Rhythm Quotes - page 11
Among flower vases, the ware that is given the highest rank is old Iga, from the sixteenth and seventeenth centuries, and it commands the highest price. When old Iga has been dampened, its colors and its glow take on a beauty such as to awaken on afresh. Iga was fired at very high temperatures. The straw ash and the smoke from the fuel fell and flowed against the surface, and as the temperature dropped, became a sort of glaze. Because the colors were not fabricated but were rather the result of nature at work in the kiln, color patterns emerged in such varieties as to be called quirks and freaks of the kiln. The rough, austere, strong surfaces of old Iga take on a voluptuous glow when dampened. It breathes to the rhythm of the dew of the flowers.
Yasunari Kawabata
To synthesize is not necessarily to simplify in the sense of suppressing certain parts of the object: it is to simplify in the sense of rendering intelligible. It is, in short, to put in hierarchic order: to set each picture to a single rhythm, to a dominant; it is sacrifice, to subordinate - to generalize.
Maurice Denis
This annoyed me: I was on the phone with somebody today tryin to get a phone number from that person and write it down, but they didn't have phone number rhythm and that pissed me off. You know what I'm talkin about? Phone number rhythm. Especially if there's like an area code involved, like 'two one two - bum bum buh - bum buh bum buh!' That is the rhythm I think we're all familiar with. This guy had no clue! I was like "Okay, Hank. Gimme the number." He's like "Alright. It's two one two nine - fifteen eight eleven six [mumbling incoherently] fou.. tw.. five.. eight.. seven.. two." "Did you throw in your zip code? Cause I got a lot of extra numbers over here. I have extra. I can almost start a new number! What do ya got?! Start again from the top!" They really screw you up on the last four numbers. That's where they get ya. "Five five five - six.. teen forty one" "Dude, I already wrote the six! I made the dash too close, I can't shimmy the one in there now! Forget you!"
Kevin James
I think it really is all about technique, but it's where the intersection of acting and singing sort of meets. There has to be a musicality to the delivery of a line of dialogue that gives it impact. Somebody like Nathan Lane understands that. It's in his bones really. He can deliver a line five different ways, and each one has incredible impact and intonation and rhythm.
Nathan Lane
Which one of us has not dreamed, on ambitious days, of the miracle of a poetic prose: musical, without rhythm or rhyme; adaptable enough and discordant enough to conform to the lyrical movements of the soul, the waves of revery, the jolts of consciousness?Above all else, it is residence in the teeming cities, it is the crossroads of numberless relations that gives birth to this obsessional ideal.
Charles Baudelaire
Why do we call ourselves 'Imagists'. Well why not? Well I think it is a very good and descriptive title and it serves to enunciate some of the principles we mos firmly believe in... Direct treatment of the subject... as few adjectives as possible... a hardness, as of cut stone... individuality of rhythm...
Richard Aldington
One morning with Ripolin [French paint] I painted a new-born that I then left to dry on the tennis-court. After two days I found it bristling with ants that made it move to the anesthetized, silent rhythm of sea-urchins. However I at once realized that this newborn child was none other than the pink breast of my girlfriend, being frenetically eaten by the shining, metallic thickness of the phonograph. But it wasn't her breast either: it was little pieces of my cigarette paper nervously grouped around the magnetic topaz of my fiancees ring.
Salvador Dalí
