David Quotes - page 9
Hilariously florid - sometimes referred to as "Lust in the Dust." This Wagnerian western features Gregory Peck and Jennifer Jones as lovers so passionate they kill each other. She's Pearl Chavez, a half-breed wench, and so, by Hollywood convention, uncontrollably sexy, and Peck actually manages to bestir himself enough to play a hunk of egotistical hot stuff - maybe the name Lewt McCanles got to him, or maybe the producer, David O. Selznick, used electric prods. Peck clangs his spurs and leers, while Jones heaves her chest; when they kiss, lightning blazes.
Pauline Kael
The question really arises is it a republic if you can keep it, question have we kept it? And the answer is no! No we have not kept it. Since 2001 we have in effect an elected monarchy. And ah, meaning a country which Nixon's view 'when a president does it, it is legal'. The president says it's not illegal. That is the attitude long after Nixon of John Yoo, who was the advisor to George W. Bush, of David Addington, Bush Cheney's legal advisor. Essentially there are no limits on presidential power except those which he chooses to put on himself. Obama following on, has in effect decriminalized torture which is as illegal and criminal as anything can be under international law and domestic law, a number of domestic laws and international laws, which we have ratified to investigate, and follow-up if there is any credible charge. Obama has chosen not to investigate or indict any higher up for that process of torture.
Daniel Ellsberg
Actually, one of the real problems that always bothers me [in creating a painting] is sustaining a feeling. I mean, when I look at Poussin now, well, I think that's the most incredible thing to maintain the feeling for a year, however long it took Poussin, I'm telling you, to paint this vast structure. Bur perhaps that is not given to us now. I don't know.... Actually all all modern art puzzles me. I don't understand it. II really don't. I don't know whether it is fragmentary [as David Sylvester the interviewer suggested]. I have a sickening nostalgia for this other state of sustaining a feeling for months, being able to construct and build a picture. Well Mondrian, I think, did that, of course. He was almost one of the last artists to do that. I wish I could get there.
Phillip Guston
The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast any radical or surprising ideas, it combines numerous familiar plot elements into a suspenseful, entertaining whole. Best of all, perhaps, is the realization that some thought went into writer/director David Twohy's script. This is not a dumb movie; in fact, with its heavy reliance upon real science, it's startlingly credible.
James Berardinelli