Depth Quotes - page 10
Allow me to repeat what I said when you were here: deal with nature by means of the cylinder, the sphere and the cone, all placed in perspective, so that each side of an object or a plane is directed towards a central point. Lines parallel to the horizon give breadth, a section of nature, or if you prefer, of the spectacle spread before our eyes by the 'Pater Omnipotens Aeterne Deus'. Lines perpendicular to that horizon give depth. But for us men, nature has more depth than surface, hence the need to introduce in our vibrations of light, represented by reds and yellows, enough blue tints to give a feeling of air.
Paul Cézanne
In that Renaissance (Cellini, Tintoretto, Titian..) there was an explosion of unique truthfulness, a love of painting and form... Then come the Jesuits and everything is formal; everything has to be taught and learned. It required a revolution for nature to be rediscovered; for Delacroix to paint his beach at Etratat, Corot his roman rubble, Gustave Courbet his forest scenes and his waves. And how miserable slow that revolution was, how many stages it had to go through!... These artists had not yet discovered that nature has more to do with depth than with surfaces. I can tell you, you can do things to the surface.... but by going deep you automatically go to the truth. You feel a healthy need to be truthful. You'd rather strip your canvas right down than invent or imagine a detail. You want to know.
Paul Cézanne
Treat nature in terms of the cylinder, the sphere, and the cone, the whole put into perspective so that each side of an object, or of a plane, leads towards a central point. Lines parallel to the horizon give breadth, whether a sections of nature, or, if you prefer, of the spectacle which Pater omnipotens aeterne Deus unfolds before your eyes. Lines perpendicular to this horizon give depth... Everything I am telling you [ Joachim Gasquet ] about - the sphere, the cone, cylinder, concave shadow – on mornings when I'm tired these notions of mine get me going, they stimulate me, I soon forget them once I start using my eyes.
Paul Cézanne
I think the Anthropic Cosmological Principle brings to us an idea perhaps as old as humanity itself: that we are not at all just an accidental anomaly, the microscopic caprice of a tiny particle whirling in the endless depth of the universe. Instead, we are mysteriously connected to the entire universe, we are mirrored in it, just as the entire evolution of the universe is mirrored in us.
Václav Havel
Fumbling in total darkness, they reached out to each other, naked, he penetrated her with desire and she received him eagerly, and they exchanged eagerness and desire until their bodies were locked in embrace, their movements in harmony, her voice rising from the depth of her being, his totally submerged, the cry that is born, prolonged, truncated, that muffled sob, that unexpected tear, and the machine trembles and shudders, probably no longer even on the ground but, having rent the screen of brambles and undergrowth, is now hovering at dead of night amid the clouds, Blimunda, Baltasar, his body weighing on hers, and both weighing on the earth, for at last they are here, having gone and returned.
José Saramago
There were two problems which had to be faced. One was spatial and the other methodological. In the first case I had to do something about relational painting, i. e. the balancing of the various parts of the painting with and against each other. The obvious answer was symmetry – make it the same all over. The question still remained, though, of how to do this in depth. A symmetrical image or configuration symmetrically placed on a open ground is not balanced out in the illusionistic space. The solution I arrived at, and there are probably quite a few, although I only know of one other, color density, forces illusionistic space out of the painting at constant intervals by using a regulated pattern. The remaining problem was simply to find a method of paint application which followed and complemented the design solution. This was done by using the house painters technique and tools.
Frank Stella
As I wanted to suggest a luxuriant and untamed type of nature, a tropical sun that sets aglow everything around it, I was obliged to give my figures a suitable setting.It is indeed the outdoor life - yet intimate at the same time, in the thickets and the shady streams, these women whispering in an immense palace decorated by nature itself, with all the riches that Tahiti has to offer. This is the reason behind all these fabulous colors, this subdued and silent glow."But none of this exists!""Oh yes it does, as an equivalent of the grandeur, the depth, the mystery of Tahiti, when you have to express it on a canvas measuring only one square meter."Very subtle, very knowing in her naïveté is the Tahitian Eve. The riddle hiding in the depth of her childlike eyes is still incommunicable to me.
Paul Gauguin
Mathematicks therefore is a Science which teaches or contemplates whatever is capable of Measure or Number as such. When it relates to Number, it is called Arithmetick; but when to measure, as Length, Breadth, Depth, Degrees of Velocity in Motion, Intenseness or Remissness of Sounds, Augmentation or Diminution of Quality, 6tc. it is called Geometry.
Jacques Ozanam
Or when people break up, they always use a bunch of lines on each other, you know, terrible rubbish lies, like "It's not you, it's me, it's me." It's NEVER you, it's always them! You should level with these people! Tell them! "You know that strange sound you used to hear when you were going to sleep? That was me CHEWING the bed, out of sheer boredom! OOOOHH, How I HATE you, I hate you so much it gives me energy! I have to get up early in the morning to hate you because there isn't time enough in the day. Please, GO AWAY!" Or that other BULLSHIT: "I need more space!" People never quantify exactly how much space they really need.. do they? But strangely enough, it always seems to be the exact same height, depth and breadth as you.
Dylan Moran
