Tragic Quotes - page 24
In bitter despair, some people have come to believe that wars are inevitable. With tragic fatalism, they insist that wars have always been, of necessity, and of necessity wars always will be. To such defeatism, men and women of good will must not and can not yield. The outlook for humanity is not so hopeless.
Mike Jones
Just to be is a blessing. Just to live is holy. And yet being alive is no answer to the problems of living. To be or not to be is not the question. The vital question is: how to be and how not to be?
The tendency to forget this vital question is the tragic disease of contemporary man, a disease that may prove fatal, that may end in disaster. To pray is to recollect passionately the perpetual urgency of this vital question.
Abraham Joshua Heschel
Here is what I wrote about SF. If it has a familiar ring, my publishers liked it well enough to make it into a postcard for publicity purposes. 'I love SF for its surrealist verve, its loony non-reality, its piercing truths, its wit, its masked melancholy, its nose for damnation, its bunkum, its contempt for home comforts, its slewed astronomy, its xenophilia, its hip, its classlessness, its mysterious machines, its gaudy backdrops, its tragic insecurity.'
Science fiction has always seemed to me such a polyglot, an exotic mistress, a parasite, a kind of new language coined for the purpose of giving tongue to the demented twentieth century.
Brian Aldiss
I wouldn't kill an abortionist myself, but I wouldn't want to impose my moral values on others. No one is for shooting abortionists. But how will criminalizing men making difficult, often tragic, decisions be an effective means of achieving the goal of reducing the shootings of abortionists?
Ann Coulter
"But what about church attendance figures?" ventured Harriet. "Aren't modern people supposed to be feeling a lack in their lives that they need religion to fill?" Martha shrugged. "An advertising gambit," she said. "First you convince people that they lack something and then you send them a product to remedy it. People 'need' religion to 'deepen their awareness' or give them 'tragic irony' - the way I 'need' a facial cream to make my life more glamorous." [...] "But if there is a lack, Martha?" said Dolly. "Then it ought not to be filled," said Martha. "If it's a real lack, it's a necessary hollow in life that can't be stuffed up, like a chicken. Insufficiency. Shortcoming. I don't need God as a measure to feel that. Do you, Dolly?" "God, no!" said Dolly.
Mary McCarthy
He spoke in a low weak voice. 'God is dead,' Peter understood him to say. Peter sat up. ' I know that,' he protested. 'And you didn't say that anyway. Nietzsche did.' He felt put upon, as though by an impostor. Kant smiled. 'Yes, Nietzsche said that. And even when Nietzsche said it, the news was not new, and maybe not so tragic after all. Mankind can live without God.' 'I agree,' said Peter. 'I've always lived without him.' 'No, what I say to you is something important. You did not hear me correctly. Listen now carefully and remember.' Again he looked Peter steadily and searchingly in the eyes. 'Perhaps you have guessed it. Nature is dead, mein Kind [my child].'
Mary McCarthy
The explosion in productive energy which capitalism unleashed in the nineteenth century was accompanied by social evils and hardships which have since been outgrown and abolished. It has been possible to do so by means of that very increase in production itself, just as future social improvement will depend on the rate of our future economic advance. What tragic folly it would be if modern Britain were to cast away the subtlest and most efficient system mankind has yet devised for setting effort and resources to their best economic use, and were to go right back to the clumsy methods and crude fallacies which our forefathers thought they had left behind for ever.
Enoch Powell
George Carlin is now in hell, and it is not relevant that George Carlin boasted that he does not believe in hell when he lived on Earth. Be assured, Carlin believes in hell now... George Carlin, the filthy blasphemer, the obscene potty-mouth skeptic, agnostic and profane atheist, who had nothing but disdain for the God and the Bible all the days of his tragic life, is now at this minute and forever writhing and screaming in exquisite pain, pleading for mercy from that God he flipped off while performing for HBO lucre... When Carlin died, June 22nd, he split hell wide open...Hell from below was moved beneath thee at thy coming, it stirreth up the dead for thee. Are thou as weak as we George Carlin?! The worm is spread under thee and the worm covers thee.George Carlin is in hell. Deal with it. You will soon join him there. America is doomed. We will picket George Carlin's funeral..Amen!
Fred Phelps
The chief attraction of homosexual activity is that it does not require confidence or male identity or even face-to-face self-exposure. It can even be informed without an erection. It is thus an inviting escape for the fallen male. Nonetheless, actual homosexuality is by no means inevitable in such cases. A man can recover from his dejection, restore hos confidence, and return to full heterosexuality. This is the usual course of events. It is tragic, therefore, if the cultural ambience provides more easily for homosexuality than for recover of normal patterns. In many parts of urban America this tragedy is a way of life.
George Gilder
I do not see how a British switch from alliance with Stalin to alliance with Hitler can be any tragic defeat for ‘democracy.' It is a smashing blow to a communist state and to communists as a party and as an international conspiracy-a blow to conspiracy because it will create further dissension in it. But if this alliance is a triumph for Fascism, then the British alliance with the Czar was a triumph for Czarism, and the one with Stalin was a triumph for communism.
Rose Wilder Lane
In 1800, a prosperous year, the total income of Americans (called ‘the national income') was something over 2 billion dollars, a fabulous amount then. Capitalists and landlords got 68%, farmers and laborers 32%. In 1930, of tragic memory, near the bottom of ‘the worst depression in history', the incomes of all Americans amounted to roughly to 75 billion. Of this wage earners (who had increased in number 17%) got 64%+; entrepreneurs, 20%; capitalists and landlords the remaining 16%.
Rose Wilder Lane
Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third. And to this end the actor must forget his personality and throw aside his joys and sorrows. He must present the public with the reality of a being who for him is only a fiction. With his own eyes, he must shed the tears of the other. With his own voice, he must groan the anguish of the other. His own heart beats as if it would burst, for it is the other's heart that beats in his heart. And when he retires from a tragic or dramatic scene, if he has properly rendered his character, he must be panting and exhausted.
Sarah Bernhardt
I am not talking here about some lazy faith, where we resign ourselves to the tragic splittings in our lives with an upward turn of the hands or a vicious beating of our breasts. I am talking about believing that we have the power to actually transform our experience, change our lives, save our lives. Otherwise, why this book? It is the faith of activists I am talking about.
Cherríe Moraga
I ask myself: Is the outlook of this book comic? Is it tragic? Is the story best served by a first person narrator who's telling his or her story? Is it best served by an omniscient narrator who can stand above and make connections about the characters and society and politics? Part of figuring out how to tell the story is tone and voice, the same way I'm picking characters and places.
Colson Whitehead
The anti-immigrant movement has successfully been able to dominate the immigration debate by pushing out messages about migrants that are inhumane, racist, xenophobic and hateful. But those of us who fight for migrant rights are not only fighting back, we want to reframe the way migrants are viewed, artists especially. We want to expose the tragic losses that have resulted from unjust immigration laws, and we want to inspire and challenge people to reimagine migration as something beautiful and natural - somethign [sic] we all do.
Favianna Rodriguez
