Cinema Quotes - page 25
There's been a growing dissatisfaction and distrust with the conventional publishing industry, in that you tend to have a lot of formerly reputable imprints now owned by big conglomerates. As a result, there's a growing number of professional writers now going to small presses, self-publishing, or trying other kinds of [distribution] strategies. The same is true of music and cinema. It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you've got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.
Alan Moore
I'm not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with it you can say so many things, because you've got time and sequences. You've got dialogue. You've got music. You've got sound effects. You have so many tools. And so you can express a feeling and a thought that can't be conveyed any other way. It's a magical medium.
For me, it's so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. It's not just words or music - it's a whole range of elements coming together and making something that didn't exist before. It's telling stories. It's devising a world, an experience, that people cannot have unless they see that film.
David Lynch
The whole beauty of the Film is that it has a certain fixed speed. The way you see it is mechanically conditioned. I mean, take a painting - you can just glance at it, or you can stare at the left hand top corner for half an hour. Same thing with a book. The author can't stop you from skimming it, or staring at the last chapter and reading backwards. The point is, you choose your approach. When you go into a cinema it's different. There's the film, and you have to look at it as the director wants you to look at it. He makes his points, one after another, and he allows you a certain number of seconds or minutes to grasp each one. If you miss anything he won't repeat himself, and he won't stop to explain. He can't. He's started something and he has to go through with it.
Christopher Isherwood
The collective wisdom and the collective will of the nation resides not in any little Whitehall clique but in the whole mass of the people-in the producers, listening to the voice of the customer at home and abroad; in the savers and investors, using their eyes and their brains to lay out their resources to best advantage; in the consumers themselves, expressing through all the complex nervous system of the market their wishes, their needs, their expectations. In short, the true national economic plan is being made all the time by the very people and institutions which the intellectual arrogance of the Socialist affects to despise. "Under Tory free enterprise" says Labour's policy, "no limit is set to the amount of our national resources and intellectual talent consumed by the popular newspaper, the glossy magazine, the cinema, commercial television and the advertising industry." What a world of contempt for the ordinary man and woman breathes in that haughty sentence!
Enoch Powell
Whenever I've shot my previous films, I've felt phantoms of my own cinema past and personal past hovering over me. They accompanied me through those films. But this time I felt completely on my own. For the first time this film did not go hand-in-hand with my memories. The tone is different as well. It's very austere.
Pedro Almodóvar
