Technique Quotes - page 12
The scientist tries to understand the origin of our solar system, the structure of the universe and the laws governing the atom. He has discovered X rays, the radioactive substances, and he has built cyclotrons. He has foreseen the existence of electromagnetic and electronic waves. Out of his thought has grown the technique of our century. But not until today has he begun to notice that the earth on which he moves is covered with sweat and with blood and that in the world in which he lives "the son of man has nowhere to lay his head."
Leopold Infeld
In those days, dances were dances and songs were songs. Film dances always had a semi-classical or folk element to them and songs were all about soul-stirring lyrics and haunting music. These days, they are more about technique and technology, often it's the camera that's dancing, the synthesiser that's singing. Not my cup of tea.
Vyjayanthimala
I have described at some length the application of Positive Rays to chemical analysis; one of the main reasons for writing this book was the hope that it might induce others, and especially chemists, to try this method of analysis. I feel sure that there are many problems in chemistry, which could be solved with far greater ease by this than any other method. The method is surprisingly sensitive - more so than even that of spectrum analysis, requires an infinitesimal amount of material, and does not require this to be specially purified; the technique is not difficult if appliances for producing high vacua are available.
J. J. Thomson
I know you want to study me psychologically. That's reasonable and I appreciate it. At least you don't lecture to me and pry into my affairs. You have a good technique as a psychiatrist. Let the other fellow talk and stick his neck into the noose. I don't mean that the way it sounds. But you hardly say anything. Someday I'm going to ask you questions.
Hermann Göring
I use the words gods and goddesses principally, I think, to mean beautiful bodies - bodies that are absolute instruments. And I believe in discipline, I believe in a very definite technique. You have no right to go before a public without an adequate technique, just because you feel. Anything feels - a leaf feels, a storm feels - what right have you to do that? You have to have speech, and it's a cultivated speech.
Martha Graham
I think it really is all about technique, but it's where the intersection of acting and singing sort of meets. There has to be a musicality to the delivery of a line of dialogue that gives it impact. Somebody like Nathan Lane understands that. It's in his bones really. He can deliver a line five different ways, and each one has incredible impact and intonation and rhythm.
Nathan Lane
Surrealism will at least have served to give experimental proof that total sterility and attempts at automatizations have gone too far and have led to a totalitarian system... Today's laziness and the total lack of technique have reached their paroxysm in the psychological signification of the current use of the college.
Salvador Dalí
.. I have painted a few studies of the figure... I send you [Theo] two sketches. The painting of the figure appeals to me very much, but it must ripen - I must learn to know the technique better - that which is sometimes called "la cuisine de l'art". In the beginning I shall have to do much scraping, and often to begin anew, but I feel that I learned from it and that gives me a new fresh view on the things.
Vincent van Gogh
![De Chirico [Italian painter, later admired by the Surrealists as 'early Surrealist'] found himself in 1912 confronted with the problem of following one of the roads already opened or of opening a new road. He avoided Fauvism as well as Cubism and introduced what could be called 'metaphysical painting'. Instead of exploiting the coming medium of abstraction, he organized on his canvases the meeting of elements which could only meet in a 'metaphysical world'. These elements, painted in the minutest technique, were 'exposed' on a horizontal plane in orthodox perspective. This technique, in opposition to the Cubist or the purely abstract formula in full bloom at the moment, protected de Chirico's position and allowed him to lay down the foundation of what was to become Surrealism ten years later. (Marcel Duchamp)](https://cdn.quotesdtb.com/img/quotes_images_webp/07/marcel-duchamp-abstract-abstraction-446707.webp)
So if I say you that your paintings [which his brother-in-law recently made] have nothing in common with what we see generally classified and accepted, and that you have always managed to produce things that were entirely your own work, as I truly see it, that does not mean you have the right to be seated next to Leonardo -
What's more, this originality is suicidal as it distances you from a 'clientele' used to 'copies of copiers', often referred to as 'tradition'-
One more thing, your technique is not the 'expected' technique – It's your own personal technique, borrowed from nobody – and there again, this doesn't attract the clientele.... In a word, do less self-analysis and enjoy your work without worrying about opinions, your own as well as that of others.
Marcel Duchamp
As the Greeks devoted themselves to philosophy, obedient to the logos within the limits of the kairos; as the Middle Ages subordinated the logos to the great kairos upon which their culture was built; as modern philosophy through its kairos adapted itself to the logos of a world-dominating science and technique, so our task is to serve the logos out of the depths of our new kairos, a kairos that is now emerging in the crises and catastrophes of our day. Hence, the more deeply we understand fate - our own personal fate and that of our society - the more our intellectual work will have power and truth.
Paul Tillich
But let us not speak anymore of books and theories on paper. Now then, did you see my exhibition? As you may remember, 1 gathered in 'Cahiers d'Art' ten very recent paintings, twenty-five gouaches and watercolors, also recent, and twenty-eight drawings that span the period from 1910-1934. In the majority of the compositions on canvas I used a sand technique more or less consistently.... but I usually don't distinguish between traditional oil painting, gouache, tempera and watercolor, and I even simultaneously use the various techniques in the same work. What is essential for me is to be able to clearly convey what I want, to recount my dream. / consider both technique and form to be mere instruments of expression, and my stories, furthermore, are not narrative or historical in character, but purely pictorial.
Wassily Kandinsky
