Colour Quotes - page 25
Every picture you give me I save, and every colour you use is so true to you. Every minute we spend I engrave, and every memory rethought is so new. There is trust that we must recognize. There is so much that we must learn to see and be, if we could only open our minds. Just grow with God and please be patient with me, and I will give you my life.
Dawud Wharnsby
An illustrious Circle, overcome by the artistic beauty of the forces under his command, threw aside his marshal's baton and his royal crown, exclaiming that he henceforth exchanged them for the artist's pencil. How great and glorious the sensuous development of these days must have been is in part indicated by the very language and vocabulary of the period. The commonest utterances of the commonest citizens in the time of the Colour Revolt seem to have been suffused with a richer tinge of word or thought; and to that era we are even now indebted for our finest poetry and for whatever rhythm still remains in the more scientific utterance of these modern days.
Edwin Abbott Abbott
None of the observations are more in point, as bearing on the doctrine of what Hooker terms 'creation by variation,' than the great extent to which the internal characters and properties of plants, or their physiological constitution are capable of being modified, while they exhibit externally no visible departure from the normal form. ...When several of these internal or physiological modifications are accompanied by variation in size, habits of growth, colour of the flowers, and other external characters, and these are found to be constant in successive generations, botanists may well begin to differ in opinion as to whether they ought to regard them as distinct species or not.
Charles Lyell
Kandinsky's teaching: scientifically rigorous examination of colour and form. Example: seek the corresponding elementary colour for the three forms (triangle, square and circle). It was decided that they are yellow for the triangle, blue for the circle and red for the square; so to say, once and for all.
Wassily Kandinsky
It has already been well-documented how false reports were spread about a pregnant Muslim woman whose stomach was allegedly ripped open, her foetus wrenched out with a sword, and set on fire. BBC lent credibility tothis rumour in its report of March 6, 2002. Harsh Mander repeated the same story in a tear-jerking article published on March 20, 2002, in The Times of India. The Tehelka website lent further colour and credence to it by writing that a woman named Saira Banu had claimed that the victim of that gruesome incident was her sister-in-law.
Madhu Kishwar
...People get confused because they want the boxes your talent comes in to be always the same shape and the same colour. If you don't do that then people lose track of who you are. They say 'Oh, he doesn't know himself'. But I know who I am. The energy is the same, the expression is the same and the work diligence is the same. Always. It's just that sometimes it all comes in different boxes and different colours. It may be weird to some people but it surely doesn't bother me.
Dan Hartman
Since every root sound has a distinct meaning, its signature is found in all the words derived from it. It is theoretically possible to explain the meaning of the words according to the algebraic combination of letters, syllables and roots. This transparency of rootsounds and semantics follows a natural process and gives Sanskrit the ability to discover its own history. Consequently, Sanskrit is an ever-creative language in which each word is the parent and creator of ideas. A letter is called 'akshara', which literally means imperishable or eternal. Akshara is the eternal sound, and it does not perish but reveals the whole secret of speech. Another term for letter is 'varna', which means hue or colour. Thus, every letter is heard as a sound and has a visual hue as it manifests. The rishis are said to have seen, and not just heard, the Vedas. The term for alphabet, 'varnamala', literally means 'garland of colours' or qualities or hues which the artist uses to paint reality.
Rajiv Malhotra
The man who abides in the will of God wills nothing else than what God is, and what He wills. If he were ill he would not wish to be well. If he really abides in God's will, all pain is to him a joy, all complication, simple: yea, even the pains of hell would be a joy to him. He is free and gone out from himself, and from all that he receives, he must be free. If my eye is to discern colour, it must itself be free from all colour. The eye with which I see God is the same with which God sees me. My eye and God's eye is one eye, and one sight, and one knowledge, and one love.
Meister Eckhart
