executing what he wants to play. The whole thing strikes me as a sort of comme-ci-comme-ca performance of a like tune. Two stars.
Clare Fischer
Playing that music delivered me from the pressures of my life. I played with my eyes closed and found that my backaches ceased and my headaches would go. The response to that rhythm was "My God, this makes me feel good." I never really remembered having that much fun with it before or thought about jazz making me feel good. But, at 46, it suddenly dawned on me that my body had priorities that my mind didn't allow, and I decided to (play Latin/jazz) for myself and started having a helluva fine time.
Clare Fischer
